NIGHT OF THE BLOOD BEAST

The scene with the hanging corpse

NIGHT OF THE BLOOD BEAST (1958). Director: Bernard L. Kowalski. Produced by Gene and Roger Corman. Colorized.

An astronaut named John (Michael Emmet) returns to earth in his capsule and appears to be dead. However, he eventually comes to life and blood tests reveal that certain creatures are gestating inside his body. This is, of course, unnerving to his fiancee, Dr. Julie Benson (Angela Greene), as well as colleagues Steve (John Baer), Donna (Georgianna Carter), Dave (Ed Nelson, of T-Bird Gang), and Dr. Wyman (Tyler McVey of Teenage Thunder). An equally disquieting development is that an extraterrestrial creature somehow managed to make it to Earth, a huge thing with a parrot-like head that invades the lab and causes death and havoc. John is convinced the creature is nevertheless benevolent, but the others aren't so sure. 

Concerned trio: Nelson, Emmet, and Baer

Night of the Blood Beast resembles a gruesome horror comic book. Although we now know that spaceship launchings employ hundreds if not thousands of technicians and scientists, this space trip is handled by just this very small group of people. If you can simply accept that this aspect is a convenience of (very) low-budget filmmaking, you might enjoy this rather creepy movie which grows on me each time I see it. Although the reaction to a dead, mutilated corpse might not be as intense as one would have expected, the acting is generally credible. The influences on the later Alien are obvious. Emmet and McVey appeared together in Attack of the Giant Leeches, which was also directed by Kowalksi. Alexander Laszlo reuses the score for that film for Blood Beast. 

Verdict: Color, as usual, adds a new dimension to the horror. ***. 

NIGHT OF THE BLOOD BEAST

Ed Nelson and Michael Emmet

NIGHT OF THE BLOOD BEAST (1958). Director: Bernard L. Kowalski. Produced by Gene Corman. Executive Producer: Roger Corman. 

Major John Corcoran (Michael Emmet) has flown deeper into outer space than anyone before. Unfortunately, when his rocket lands back on earth he appears to be dead. Along with his heartbroken fiancee, Dr. Julie Benson (Angela Greene), his body is taken back to a make-shift lab by Dr. Wyman (Tyler McVey of Teenage Thunder), Dave Randall (Ed Nelson of Attack of the Crab Monsters), Steve Dunlap (John Baer), and Donna Bixby (Georgianna Carter). But in the lab they discover that John's blood pressure is normal and he doesn't quite seem to be deceased. There's something strange about his blood, and there appear to be organisms using his body for a breeding ground. John eventually revives, even as the monstrous parent of said organisms -- a bear-like creature with claws and a parrot-like head -- breaks in and causes havoc. 

John Baer and Angela Greene

Night of the Blood Beast isn't as well known as other Roger Corman productions, but I believe it has been seen by many filmmakers who were undeniably influenced by it. (The creatures inside John's chest remind one of Alien). The actors all play with conviction, and show the fear and upsetment, indeed depression, that they would be feeling under the circumstances. They also have to deal with the dilemma of wondering if the alien is benign, despite his gruesome murdering of one of their number, or as dangerous to the human race as an initially sympathetic John comes to believe. The creature itself, a stunt man (Ross Sturlin) who must have been sweating like crazy under the costume, is effective enough for this low-budget outing. 

Michael Emmet

Aside from Ed Nelson, none of the others became part of executive producer Corman's stock company. Gorgianna Carter had only two more credits after this, although Angela Greene had over a hundred credits overall. Tyler McVey had over 200 credits! John Baer starred on the TV series Terry and the Pirates and also amassed quite a few credits. An amusing aspect of Night of the Blood Beast is the outlandish notion that only a mere handful of people -- and not one of whom is a physicist or rocket scientist -- are on hand when the rocket crashes back to earth! The other scientific aspects of the script are also a bit fantastic. But the movie is still creepy, atmospheric, and fun. Michael Emmet also had a good part in director Kowalski's Attack of the Giant Leeches; he was actually a good actor. 

Verdict: I confess I have a higher opinion of this movie than most people. ***. 

MURDER IN PEYTON PLACE

Stella Stevens

MURDER IN PEYTON PLACE (1977 telefilm). Director: Bruce Kessler. 

"I want to destroy Peyton Place." -- Stella Chernak

After two theatrical films and two TV series-- nighttime in 1969 and daytime in 1972 -- this TV movie returns to the lusty town of Peyton Place where Stella Chernak (Stella Stevens), a disgruntled former resident, is out for payback against real and imagined enemies. As Ryan O'Neal and Mia Farrow, who played lovers Rodney Harrington and Allison MacKenzie in the original series, had gone on to greener pastures -- Farrow only appears in a flashback -- they are (apparently) killed off in this sequel. Dorothy Malone and Tim O'Connor return as Allison's parents, as does Christopher Connelly as Rodney's brother, Norman and Ed Nelson [Attack of the Crab Monsters] as Dr. Rossi. The cast, characters and storylines of the afternoon soap Return to Peyton Place are ignored. 

