DOOMSDAY MACHINE

Grant Williams and Bobby Van 

DOOMSDAY MACHINE (1976). Directors: Harry Hope; Lee Sholem. 

Several astronauts, including Colonel Price (Denny Miller), Major Mason (Grant Williams of The Leech Woman), and Danny (Bobby Van), are about to take off for a flight to Venus when they are told some of the other men must leave to make way for three women: Dr. Turner (Ruta Lee), Lt. Carlson (Lorri Scott), and Russian Major Bronski (Mala Powers of The Unknown Terror). Some of the men are appalled with this development, while others leer. Halfway or so through the journey, they discover that a nuclear chain reaction has completely obliterated the earth. Will the group manage to reach Venus, who will pair off with whom, and will Mason manage to restrain himself before he has his way with Carlson? Wise old Dr. Perry (Henry Wilcoxon) might have all the answers. 

Ruta Lee and Mala Powers

Doomsday Machine sat on the shelf for years because there was no money to finish the picture. Even when it was finally released it was never quite finished, as the ending --which drags and drags -- features two different actors and different voices as Danny and the Russian major wind up in a lost Soviet spaceship. The shame is that while Doomsday Machine is very, very low-budget, it boasts some very good performances and an interesting story that keeps you watching. The shape of the spaceship they are traveling in keeps changing, there are all kinds of technical errors, and the crew, although initially shocked, never have any real reaction to the loss of loved ones back on earth. 

Grant Williams

As the kind of sleazy Captain Mason, Williams probably gives the best performance in the film, but the others are all very credible. Casey Kasem plays a mission control officer back on earth and James Craig of The Cyclops is Dr. Haines. There is a creepy, uncredited score that borrows a bit from Forbidden Planet but certainly adds to the atmosphere. Lee Sholem also directed Pharaoh's Curse. 

Verdict: Interesting casting and storyline help cope with a miniscule budget and other problems. **1/2. 

DEATH AT LOVE HOUSE

Robert Wagner and Kate Jackson

DEATH AT LOVE HOUSE (1976 telefilm). Director: E. W. Swackhamer.  

Joel Gregory Jr. (Robert Wagner) is the son of a man who was once the lover of the late movie star Lorna Love (Marianna Hill). Joel and his pregnant wife, Donna (Kate Jackson), move into the Love estate to work on a book about the great romance between Lorna and his father. Mysterious people run about the estate at night, and there is an attempt on Donna's life. Conan Carroll (John Carradine), who worked with Lorna and loathed her, is attacked and killed on the grounds, not far from a vault where Lorna's perfectly preserved corpse (!) is on display. Then Joel starts acting all weird ... 

Dorothy Lamour

Death at Love House sets up an intriguing situation but it's one of those movies where characterization and common sense are sacrificed so there can be inexplicable and unlikely plot twists. If anything, the denouement raises more questions than it answers. However, Wagner and Jackson give good performances, and along with Carradine we have appearances by Sylvia Sidney as a housekeeper, Joan Blondell as an obsessive aging fan, and Dorothy Lamour as Lorna's old rival in pictures. Marianna Hill proves no great actress in her brief scenes as Lorna Love. Wagner plays his father in sepia flashbacks. Laurence Rosenthal's score helps a bit. 

Verdict: You won't love this love house. **1/4.                           

SISTERS OF DEATH

Cheri Howell

SISTERS OF DEATH (1976). Director: Joe Mazzuca. 

During an initiation ceremony in a sorority secret society, a young woman is killed during a game of Russian roulette. 7 years later the surviving members are invited to a reunion at an isolated estate. Partying with them are two men -- Mark (Paul Carr) and Joe (Joe E. Tata) -- who were hired to bring the girls to the estate. Their client is Edmond Clybourn (Arthur Franz), whose daughter is the dead girl. Clybourn is determined to find out which of the other women switched bullets in the gun and killed his daughter, but when people start dying off is it Clybourn doing the killing or the unknown suspected sorority sister? 

Arthur Franz

 Sisters of Death was released in theaters, but it plays like a Movie-of-the-Week with bloodless killings and less real suspense than your average telefilm. Franz is the best-known actor -- and Paul Carr appeared on the TV version of Voyage to the Bottom of the Sea -- but he is given little to do but sit around making bullets. Playmate of the Year Claudia Jennings is the best-known woman in the cast, but the best femme performance is by Cheri Howell as Sylvie. In general the acting is more than acceptable, as is the premise of the film, but it is let down by a fairly dull and routine execution. There is, however, an interesting climax involving a gatling gun. 

Verdict: A real time-waster. *1/2.