FROM HELL IT CAME

Tabanga carries off unfaithful widow

FROM HELL IT CAME (1957). Director: Dan Milner. 

Because an atomic bomb was detonated 1500 miles from a Pacific atoll, followed by a "freak typhoon" which may have blown fall-out towards the island, a scientific team has been called in to investigate. They find that a plague is decimating the island, but that radioactivity is negligible -- so there are no giant intelligent crabs as in Attack of the Crab Monsters -- but the team have other problems. The witch doctor Tano (Robert Swan) still blames the natives' sickness on "Devil Dust" from the sky. Chief Maranka (Baynes Barron)  orders the death of Kima (Gregg Palmer of The Rebel Set) because he covets Kima's unfaithful wife, Korey (Suzanne Ridgway). Dead and buried, Kima comes back as the legendary "creature of revenge," the Tabanga. 

Tod Andrews, Tina Carver, Jon McNamara

Apparently some of the "Devil Dust" did make its way to the island -- although one native suggests that Kima is not the first Tabanga, eliminating fall-out as a cause of this mutation -- because, confusingly, Tabanga registers an alarming amount of radioactivity. This aspect is dropped as the team -- Dr. Bill Arnold (Tod Andrews), Professor Clark (John McNamara), helpful Eddie (Mark Sheeler), and Dr. Terry Mason (Tina Carver of Uranium Boom) -- dig up the tree stump that has risen over Kima's grave and bring it back to their headquarters. They don't seem surprised when overnight the stump has turned into an eight-foot-tall tree with facial features and a heartbeat. The tree also oozes a green blood-like substance. As it revives and escapes the lab, it resembles nothing so much as a malignant Gumby on a bender! Stumbling around in a comical manner, Tabanga manages to kill off several people. 

Andrews and Carver

The screenplay for From Hell It Came is workable, but the film itself is nearly done in by a ludicrous monster. The actors are professional enough, although at times the male scientists seem about as enthused about things as shipping clerks on a coffee break, and other times at least one of them seems slightly drunk. Terry Mason is depicted as an independent woman who isn't interested in marrying Bill Arnold (although this changes by the film's end) yet when she's carried off by the tree-monster this feisty lady faints and becomes helpless. The film is greatly abetted by the score by Darrell Calker, who includes a love theme for Terry and Bill but also adds excitement to the otherwise not very exciting scenes with Tabanga. In fact, the music is better than the picture deserves. Korey has a "catfight" with her rival for the Chief's affections, Naomi (Tani Marsh), at one point, but Tabanga intervenes. One disappointing aspect to the story is that the annoying British lady who works at a trading post, Mrs. Kilgore (Linda Watkins) isn't killed off by Tabanga. Although Watkins got an "introducing" credit in the film, she had actually starred in a series of now forgotten films in the thirties -- she was off the screen for 17 years, but had quite a few credits afterwards. 

Verdict: Trees don't make the most interesting of monsters. **.

THE REBEL SET

Kathleen Crowley and Gregg Palmer

THE REBEL SET (1959). Director: Gene Fowler, Jr. 

Mr. Tucker (Edward Platt of Atlantis the Lost Continent) owns a coffee shop but he has a sideline: he plans heists for lots of money. He enlists the participation of three men whom he clearly thinks of as losers: struggling actor John (Gregg Palmer); failed novelist Ray (John Lupton); and George (Don Sullivan), the screw-up son of a famous movie star. Tucker actually plans his caper very well, and the heist of an armored car goes off without a hitch, until everyone makes their escape on a train and a murder or two occurs ... 

John Lupton and Don Sullivan

The Rebel Set was packaged as some kind of "beatnik" movie, but while there are appearances by stereotypical beatniks in the film, the main characters don't fit into that category and the film has little to do with them. The screenplay for this is not that bad, but the performances are a little too laid-back to give the pic the tension it requires. Don Sullivan essays a very different character from the one he plays in The Giant Gila Monster, but he's versatile enough to pull it off although he, too, underplays too much. Poor Ed Platt walks through the movie as if it were a rehearsal and he didn't know the cameras were filming -- his high water mark really was Get Smart.  Kathleen Crowley with her trademark whiskey voice gives the best performance as actor John's very worried wife, who thinks he's going to appear in a play instead of a robbery. Others in the cast include Robert Shayne, Byron Foulger, and Gene Roth [Earth vs the Spider]. The film was shot by Karl Struss. Probably influenced by films like The Killing and The Asphalt Jungle, it's not in their league.

Verdict: Just misses. **1/2.