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Thursday, January 25, 2024

TARANTULA

Tarantula on the rampage!
TARANTULA (1955). Director: Jack Arnold. Colorized

When lab assistant "Steve" Clayton (Mara Corday) comes to work with Professor Deemer (Leo. G. Carroll) in a small desert community, she has no idea what she's getting into, and neither does the local doctor, Matt Hastings (John Agar), who falls for her. They have no clue that Deemer has been injecting animals with a synthetic nutrient that contains a radioactive isotope, and that during a fire caused by another assistant, a tarantula has escaped into the desert. Before long skeletons of cattle and humans are being found alongside huge pools of what turns out to be spider venom! 

Get out of town! Look what's coming!
Tarantula
 is one of the best fifties giant bug movies, done with enthusiasm and skill, and boasting some good acting, a nerve-wracking score, good FX work, and very chilling sound effects. The movie is horrific but it doesn't need to show chewed up corpses or limbs flying through the air; it gets it points across without them. A stand-out sequence is when the two prospectors or campers sort of cling to each other as the mandibles of the arachnid descend upon them, and we mustn't forget the sight of the stupendous spider just waiting on the top of a hill before it moves downward towards some horses and the unfortunate rancher who owns them. Then there's the spider advancing on Professor Deemer's house and peeking in, mouth parts working, on "Steve" before it demolishes the entire house. And the spider moving across the valley floor as the terrified inhabitants can only helplessly watch its inexorable progress. 

Edwin Rand, Corday, Agar, Paiva
Agar, Carroll and Corday are stalwarts who play the roles straight and are all the better for it. Nestor Paiva of The Mole People is especially good as the town's sheriff, and Hank Patterson ("it's gettin' to be a fast world" he says as he observes how quickly Steve and Matt make each other's acquaintance) adds some welcome humor as the hotel clerk, Josh. Others in the cast include Ross Elliot [The Adventures of Superboy] as a reporter, Raymond Bailey (Mr. Drysdale of The Beverly Hillbillies) as a scientist named Townsend, and Clint Eastwood in a bit as a pilot. There have been many movies about giant spiders since the long-ago release of Tarantula, but most of them are campy and grisly stinkers  This remains the best monster arachnid movie. NOTE: This is not to be confused with Bert I. Gordon's Earth vs. the Spider, which is fun but not quite as good.

Verdict: Once that humongous spider starts moving, watch out! Even creepier in color!  ***. 

BARE BONES 16

 

bare bones 16,

The latest issue of bare bones is out and available on Amazon. Here are the contents:

"Victoria Timpanaro provides her perspective on the evolution of fandom
Exploring Outrage in The Dakotas with Larry Blamire
J. Charles Burwell digs into George P. Pelecanos’ DC Quartet
The Cinema of Alistair MacLean examined by Derek Hill
William Schoell (yours truly) studies Professor Quatermass in Films and on Television
Mike Shayne’s Mystery Magazine Part Two by Peter Enfantino
Duane Swierczynski’s Field Guide to L.A. Pulp tracks down Paul Cain
Another trip down Sleaze Alley with Peter Enfantino
David J. Schow gets the Word on the Street in his latest R&D column
A weird, wiggly peek inside John Scoleri’s Monster Gallery"
bare bones is edited by Peter Enfantino and John Scoleri. It is a fun, scholarly publication, well worth the price.
https://www.amazon.com/Bare.../dp/B0CP2WVYCM/ref=sr_1_1...

THE MONSTER AND THE APE

The robot "monster"
THE MONSTER AND THE APE (15 chapter Columbia serial/1945. Director: Howard Bretherton. Colorized.

Professor Arnold (Ralph Morgan) has invented a robot which he calls the Metalogen Man after a material used in its construction. A colleague, Professor Ernst (George Macready of Steve Canyon), covets the robot for himself and uses his trained gorilla, Thor (Ray Corrigan), to get it, and thus begins a battle of wills and counter-strategies between opposing factions to get the robot back,  keep it out of Ernst's hands, and stay away from the paws of the mighty Thor and Ernst's nasty henchmen. Working on the side of justice along with Prof. Arnold are Ken Morgan (Robert Lowery of Sensation Hunters), Arnold's daughter, Babs (Carole Mathews of Assignment Redhead), and the lovably bumbling assistant Flash (Willie Best).  

