TRADER TOM OF THE CHINA SEAS

Harry Lauter and Aline Towne

TRADER TOM OF THE CHINA SEAS (12 chapter Republic serial/1954). Produced and directed by Franklin Adreon. Colorized.  

Tom Rogers (Harry Lauter of The Louisiana Hussy) is a trader in Asian territories who is willingly signed up by Major Conroy (Robert Shayne of The Neanderthal Man) to help ferret out a gang that is smuggling out weapons, including light bulbs containing a poison gas, to foreign agents who are arming rebel natives so as to turn their country into a satellite. Vivian Wells (Aline Towne of Radar Men from the Moon) is the feisty daughter of a doctor who was targeted by evil forces, and Mr. Barent (Lyle Talbot), is the representative of his country's forces and the chief architect behind Trader Tom's troubles. Victor Sen Yung is Wang, a friendly associate of Rogers. 

Lauter and Towne with Lyle Talbot

Barent's helpmates include the nasty Kurt Daley (Fred Graham of The Giant Gila Monster), the mute Gursan (an unrecognizable Tom Steele), the psychotic Gorth (Richard Alexander), the rebel leader (Richard Reeves), and others. Tom gets some help from Kahn (Jan Arvan), who is fighting off the rebel forces in his country. Tom and Vivian have to deal with landslides, being trapped on a sinking freighter, being trapped underwater with a cut air hose, a train collision, angry rebels with big knives, and so on. Tom thinks nothing of burning these would-be killers to death, and nearly falls off a cliff into the fire in chapter seven. In chapter six a killer is placed inside a mailbag so he can take care of the engineer. 

Vivian and Tom escape from one doom only to face another

A nice aspect of the serial is that Vivian is depicted as being just as brave, plucky, and competent as Tom. She is no mere decoration, but an important player in the story. Lyle Talbot gives his usual professional but utterly bland portrayal, as he usually did in these serials. Fred Graham, on the other hand, emerges as a very credible and distinctly unpleasant bad guy. Trader Tom of the China Seas is a late Republic serial, one that is much more down to earth than the studio's sci-fi and superhero cliffhangers. For many, that may be the serial's weakness, but it has to be said that Trader Tom is fast-paced and full of action, with plenty of interesting death-traps, and a charismatic lead performance by Lauter. 

Verdict: Decent, often exciting serial if perhaps not as much fun as others. **3/4. 

THE NEANDERTHAL MAN

Robert Shayne

THE NEANDERTHAL MAN (1953). Director: Ewald Andre Dupont. 

"The restoration of dormant cells of the mind of man."

Professor Clifford Groves (Robert Shayne of The Giant Claw) is either demented or an asshole. He neglects his pretty fiancee, Ruth (Doris Merrick of Sensation Hunters), and is rude to his daughter, Jan (Joyce Terry), while he continues his rather pointless experiments in regression. He has already managed to turn a kitty cat into a sabretooth tiger (although when we see it roaming about the countryside in long shot it seems quite normal), and excoriates a scientific board for not recognizing that the brains of Neanderthal men were as large as modern man's (no one argues that it wasn't Neanderthals who built civilization, wrote Shakespeare's plays, composed Wagner's music and so on). When Groves stupidly injects himself with his formula, he turns into one of the silliest-looking monsters on record and seems mildly upset when he learns that he's killed friends of his while under the influence, so to speak. Which would not make him less culpable in the eyes of the law, although his dumb daughter might disagree.

Doris Merrick and Richard Crane

There have been a lot of mad scientists in horror films, but the one in The Neanderthal Man is one of the stupidest and most immoral. Without her knowledge or permission, Groves drugs the mute maid (Tandra Quinn) and injects her with his formula. (His daughter should be appalled but she still sticks up for him.) Richard Crane plays a scientist who comes to town to investigate reports of the sabretooth; Robert Bray is a rancher and victim; and Beverly Garland -- knocking one out of the ballpark yet again -- is a waitress who witnesses Groves murder her date and who is carried off by him. While the time-lapse photography of Groves' transformation is acceptable, his fright mask and wig are unintentionally hilarious. The true purpose of Groves' ridiculous experiments is never really explained. Robert Shayne's performance is hammy and unmemorable and the direction is completely uninspired. 

