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Thursday, April 23, 2020

INSIDE JOB (1946)

Alan Curtis and Ann Rutherford
INSIDE JOB (1946). Director: Jean Yarbrough. 

Eddie Norton (Alan Curtis) works as a kind of mechanical man in a department store window, and hides the fact that he is an ex-con because of a youthful indiscretion. His old "friend" Bart Madden (Preston Foster) threatens to tell his employers about his past if he doesn't help him rob the department store. You'd think Eddie would want no part of this scheme no matter what -- especially since Eddie took the fall for Bart --  but the dope not only eventually decides to go along with it but enlists his wife, Claire (Ann Rutherford), in his plans, which include ultimately cutting Madden out of the profit. But loose lips and a cute little boy with a cop father may prevent Eddie from realizing his larcenous ambitions.

Alan Curtis hatches plan
Inside Job features perhaps two of the dumbest protagonists in any movie. They seem to have no real skill at robbery or much of anything else. The three leads give solid performances, although Rutherford is not really the "gorgeous model" type that she is supposed to be (although she was cute enough to excite the interest of Andy Hardy when she played Polly Benedict). The movie glosses over details about the heist so that a lot of the plot doesn't make much sense. Midway through the movie it decides to drag in some sentiment with a cute neighbor kid (Jimmy Moss) next door as Eddie and Claire hide out after the heist. There's also a borderline cloying simple-minded nanny named "Ivory" (Ruby Dandridge, mother of Dorothy) and the kid's father, a cop named Thomas (Joe Sawyer). Marc Lawrence and Milburn Stone are also in the cast. The script for Inside Job is just too weak to make this a contender, but the uncompromising ending makes it clear that crime, in this case, really doesn't pay despite the fact that the couple are pretty much redeemed by their actions at the end. 

Verdict: Minor film noir with sentimental interludes. **. 

2 comments:

  1. Interesting that Ann Rutherford moved to a B level performer after a strong ingenue career at MGM as Andy Hardy's best girl and as Scarlett's youngest sister in GWTW. Her other screen sister Evelyn Keyes had more movie success than Ann (Evelyn developed a great femme fatale persona later on), who I don't remember seeing much in anything past the early 1940s. I'll check this one out--looks like a solid noir tale.
    -Chris

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  2. Well, it's not very good but it might be interesting to see Ann and handsome Curtis. Keyes did do better post-GWTW. Maybe Rutherford was trying to emulate her but it didn't quite work. She later did a few episodes of "Murder She Wrote."

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