George Macready consults with gunsels 
The Monster and the Ape
 is a fair-to-middling Columbia serial with a few interesting elements, such as the fact that the bad guys have an extra entrance to Ernst's HQ via a tunnel in the back of Thor's cage in the Municipal Zoo (yes, when he's not out killing people Thor stays in the zoo!). There are some more than decent cliffhangers, such as the bit with a conveyer belt that leads into an incinerator, and an even better sequence with walls closing in on our hero. Although he's as professional in this claptrap as he is in almost everything, Macready is an odd choice for this material, certainly not a career highpoint such as Paths of Glory. It's amusing that when Ernest disguises himself he doesn't disguise his voice -- surely even ten-year-olds would have wondered about that! Willie Best is forced to play the cowardly fool, as usual, but he is quite adept as Flash. 

Verdict: If you can't get enough apes and robots! **1/4. 

VIRAL

VIRAL. Robin Cook. Putnam; 2021. 

Brian Murphy and his wife Emma are trying to build clientele for their new security firm, but the Covid pandemic is getting in the way. During a vacation with their little daughter, Juliette, Emma is bitten by a mosquito and develops EEE (eastern equine encephalitis) and winds up in the hospital, then is sent home. While trying to care for his wife and daughter, who also has strange symptoms, Murphy has to deal with a staggering emergency room bill and the insurance company's denial of coverage. He comes to the conclusion that both the head of the hospital and the head of the insurance firm are greedy heartless bastards who live like kings while patients are sued, their homes taken, and some even driven to suicide. Murphy and a woman who lost her husband devise a scheme to get even and to make sure the horrendous greed of the American health care system becomes a top story in the news. 

Cook has written some good books and some bad ones, but Viral is just plain weird. The author is totally correct that our health care system is a mess, although it's bizarre that the book's protagonist would be surprised by any of this. Cook does reveal how hospitals jack up the prices to a ridiculous degree, and that not enough people bother to protest, and other things that may or may not be new to the reader. However, some developments are just contrived, and it's hard to believe that it would never occur to the hero to investigate Medicaid or bankruptcy protection. Instead his solution to the problem is criminal and immoral. 

The book details Murphy's problems with billing department clerks, hospital administrations, and insurance companies who collect premiums but do little for their customers. All of this is somewhat interesting, but little of it is thrilling. The book finally turns into a suspense novel of sorts in the final pages, but even these events seem a bit improbable -- everything goes without a single hitch. It's as if Cook just wanted to get the damn book over -- the ending is almost laughably flat. In order to make his point, Cook overstates things, stacks the deck, and compiles it all in undistinguished prose, with barely- dimensional characters, and very stilted dialogue.

Verdict: Read the fine print in your health insurance, but this is not an especially good read. However, without any hesitation I recommend Cook's Cell, a thrilling and suspenseful look at what goes wrong when smartphones are used as primary care doctors. **. 

SHIN GODZILLA

Godzilla

SHIN GODZILLA (2016). Directors: Hideaki Anno; Shinji Higuchi. 

"There is no danger of the creature coming ashore."

A sea monster that walks around on all fours and looks rather silly metamorphoses into the familiar creature we know as Godzilla in a film that pretty much ignores all of the earlier Godzilla movies, be they American or Japanese, as this one is. Eventually the big guy develops the ability to shoot lasers from its back, dorsal fins, and tail in addition to its fiery breath after it consumes radioactive material. In time the United States military is called in, but Japanese authorities aren't thrilled when they suggest dropping a nuclear bomb on Tokyo. Meanwhile everyone talks, deciding exactly what the creature is, what to do with it, and so on and so on ad nauseam, talk, talk and more talk with a few moments of the monster doing its thing.

In a word, Shin Godzilla talks itself to death, and while the FX work is superior to that of previous Japanese Godzilla films, the movie is still quite dull. The actors do the best they can. 

Verdict: Could be the most tedious Godzilla movie ever made. *1/2. 

Friday, January 12, 2024