CITY OF SHADOWS

Victor McLaglen and John Baer

CITY OF SHADOWS (1955). Director: William Witney. Colorized. 

Small-timer "Big Tim" Channing (Victor McLaglen) meets up with Dan Mason (John Baer of Guns Girls and Gangsters) when the latter is just 12-years-old and putting slugs in slot machines. The two form a bond and inspire each other until Tim becomes a big-time racketeer and Dan is about to graduate law school, using his and other's expertise to keep Tim out of jail. Dan changes his tune when he falls in love with Fern (Kathleen Crowley of The Flame Barrier), the daughter of a prominent lawyer whose brains Dan wanted to pick. He decides to help Tim go legit, but is unaware that Tim's associates are still playing it fast and loose. Before long Tim, Dan and Fern are all on the run from gangsters. 

Baer with Kathleen Crowley

City of Shadows tosses in a lot of over-familiar elements but the picture works because it's fast-paced and well-acted by all. McLaglen plays the usual Hollywood version of a gangster, all joviality and with a heart of gold, although this type is generally seen in comedies. Good-looking and adept, Baer displays leading man charisma and ability as Dan Mason, and Kathleen Crowley offers another one of her solid and effective portrayals. Others in the cast include Frank Ferguson [The Big Night] as the D.A., Anthony Caruso as another mobster, Richard Reeves as a bad-tempered gunsel, Richard Travis as an undercover agent, and June Vincent as a secretary to Mason when he starts his own insurance/security firm but who secretly reports to Caruso. The script for this could have come out of the thirties. Serial specialist William Witney keeps things moving, and there's an exciting climax and chase on a ski lift. 

Verdict: More than acceptable crime thriller with a good cast. ***. 

FEMALE JUNGLE

Burt Kaiser and Lawrence Tierney

FEMALE JUNGLE (1955). Director: Bruno VeSota.

An actress is strangled to death and a heavy-drinking cop, Jack Stevens (Lawrence Tierney), fears he may have had something to do with the murder in a black out. Suspects also include columnist Claude Almstead (John Carradine of Death at Love House), who was in love with the actress, and caricaturist Alex Voe (Burt Kaiser), who is married to waitress Peggy (Kathleen Crowley of The Flame Barrier) but is carrying on with Candy (Jayne Mansfield). As the night proceeds Almstead takes Peggy out for a ride and Stevens and Sgt. Duane (Duane Grey) interrogate Almstead; Duane is convinced that the columnist is guilty. But on this he may be fatally mistaken.

John Carradine

Female Jungle has only been remembered, if at all, because future brief star Jayne Mansfield has a small role. She has a credible death scene but otherwise her performance is undistinguished; leading lady Crowley is much, much better. Tierny and Carradine are solid, but the most impressive performance is given by Burt Kaiser, who also co-wrote the screenplay and produced. Despite his good looks and acting ability, Kaiser only made one film and had a very few TV credits. Connie Cezon, who plays another club employee, was receptionist Gertie on Perry Mason. Director Bruno VeSota gives himself a small role -- Cezon's husband -- but his direction is nothing to rave about and even in a clear print the film is criminally under-lit. Dull in spots, the picture goes on too long after the climax.

Verdict: Some good acting and a decent plot, but the execution is mediocre. **.   

THE FLAME BARRIER

Arthur Franz and Kathleen Crowley

THE FLAME BARRIER (1958). Director: Paul Landres.

Carol Dahlmann (Kathleen Crowley of The Rebel Set) is on a hunt for her husband, who disappeared while on an expedition in the jungle. A rocket that crashed to earth and may have important scientific information is considered irretrievably lost, but Dahlmann (Dan Gachman), a chemical magnate, used his own funds to try to find it -- he never came back. Now his wife importunes two brothers, Matt (Robert Brown) and Dave Hollister (Arthur Franz of New Orleans Uncensored), to guide her into the same territory where he disappeared before the rains come. Matt is handsome, charming and solicitous, while Dave -- whose ex-wife ran out on him -- is rude, obnoxious and hostile -- guess which brother Carol falls for? Dave wonders if Carol really loved her husband or if she just needs proof of his death so she can proceed with probate. 

Crowley with Robert Brown

The Flame Barrier is an interesting low-budget science fiction movie with an unusual monster, a lifeform that the rocket brought back to earth and which radiates a deadly destructive field that causes victims to burst into flame. If it isn't destroyed in time the entire world could be in trouble. The trek through the jungle is suspenseful and at times deliberately humorous and there is good interplay between the three main characters. With her sexy whiskey voice Kathleen Crowley, always a solid actress, makes the most of her confused but likable character, while Franz and Brown also score as two siblings with very different personalities. Although the production values generally remind one of a TV show, the film still manages to work up atmosphere, and there are effective moments concerning the somewhat shapeless, expanding lifeform and the fate of Dahlmann. There are illogical moments, but the screenplay offers some interesting concepts as well. Gerald Fried's music is a decided plus, offering a more flavorful background than the typical generic score. Brown and Crowley both did a lot of TV work in the fifties and sixties. 

Verdict: Entertaining and well-acted enough so that you don't miss the usual giant bugs or lizards. ***.

THE REBEL SET

Kathleen Crowley and Gregg Palmer

THE REBEL SET (1959). Director: Gene Fowler, Jr. 

Mr. Tucker (Edward Platt of Atlantis the Lost Continent) owns a coffee shop but he has a sideline: he plans heists for lots of money. He enlists the participation of three men whom he clearly thinks of as losers: struggling actor John (Gregg Palmer); failed novelist Ray (John Lupton); and George (Don Sullivan), the screw-up son of a famous movie star. Tucker actually plans his caper very well, and the heist of an armored car goes off without a hitch, until everyone makes their escape on a train and a murder or two occurs ... 

John Lupton and Don Sullivan

The Rebel Set was packaged as some kind of "beatnik" movie, but while there are appearances by stereotypical beatniks in the film, the main characters don't fit into that category and the film has little to do with them. The screenplay for this is not that bad, but the performances are a little too laid-back to give the pic the tension it requires. Don Sullivan essays a very different character from the one he plays in The Giant Gila Monster, but he's versatile enough to pull it off although he, too, underplays too much. Poor Ed Platt walks through the movie as if it were a rehearsal and he didn't know the cameras were filming -- his high water mark really was Get Smart.  Kathleen Crowley with her trademark whiskey voice gives the best performance as actor John's very worried wife, who thinks he's going to appear in a play instead of a robbery. Others in the cast include Robert Shayne, Byron Foulger, and Gene Roth [Earth vs the Spider]. The film was shot by Karl Struss. Probably influenced by films like The Killing and The Asphalt Jungle, it's not in their league.

Verdict: Just misses. **1/2.