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Showing posts with label Whit Bissell. Show all posts
Showing posts with label Whit Bissell. Show all posts

Thursday, August 7, 2025

MONSTER ON THE CAMPUS

Eddie Parker in full make up
MONSTER ON THE CAMPUS (1958). Director: Jack Arnold. Colorized version.

Professor Donald Blake (Arthur Franz of The Flame Barrier) of Dunsford University is excited to receive the expensive acquisition of a coelacanth, a fish that dates back to the prehistoric era. Unfortunately, its blood has very negative effects on animals, including humans, with a dog temporarily going berserk, a dragonfly growing to giant size, and the professor himself turning into a grotesque, homicidal monster. His fiancee Madeline (Joanna Moore) is having trouble wrapping her head around the fact that her boyfriend is not exactly himself ... 

Walters, Franz, and Donahue
Since they have somewhat similar plots -- minus the coelacanth -- one might think that The Neanderthal Man is a shoddy imitation of the far superior Monster on the Campus, but the latter film actually came out five years later. Franz, who could be a reliable actor, is often quite perfunctory in this, merely walking through sequences in which he should have been much more emotional. Moore is fine, and we also have appearances by Troy Donahue as a science student and Nancy Walters as his gal pal Sylvia. Others in the cast include Ross Elliott as a cop, Richard H. Cutting as a forest ranger, Whit Bissell as a doctor, Phil Harvey as a sergeant, Hank Patterson as a night watchman, and Helen Westcott as the ill-fated nurse, Molly. When Franz transforms (via time lapse photography as well as a mask) into a monster, Eddie Parker takes over the role. Monster on the Campus is absorbing, well-directed by genre specialist Jack Arnold, and quite entertaining. Arnold, of course, directed Incredible Shrinking Man, Tarantula, Creature from the Black Lagoon, and many others. 

Verdict: Imperfect but satisfying fifties sci-fi horror with the usual jangling stock Universal score. ***. 

Thursday, August 1, 2024

CREATURE FROM THE BLACK LAGOON

Stunning portrait of the Gill Man
CREATURE FROM THE BLACK LAGOON (1954). Director: Jack Arnold. Colorized.  

A group of scientists go the Amazon to search for more fossils from a presumably extinct creature, possibly the missing link. Dr. Reed (Richard Carlson), his girlfriend, Kay (Julie Adams) Dr, Maia (Antonio Moreno), Dr. Thompson (Whit Bissell), and the ambitious project head Dr. Williams (Richard Denning) should have known something was up after they find the torn bodies of Maia's crew, but they proceed to the "black lagoon" where this creature hangs out anyway, upon the advice of ship's captain, Lucas (Nestor Paiva). Williams wants to capture the creature and bring it back to civilization for study, but as this clawed and dangerous animal begins to decimate the members of the party, this seems more and more unlikely ... 

the gill man is fascinated by Kay swimming above
Creature from the Black Lagoon
 gets points for being something decidedly different from the other Universal monsters. Although at times the creature looks perhaps more comical than frightening, he is still a formidable figure. Creature is often illogical -- and forget about the "science" of the piece -- but that doesn't matter up against the tension and atmosphere that the film often generates. The best scene has the lonely gill man (why does no one wonder if he has a mate or if there are others of its kind in the vicinity?) swimming underneath Kay and reaching out to nearly touch her, a strangely erotic moment. 

Denning, Paiva, Adams, Carlson
The acting is credible even if no one in the film has much of a reaction to the horrible deaths of the hired men, and the characters only seem to show emotion towards the end when one of their number is mauled. The colorization process is generally good on the version I watched, giving the film a new dimension, and helping with the often murky underwater scenes. The blasting musical score, from a variety of sources, helps put over some of the slower sequences. There were two sequels to this film, although neither were as good, and a projected remake never materialized. Originally shown in 3-D.

Verdict: Entertaining classic horror flick with a very lively and unusual monster. ***.