DOOMSDAY MACHINE

Grant Williams and Bobby Van 

DOOMSDAY MACHINE (1976). Directors: Harry Hope; Lee Sholem. 

Several astronauts, including Colonel Price (Denny Miller), Major Mason (Grant Williams of The Leech Woman), and Danny (Bobby Van), are about to take off for a flight to Venus when they are told some of the other men must leave to make way for three women: Dr. Turner (Ruta Lee), Lt. Carlson (Lorri Scott), and Russian Major Bronski (Mala Powers of The Unknown Terror). Some of the men are appalled with this development, while others leer. Halfway or so through the journey, they discover that a nuclear chain reaction has completely obliterated the earth. Will the group manage to reach Venus, who will pair off with whom, and will Mason manage to restrain himself before he has his way with Carlson? Wise old Dr. Perry (Henry Wilcoxon) might have all the answers. 

Ruta Lee and Mala Powers

Doomsday Machine sat on the shelf for years because there was no money to finish the picture. Even when it was finally released it was never quite finished, as the ending --which drags and drags -- features two different actors and different voices as Danny and the Russian major wind up in a lost Soviet spaceship. The shame is that while Doomsday Machine is very, very low-budget, it boasts some very good performances and an interesting story that keeps you watching. The shape of the spaceship they are traveling in keeps changing, there are all kinds of technical errors, and the crew, although initially shocked, never have any real reaction to the loss of loved ones back on earth. 

Grant Williams

As the kind of sleazy Captain Mason, Williams probably gives the best performance in the film, but the others are all very credible. Casey Kasem plays a mission control officer back on earth and James Craig of The Cyclops is Dr. Haines. There is a creepy, uncredited score that borrows a bit from Forbidden Planet but certainly adds to the atmosphere. Lee Sholem also directed Pharaoh's Curse. 

Verdict: Interesting casting and storyline help cope with a miniscule budget and other problems. **1/2. 

TOTALLY KILLER

TOTALLY KILLER (2023). Director: Nahnatchka Khan. On Amazon Prime.

35 years ago three 16-year-old girls were butchered by an unknown maniac eventually christened the "sweet 16" killer. Although one young lady, Pam (Julie Bowen), received a threatening note, she was spared -- until the killer shows up again in 2023 and kills her. Pam's grieving daughter, Jamie (Kiernan Shipka), seeks shelter in a time machine built by a friend when the killer pursues her, and inadvertently winds up back in the past on the very day the first murder is to occur. She decides to do everything she can to not only save her mother from her ultimate fate, but save the other girls as well. But it won't be easy, as her teenage mother (Olivia Holt) and her friends are basically all "mean girls." She also finds out that events are not unfolding exactly as they did in the past, meaning no one is safe ...

While I could have done without the film's flippant approach -- obviously trying to come off like a Scream movie -- I must say that the screenplay has some inventive and clever aspects to it. There's a very good sequence dealing with a "Quantum Drop" spaceship ride in the carnival, and more than one good twist. The identity of the killer is a complete surprise but there are still a couple of surprises even after the maniac, who actually has a solid motive, is unmasked. However, haven't we all had enough of mean girls and dumb jocks in horror movies? Shipka and the rest of the cast go through their paces competently. There are frequent references to Back to the Future. 

Verdict: Despite the sillier aspects, this is a decent time-travel slasher movie. ***. 

GUNSLINGER

Beverly Garland, Jonathan Haze, Allison Hayes

GUNSLINGER (1956). Produced and directed by Roger Corman.

"Sometimes I like awake two or three seconds worrying about it." -- Erica.

1878: Marshal Scott Hood (William Schallert) of Oracle Texas is shot dead in his office right in front of his horrified wife, Rose (Beverly Garland). She immediately shoots and kills one of two assassins and catches up with the other one at her husband's funeral, shooting him dead, too, as he stands hypocritically at the gravesite -- a great scene. 

Beverly Garland and John Ireland

Rose then decides to make herself the marshal of Oracle until a real marshal can show up in two weeks. In those weeks the feisty widow cleans up the town and wages war with Erica Page (Allison Hayes), who owns the Red Dog saloon. Rose insists that Erica keeps regular hours and that the trampy dancing girls leave town (they later attack Rose en masse). Erica and Rose have a zesty cat fight which the latter wins, leading to the former calling for a gunslinger named Cane Miro (John Ireland). Cane is paid $3000 to off the law in town -- Rose -- only Cane finds himself falling for the lady and vice versa. Meanwhile Erica, manipulating things behind the scenes, has bet virtually everything she owns hoping that the railroad will run through Oracle. Will Cane ultimately side with Rose or Erica?

