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Thursday, February 28, 2019

LADY IN THE DEATH HOUSE

Jean Parker
LADY IN THE DEATH HOUSE (1944). 

Director: Steve Sekely. 

Psychologist Charles Finch (Lionel Atwill) tells a group of associates the story of Mary Kirk (Jean Parker), who was fated to die in the death house. Finch had originally encountered Mary at a nightclub, when her dress accidentally caught on fire and Finch assisted her, along with Dr. Dwight Bradford (Douglas Fowley), with whom she becomes romantically involved. When a man who knows that her father was a criminal tries to blackmail her, he winds up dead and Mary is accused. Even after she is convicted and as the time of her execution draws very near, Finch suspects that her younger sister, Suzy (Marcia Mae Jones) may know more than she's telling. Will the real killer be discovered before it's too late? 

Douglas Fowley, Lionel Atwill, Jean Parker
The most interesting -- if very contrived -- aspect of the story is that Dr. Bradford, who wants to 
marry Mary, is employed as the executioner at the prison, and when she gets to death row, will get the job of killing her, even though he could easily refuse considering the circumstances. Early in the movie Bradford explains to Finch that he only works at the prison so that he can continue his research into reviving dead animals. But if you're hoping Bradford will kill Mary and then revive her, that whole aspect of the story is completely forgotten, making one wonder why it was ever brought up in the first place.

Although there is an attempt to create some suspense at the climax, Lady in the Death House is less than nail-biting. It's padded and dull and its running time of less than an hour seems twice as long. Atwill is fine but completely wasted, while Parker makes a competent leading lady. Byron Foulger and Cy Kendall have small roles and I believe I heard the voice of Lyle Talbot as a radio announcer. Director Steve Sekely's best-known feature is probably Day of the Triffids

Verdict: A very cheap P. R. C. production with little to recommend it. *. 

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