Priscilla Morrill, Hedison, Nelson, Connolly

While the notion of a vengeful woman wanting to destroy an entire town sounds like it might at least be good television, this is not exactly The Visit. Murder in Peyton Place is, frankly dull, and while I was never a fan of the original series I can't imagine that those who were would be that pleased with this production. We know who the culprit is almost from the start, and Stella Stevens is surprisingly perfunctory as the villainess. Not even the presence of a boy toy (a creditable Robert Deman) and his mean-spirited Dobermans can help. The acting is of the soap opera variety, which means everyone is professional but no one exactly puts themselves out. Janet Margolin has replaced Barbara Parkins as Betty Anderson -- they look alike -- and David Hedison takes over from James Douglas as Steven Cord. Linda Gray plays Cord's wife. Marj Dusay is fine as Ellen Considine and Jonathan Goldsmith makes an impression as sexy bad boy Stan, who is married to one of Allison's sisters and fiddles with yet another.

Verdict: Things have never been more boring in Peyton Place! *1/2.  

ATTACK OF THE CRAB MONSTERS

The crab prepares to feast

ATTACK OF THE CRAB MONSTERS (1957). Produced and directed by Roger Corman.

A research party on an isolated atoll where atomic testing took place has disappeared, and a new group has been sent to investigate. Although they believe that the members of the first party are deceased, they eerily keep hearing their voices in the night. It develops that the radiation has mutated two land crabs into giants who develop the thought patterns of the people they devour, and turn against humans to protect their species. As one scientist puts it, "once they were human. Now they're land crabs." The crab telepathically calls out in the voices of the dead men in order to pounce upon the members of the new group. To make it easier for the hungry crabs to turn the scientists into prey, they use explosive energy charges to blow up the island bit by bit, giving the potential victims less places to run to.

Richard Garland and Pamela Duncan

Although the basic premise of the story might have been taken from an old horror comic tale, Attack of the Crab Monsters adds some unique elements of its own. It would be easy to dismiss the flick as absurd and highly illogical -- why does only one crab devour all of the members of the first party, for instance  -- but it's hard to dismiss the effectiveness of Roger Corman's adroit direction and the sheer disgusting creepiness of the situation the scientists find themselves in. (If anything, the actors in this completely underplay the terror and disorientation their characters must be feeling.) 

"Foolish. Very foolish."

The actors include "B" movie stalwarts Pamela Duncan [Soldiers of Fortune], Russell Johnson, Ed Nelson [T-Bird Gang], Mel Welles, Leslie Bradley, Richard H. Cutting and Beach Dickerson [Creature from the Haunted Sea, which was also directed by Corman]. Ronald Stein contributes a score which adds to the dread atmosphere, and the film is well-photographed by Floyd Crosby. The highlight of the film is a surreal sequence when the one remaining giant crab emerges from the ocean and telepathically shouts out at the survivors -- "foolish, very foolish" --  in a French accent no less! The low-tech effects fit the production perfectly and are kind of charming. NOTE: For more information on this film and others like it see Creature Features: Nature Turned Nasty in the Movies. 

Verdict: Gotta love those crabs. ***. 

T-BIRD GANG

John Brinkley and Ed Nelson

T-BIRD GANG (1959). Director: Richard Harbinger. 

Frank Simmons (John Brinkley) drives up to the warehouse where his father is a night watchman and discovers he's been murdered during a robbery. Leaning that a "T-Bird gang" -- named after the getaway car they drive -- led by Alex Hendricks (Ed Nelson of New Orleans Uncensored) is responsible, Frank takes it upon himself to join the gang to get incriminating evidence against them. Eventually Police Captain Prell (Coleman Francis) cooperates and encourages Frank's undercover work. Hendricks' other employees include Barney (Beach Dickerson); blond Raymond (Tony Miller); a boy named, well, "Boy;" and Hendrick's girlfriend, Marla (Pat George). Nola Thorp plays Frank's girlfriend, Kay. 

John Brinkley 

T-Bird Gang is a minor crime meller but it benefits from two very good performances from Nelson -- quite sinister and effective as Hendricks -- and Brinkley. Nelson appeared in numerous Roger Corman films but had a successful career afterwards, while Brinkley was a sexy and talented actor whose most famous credit was probably Corman's Bucket of Blood. He and co-star Tony Miller wrote the screenplay. This was the only film directed by Harbinger. 

Verdict: Acceptable melodrama with lots of bongo music. **1/4. 

NEW ORLEANS UNCENSORED

Beverly Garland and Arthur Franz

NEW ORLEANS UNCENSORED (1955). Director: William Castle. 

New Orleans, the second busiest port after New York City, has become a hotbed of crime and violence. Dan Corbett (Arthur Franz) only wants to fix up an old rust bucket of a ship and start his own business, but for now he works on the docks. Dan gets involved with two women: Alma Mae (Helene Stanton), who is the sexy girlfriend of mob boss "Zero" Saxon (Michael Ansara); and Marie Reilly (Beverly Garland of Soldiers of Fortune), whose husband, Joe (William Henry of Uranium Boom) works for Saxon and later winds up dead. Dan agrees to help the authorities expose Saxon's corruption by going to work for him undercover, even though he knows he's putting himself in harm's way. 

Arthur Franz and Helene Stanton

Frankly, there's enough material in this picture to have made an exciting thriller, but New Orleans Uncensored just ambles along without ever once igniting. The performances are all credible, although the cops and other authorities are played by real-life policemen. The suspenseful climax the film has supposedly been building to never quite materializes. Other cast members include Mike Mazurki as Saxon's dumb enforcer, and Ed Nelson as a dock worker. This same year Helene Stanton played a blonde goddess in the Jungle Jim film Jungle Moon Men. 

Verdict: Surprisingly, a rather dull William Castle movie. **.