Ireland romances the 50 Foot Woman

There are two obvious influences on Corman's Gunslinger. The first is Johnny Guitar, which came out two years earlier and also featured two women, Joan Crawford and Mercedes McCambridge in this case, in a power struggle (both on and off the set). Then there's Duel in the Sun, made about ten years earlier, in which lovers Jennifer Jones and Gregory Peck have a climactic gun battle -- Gunslinger's climax is basically a steal from that. But that doesn't detract from the fact that Gunslinger is a well-made, well-acted and entertaining picture that is better than its reputation (trashed largely because it was featured on that silly Mystery Science Theater).

Ireland confers with Hayes in front of Haze

Corman's fast-paced direction is a plus, as is the cast. John Ireland successfully keeps you guessing as to his true character and motivations, while Hayes, the 50 foot woman herself, gives possibly her best performance in her hard-as-nails portrayal of Erica. Beverly Garland, always a superior actress who deserved better than a career in B movies, is excellent as Rose, although one flaw in her performance is that she never seems to be grieving for her beloved husband -- but then she's kept pretty busy. Jonathan Haze of The Little Shop of Horrors scores as Jake, the bartender who is in love with Erica and kills poor portly Zebelon Tabb (Bruno VeSota) at her direction. Martin Kingsley doesn't make much of an impression as Mayor Polk, who is hated by Cane, but Margaret Campbell is much better as his wife. Chris Alcaide is Deputy Joshua, and Dick Miller shows up briefly as a postal man who gets shot by the sociopathic Erica. Ronald Stein contributes a quirky and effective score. 

Verdict: With a little more work this under-rated western could have been a real contender. ***. 

THE DIARY OF A HIGH SCHOOL BRIDE

Can this marriage be saved? Ron Foster, Anita Sands

THE DIARY OF A HIGH SCHOOL BRIDE (1959). Produced and directed by Burt Topper.  

17-year-old Judy (Anita Sands) and 24-year-old Steve (Ron Foster of Ma Barker's Killer Brood) get married in Las Vegas and move into an apartment. Although Steve, studying to be a lawyer, seems like a perfectly upright and solid fellow, Judy's parents are appalled. Judy's mother (Louise Arthur) wants the marriage immediately annulled, but her father (Frank Biro) insists that she will move back home when she gets tired of playing housewife. Meanwhile Judy's nasty ex-boyfriend, Chuck (Chris Robinson), the spoiled son of a movie executive, is out to cause trouble for the couple any way he can. 

Chris Robinson and Wendy Wilde

If there is any problem with Diary of a High School Bride it's that the leading characters are actually perfectly nice and decent, which, alas, does not add up to perfect melodrama. There is so little plot to the movie that any "drama," if that's the word, comes from the actions of sleazy Chuck as he tries to cause an accident on the highway, gets clobbered by Steve, and even attempts the rape of Judy at the climax. The audience probably cheered when he got his final comeuppance, although they might have just been grateful that this lousy flick was over. Handsome and talented, poor Ron Foster often found himself in turkeys like this. After making her debut in this film, Sands had a few television credits. Her performance is nothing to rave about but Chris Robinson does a nice job as the fellow who just won't take no for an answer. John Hart shows up briefly as a police officer and Elvis imitator Tony Casanova sings the title song and does another number in a coffeeshop. Wendy Wilde plays Chuck's monkey-faced wannabee girlfriend. 

Verdict: Barely passable. *1/2. 

BATMAN: THE LONG HALLOWEEN PARTS ONE AND TWO

BATMAN: THE LONG HALLOWEEN Parts One and Two (2021). Director: Chris Palmer. 

A killer named "Holiday" is committing murders of gangsters, each crime occurring on a holiday. District attorney Harvey Dent (Josh Duhamel) is determined to bring mob boss Carmine Falcone to justice, leaving his lonely wife Gilda to fend for herself, while Bruce Wayne (Jensen Ackles) is embarrassed by the man's former connection to Wayne's late father. As Batman and Commissioner Gordon (Billy Burke of Along Came a Spider) try to determine the identity of Holiday and prevent more killings, Batman and Catwoman (Naya Rivera) pursue a relationship. Catwoman saves Bruce from the sinister manipulations of Poison Ivy while the Joker is up to his usual tricks and the Scarecrow breaks out of Arkham Asylum. Batman zeroes in on Vincent Falcone's mistreated son, Alberto, as Holiday but the truth may be much more complicated. 

