MONSTER ON THE CAMPUS

Eddie Parker in full make up

MONSTER ON THE CAMPUS (1958). Director: Jack Arnold. Colorized version.

Professor Donald Blake (Arthur Franz of The Flame Barrier) of Dunsford University is excited to receive the expensive acquisition of a coelacanth, a fish that dates back to the prehistoric era. Unfortunately, its blood has very negative effects on animals, including humans, with a dog temporarily going berserk, a dragonfly growing to giant size, and the professor himself turning into a grotesque, homicidal monster. His fiancee Madeline (Joanna Moore) is having trouble wrapping her head around the fact that her boyfriend is not exactly himself ... 

Walters, Franz, and Donahue

Since they have somewhat similar plots -- minus the coelacanth -- one might think that The Neanderthal Man is a shoddy imitation of the far superior Monster on the Campus, but the latter film actually came out five years later. Franz, who could be a reliable actor, is often quite perfunctory in this, merely walking through sequences in which he should have been much more emotional. Moore is fine, and we also have appearances by Troy Donahue as a science student and Nancy Walters as his gal pal Sylvia. Others in the cast include Ross Elliott as a cop, Richard H. Cutting as a forest ranger, Whit Bissell as a doctor, Phil Harvey as a sergeant, Hank Patterson as a night watchman, and Helen Westcott as the ill-fated nurse, Molly. When Franz transforms (via time lapse photography as well as a mask) into a monster, Eddie Parker takes over the role. Monster on the Campus is absorbing, well-directed by genre specialist Jack Arnold, and quite entertaining. Arnold, of course, directed Incredible Shrinking Man, Tarantula, Creature from the Black Lagoon, and many others. 

Verdict: Imperfect but satisfying fifties sci-fi horror with the usual jangling stock Universal score. ***. 

FLIGHT TO MARS

Huston, Franz and Mitchell

FLIGHT TO MARS (1951). Director: Lesley Selander. 

Five people travel on a spaceship to Mars: scientists Professor Jackson (Richard Gaines), Dr. Lane (John Litel of Runaway Daughters), and Dr. Barker (Arthur Franz); along with Barker's apparent fiancee and assistant, Carol (Virginia Huston); and reporter Steve Abbott (Cameron Mitchell of The Silent Scream). During the journey triangle tension develops between Barker, Carol and Steve, but they are in more danger from passing meteorites. Arriving on Mars they discover an advanced underground civilization. Although the leader, Ikron (Morris Ankrum of Beginning of the End), seems friendly to the earthlings and offers to help them repair their rocket ship, in reality he is scheming to steal their technology so they can leave their dying planet and take over the earth. 

The latest in Martian fashions!

Flight to Mars begins well, with some interesting discussions aboard the ship en route to Mars, and sincere attempts at characterization. One of the scientists puts forth the interesting theory that the universe is one enormous living being. Unfortunately, once the group reaches Mars, the film turns into a dreary and rather dull and cliche-ridden story of dying planets and alien treachery. Fortunately, some of the Martians are on the side of the visitors and help them, and there is some minor suspense as the earthlings make their getaway from Mars. The acting is good enough for this Monogram production. Marguerite Chapman is cast as Alita, a fetching Martian lady who falls for Barker even as his cast-off girlfriend begins falling for the persistent Abbott -- the soap opera aspects of the story are not compelling. 

Verdict: Begins well, becomes a bore. **. 

THE FLAME BARRIER

Arthur Franz and Kathleen Crowley

THE FLAME BARRIER (1958). Director: Paul Landres.

Carol Dahlmann (Kathleen Crowley of The Rebel Set) is on a hunt for her husband, who disappeared while on an expedition in the jungle. A rocket that crashed to earth and may have important scientific information is considered irretrievably lost, but Dahlmann (Dan Gachman), a chemical magnate, used his own funds to try to find it -- he never came back. Now his wife importunes two brothers, Matt (Robert Brown) and Dave Hollister (Arthur Franz of New Orleans Uncensored), to guide her into the same territory where he disappeared before the rains come. Matt is handsome, charming and solicitous, while Dave -- whose ex-wife ran out on him -- is rude, obnoxious and hostile -- guess which brother Carol falls for? Dave wonders if Carol really loved her husband or if she just needs proof of his death so she can proceed with probate. 