Verdict: A regression you can do without. **. 

KRONOS

Gigantic Kronos strides across the land

KRONOS (1957). Director: Kurt Neumann. Colorized. 

Scientists Leslie Gaskell (Jeff Morrow of The Giant Claw) and Arnold Culver (George O'Hanlon) know something is wrong when a meteor they are following suddenly changes course in space! As the meteor splashes into the sea off the coast of Mexico, project head Dr. Eliot (John Emery) has his mind overtaken by a sinister alien presence. Down in Mexico an enormous monolithic machine -- which Gaskell christens Kronos -- rises from the depths and then begins striding through the land, causing destruction and absorbing the energy of same. As it heads towards an atomic plant, Gaskell has to figure out how to stop it before it -- and others like it (called "accumulators") -- drain the earth dry and obliterate it. 

Jeff Morrow and Barbara Lawrence

Kronos has never been a top favorite with most monster movie fans because Kronos is merely a mindless machine operated by unseen aliens; it doesn't have the "personality" of big beasties or malevolent bugs. Despite its widescreen aspect -- this was filmed in "Regalscope" -- and the fairly decent FX work, the movie screams "third-rate" as compared to more memorable sci fi epics of the period. Still, the premise isn't bad and is pretty original as well. Morrow gives his usual committed performance, and Barbara Lawrence as his girlfriend and project photographer is competent and decorative. Morris Ankrum, Robert Shayne, and Richard Harrison have smaller roles. Kronos was photographed by Karl Struss. The score (by Sawtell and Shefter) was basically re-used the following year for It! The Terror from Beyond Space, a much more entertaining picture. 

Verdict: Somewhat interesting if ultimately unsatisfying sci fi. **1/2. 

THE GIANT CLAW -- IN COLOR!

Mara Corday and Jeff Morrow

THE GIANT CLAW (1957). Director: Fred F. Sears. Colorized. 

"I don't care if that bird comes from outer space or Upper Saddle River, New Jersey!"

Pilot and engineer Mitch MacAfee (Jeff Morrow), mathematician Sally Caldwell (Mara Corday), Lt General Considine (Morris Ankrum), and General Buskirk (Robert Shayne) are understandably alarmed when an unidentified flying object turns out to be a gargantuan bird from outer space that is snatching airliners and military planes out of the sky. Worse, the bird has an anti-matter shield that protects it from missiles, bombs and bullets. As MacAfee and Dr. Noymann (Edgar Barrier) try to come up with a method to get through the monster's shield, the bird snatches trains and autos off of the earth after all planes are grounded. Then Mitch and Sally come across the creature's nest -- and an egg!

The big bird takes Manhattan!

Apparently there was talk of Ray Harryhausen being called in to provide a stop-motion monster for this movie, and one can only imagine how exciting the picture would have been had the producers been able to afford him. Instead they came up with a cheap little puppet that is somewhat creepy but also rather comical, making the movie hard to take seriously. That's a shame, because The Giant Claw has a good and disquieting premise and several decent sequences. 

The big bird protects its offspring

There's the attack on the nest, which also involves a French-Canadian named Pierre (Louise Merrill), who thinks the bird is a horrible supernatural creature and predicts his own death. The climax when Mitch frantically struggles to complete the machine that will dissipate the anti-matter shield as the bird rapidly pursues their plane is quite suspenseful. And then there are those poor scientists who wind up caught in the bird's mouth and get swallowed up like worms. There's lots of stock destruction footage from such as Earth vs. the Flying Saucers (also directed bn Fred Sears) and other monster movies, along with stock music from It Came from Beneath the Sea and other productions. None of this matters because The Giant Claw is a lot of amusing fun. While it may not make the monster look any better, the colorizing process works well for the movie. 