Based on a graphic novel, Batman: The Long Halloween is a pretty classy animated feature, boasting excellent drawings and superior direction. True, the stuff with the mobsters is full of the usual cliches (and phony sentimentality), but the story is suspenseful and quite entertaining despite it being nearly three hours long. This is another cartoon that is better than a lot of theatrical movies.  

Verdict: One of the better DC animated pictures. ***. 

TOKYO FILE 212

Lee Frederick and Florence Marly

TOKYO FILE 212 (1951). Directors/co-writers: Darrel McGowan; Stuart E. McGowan. Colorized. 

Army Intelligence man Jim Carter (Lee Frederick, using the name Robert Peyton) is in occupied Tokyo pretending to be a reporter. He meets Steffi Novak (Florence Marley), who says that her sister is in North Korea and she is desperate to be reunited with her. Jim's old friend Taro Matsuto (Katsuhiko Haida) has joined a communist outfit working out of Japan. His father (Tatsuo Saito) tells Jim that Taro was preparing to be a Kamikaze pilot when the war ended, and all his preparations were for nothing. He has cut off all ties with his father and former fiancee, Namiko (Reiko Otani). Taro reports to a man named Oyama (Tetsu Nakamora) who is not above kidnapping and murder to achieve his goals. Meanwhile Jim has to wonder just which side sexy Steffi is really on. 

Marley with Katsuhiko Haida

Czech-born Florence Marley was Humphrey Bogart's leading lady in Tokyo Joe, which came out two years earlier, and undoubtedly it was this that got her cast as one of the leads in Tokyo File 212. Marley looks good and never gives the game away as to who she's really playing for; an insouciant and appealing performance. Unconventionally attractive, Frederick is a laid-back and likable hero although decidedly from the minor leagues. Katsuhiko Haida, Saito, Otani, and especially Tetsu Nakamora as the chief villain of the piece are all excellent. Nakamora appeared in many English-language films. 

"insouciant and appealing:" Florence Marley

The movie was filmed entirely in Japan, and features some actual Intelligence Officers and Kamikaze pilots (who apparently survived). This is essentially an anti-commie film, simplistic in some ways, but flavorful in its locales and details. There are some good action scenes as well. (You would never know that two major Japanese cities had been wiped off the map just a few short years before.) The film greatly benefits from a evocative score by Albert Glasser, who usually scored monster movies and the like. Here he is given a lot more to work with and he runs with it, embellishing every sequence and giving the low-budget picture an added polish. 

Verdict: Unusual kind of spy film with a highly interesting cast. ***. 

GANG BUSTERS

Kent Taylor, Irene Hervey, Robert Armstrong

GANG BUSTERS (13 chapter Universal serial/1942). Directors: Noel M. Smith; Ray Taylor. Colorized.

The city is under siege by "The League of Murdered Men," a sinister group of supposedly dead criminals run by Professor Mortis (Ralph Morgan of Dick Tracy vs. Crime Inc.). Mortis keeps his underlings in line by telling them -- once he has revived their "corpses" after plastic surgery -- that they must take a daily pill he has concocted or they will succumb to death for real. Mortis is less interested in financial gain than he is in revenge on all city authorities, especially the chief of police (Joseph Crehan) and the dyspeptic mayor (George Watts). Fighting against Mortis and his dead men are Detective Bill Bannister (Kent Taylor of The Crimson Key), his junior partner Tom Nolan (Robert Armstrong of Exposed), reporter Vicki Logan (Irene Hervey) and shutterbug Happy Haskins (Richards Davies), one of whom is secretly working for Professor Mortis.

Ralph Morgan as "Professor Mortis"

Gang Busters, not to be confused with the later TV series of the same name, is a top-notch Universal serial that is swiftly-paced and consistently exciting. Especially good sequences include a fight on a plane in chapter one, and a thrilling battle atop a speeding train. The leads are quite adept, and there is notable work from some actors cast as gang members, including William Haade as dimwitted Mike Taboni, George J. Lewis, and John Gallaudet as Wilkinson. Morgan is excellent as the sinister and hateful "Professor Mortis." An interesting if zany touch has it that the only entrance to the professor's underground lair is through a trap door in the middle of the subway tracks. Wild!