Crowley with Robert Brown

The Flame Barrier is an interesting low-budget science fiction movie with an unusual monster, a lifeform that the rocket brought back to earth and which radiates a deadly destructive field that causes victims to burst into flame. If it isn't destroyed in time the entire world could be in trouble. The trek through the jungle is suspenseful and at times deliberately humorous and there is good interplay between the three main characters. With her sexy whiskey voice Kathleen Crowley, always a solid actress, makes the most of her confused but likable character, while Franz and Brown also score as two siblings with very different personalities. Although the production values generally remind one of a TV show, the film still manages to work up atmosphere, and there are effective moments concerning the somewhat shapeless, expanding lifeform and the fate of Dahlmann. There are illogical moments, but the screenplay offers some interesting concepts as well. Gerald Fried's music is a decided plus, offering a more flavorful background than the typical generic score. Brown and Crowley both did a lot of TV work in the fifties and sixties. 

Verdict: Entertaining and well-acted enough so that you don't miss the usual giant bugs or lizards. ***.

SISTERS OF DEATH

Cheri Howell

SISTERS OF DEATH (1976). Director: Joe Mazzuca. 

During an initiation ceremony in a sorority secret society, a young woman is killed during a game of Russian roulette. 7 years later the surviving members are invited to a reunion at an isolated estate. Partying with them are two men -- Mark (Paul Carr) and Joe (Joe E. Tata) -- who were hired to bring the girls to the estate. Their client is Edmond Clybourn (Arthur Franz), whose daughter is the dead girl. Clybourn is determined to find out which of the other women switched bullets in the gun and killed his daughter, but when people start dying off is it Clybourn doing the killing or the unknown suspected sorority sister? 

Arthur Franz

 Sisters of Death was released in theaters, but it plays like a Movie-of-the-Week with bloodless killings and less real suspense than your average telefilm. Franz is the best-known actor -- and Paul Carr appeared on the TV version of Voyage to the Bottom of the Sea -- but he is given little to do but sit around making bullets. Playmate of the Year Claudia Jennings is the best-known woman in the cast, but the best femme performance is by Cheri Howell as Sylvie. In general the acting is more than acceptable, as is the premise of the film, but it is let down by a fairly dull and routine execution. There is, however, an interesting climax involving a gatling gun. 

Verdict: A real time-waster. *1/2.  

NEW ORLEANS UNCENSORED

Beverly Garland and Arthur Franz

NEW ORLEANS UNCENSORED (1955). Director: William Castle. 

New Orleans, the second busiest port after New York City, has become a hotbed of crime and violence. Dan Corbett (Arthur Franz) only wants to fix up an old rust bucket of a ship and start his own business, but for now he works on the docks. Dan gets involved with two women: Alma Mae (Helene Stanton), who is the sexy girlfriend of mob boss "Zero" Saxon (Michael Ansara); and Marie Reilly (Beverly Garland of Soldiers of Fortune), whose husband, Joe (William Henry of Uranium Boom) works for Saxon and later winds up dead. Dan agrees to help the authorities expose Saxon's corruption by going to work for him undercover, even though he knows he's putting himself in harm's way. 

Arthur Franz and Helene Stanton

Frankly, there's enough material in this picture to have made an exciting thriller, but New Orleans Uncensored just ambles along without ever once igniting. The performances are all credible, although the cops and other authorities are played by real-life policemen. The suspenseful climax the film has supposedly been building to never quite materializes. Other cast members include Mike Mazurki as Saxon's dumb enforcer, and Ed Nelson as a dock worker. This same year Helene Stanton played a blonde goddess in the Jungle Jim film Jungle Moon Men. 

Verdict: Surprisingly, a rather dull William Castle movie. **.