Verdict: A hoot and a holler! ***. 

WHY MUST I DIE?

Debra Paget cornered by lady convicts

WHY MUST I DIE? (1960). Director: Roy Del Ruth.

Lois King (Terry Moore of Postmark for Danger) tries to make a new life for herself after blowing off her boyfriend, Eddie (Lionel Ames), and father, Red (Fred Sherman), both of whom are crooks. She winds up singing at a tony nightclub owned by Kenny Randell (Phil Harvey of The Land Unknown) and the two begin a romance. Unfortunately, just when things are looking up Eddie and his new girlfriend, the hardboiled safecracker Dottie Manson (Debra Paget), re-enter Lois' life. Lois has to give them information that will enable them to rob the nightclub, but a tragedy results from this. Lois and Dottie wind up in the same penal institution where one of them is on death row and the other hides a guilty secret. 

Phil Harvey and Terry Moore

Why Must I Die?, which also makes a plea against capital punishment, was clearly modeled on I Want to Live, released two years earlier. It's absorbing enough, but low-budget and second-rate, although it was photographed by no less than Ernest Haller. Terry Moore, who also produced the picture, is okay in the lead role but she hardly has the acting chops of Susan Hayward, star of I Want to Live, and overacts quite a bit when she's called upon to get hysterical. That is not the case with Debra Paget, who steals the movie from Moore with her intense and dynamic portrayal of the hard-as-nails Dottie. She's terrific and utterly loathsome.

Lionel Ames and Debra Paget

Other cast members in Why Must I Die? include Robert Shayne (of The Rebel Set) as another club owner who falls for Lois; Bert Freed as her lawyer, Adler; Sid Melton as an agent; Juli Reding as the sexy Mitzi, who also canoodles with Eddie; and Jackie Joseph (of Little Shop of Horrors) as another club employee who is having a fling with Kenny, for shame. Eddie's deadly fall off of a fire escape is well-handled as is the ending in the prison, which has a certain amount of minor power. Parts of Dick LaSalle's musical score remind one of Vertigo. 

Verdict: Paget makes her mark! **1/4. 

THE REBEL SET

Kathleen Crowley and Gregg Palmer

THE REBEL SET (1959). Director: Gene Fowler, Jr. 

Mr. Tucker (Edward Platt of Atlantis the Lost Continent) owns a coffee shop but he has a sideline: he plans heists for lots of money. He enlists the participation of three men whom he clearly thinks of as losers: struggling actor John (Gregg Palmer); failed novelist Ray (John Lupton); and George (Don Sullivan), the screw-up son of a famous movie star. Tucker actually plans his caper very well, and the heist of an armored car goes off without a hitch, until everyone makes their escape on a train and a murder or two occurs ... 

John Lupton and Don Sullivan

The Rebel Set was packaged as some kind of "beatnik" movie, but while there are appearances by stereotypical beatniks in the film, the main characters don't fit into that category and the film has little to do with them. The screenplay for this is not that bad, but the performances are a little too laid-back to give the pic the tension it requires. Don Sullivan essays a very different character from the one he plays in The Giant Gila Monster, but he's versatile enough to pull it off although he, too, underplays too much. Poor Ed Platt walks through the movie as if it were a rehearsal and he didn't know the cameras were filming -- his high water mark really was Get Smart.  Kathleen Crowley with her trademark whiskey voice gives the best performance as actor John's very worried wife, who thinks he's going to appear in a play instead of a robbery. Others in the cast include Robert Shayne, Byron Foulger, and Gene Roth [Earth vs the Spider]. The film was shot by Karl Struss. Probably influenced by films like The Killing and The Asphalt Jungle, it's not in their league.

Verdict: Just misses. **1/2.