Verdict: Fun, fast-paced serial action now in color! ***. 

B MOVIE NIGHTMARE: THE BOOK

B MOVIE NIGHTMARE: B Movies and Genre Films from Monsters to Spies. William Schoell.

Here it is! My first collection of reviews taken not from this blog, but from GREAT OLD MOVIES -- these reviews were originally posted many years ago. There are sections on horror films; sci fi films; movies of intrigue and suspense, including film noir; cliffhanger serials; monster movies; B movie series (Crime Doctor, Nancy Drew etc.); TV shows; exploitation films (admittedly the shortest section in the book); spies; and Alfred Hitchcock. Admittedly, Hitch rarely made a "B" movie but the book, like this blog, also covers genre movies from A to Z. The films are listed in chronological order in each section, and there are movie stills as well. Available in the following formats: Kindle, trade paperback, and hardcover. You can buy this book on Amazon.

INJUSTICE

Superman kills the Joker

INJUSTICE (2021). Director: Matt Peters.

Superman (Justin Hartley) discovers that his wife Lois (Laura Bailey) is pregnant on the same day that she -- along with Jimmy Olsen and millions of others in Metropolis -- is murdered by the Joker. Understandably furious at the Joker, to put it mildly, as well as angry that Batman has never arrived at a final solution for the Joker, Superman punches his fist through the villain's chest and ends his menace forever. This completely understandable act of revenge -- or justice -- on the part of Superman, while perhaps out of character, leads into a conflict between him and other members of the Justice League.

The Man of Steel on the offensive

Superman decides that the super-heroes of the world should use their abilities to shut down oppressive governments and terrorists without mercy. Wonder Woman agrees with him, as does 13-year-old Damian Wayne (Zach Callison), Batman's edgy son. But even Wonder Woman is appalled when the Man of Steel literally murders some teenage geeks who think the Joker is "cool." Batman, Green Arrow, and other heroes then stand against Superman and the battle is on. 

Wonder Woman and the Justice League

Injustice is based on a DC graphic novel but many of its ideas are taken from the excellent Marvel Comics mini-series Squadron Supreme (whose characters were actually variations of the DC heroes), which dealt with similar issues of responsibility and the corruption of power. Other characters in the movie include Dick Grayson (who is killed and becomes "Deadwing)," Cyborg, Green Lantern, Flash, and the villains Ra's Al Ghul, Mirror Master, Amazo, and Harley Quinn, an idiotic character who nearly ruins the movie. The Atom and Green Arrow are also killed. While there are some exciting sequences in the movie, you might get the feeling that you've seen it all before, although much of it is fun.

Verdict: A lack of originality doesn't help but it's great to see the Joker finally get his! **3/4.

65

Adam Driver pursued by dinosaur

65 (2023). Written and directed by Scott Beck and Bryan Woods.

65 million years ago a spaceship from the Planet Somaris -- which seems exactly like Earth -- is hit by the first piece of a huge asteroid and crash lands in two pieces on our planet in the prehistoric era. The only survivors are the pilot, Mills (Adam Driver), and a little girl named Koa (Ariana Greenblatt), whose parents are among the lost. Mills had a young daughter, Nevine (Chloe Coleman), who died while he was out in space. Half of the spaceship has landed on top of a mountain, and Mills and Koa have to make their way through a hostile landscape (somewhat) filled with dinosaurs in order to find their way home.

Adam Driver

65 engendered serious hatred in  a lot of viewers, probably because it is less of a dinosaur movie than it is a survival movie with a few dinosaurs thrown in. Admittedly these dinosaurs -- precious few of them considering this is the prehistoric era -- look great and the FX work in the film is excellent. But there isn't much of a story here, and the two characters can't even converse because only one of them speaks English (or an alien version of it?) It's actually rather odd that in spite of the close calls that our twosome have to endure throughout the movie -- cave-ins, quicksand, hungry raptors, the meteor that killed off the dinosaurs, and so on -- the film is so blah and even a bit dull. It doesn't help that there isn't enough back story and the whole premise is like something out of an old comic book. The acting is fine, however, although if star Adam Driver were hoping for a tremendous hit he must have been disappointed. The various attempts at pathos don't really work, either. 

Verdict: If you want dinosaurs there are better places to visit. **1/2.