THE MYSTERIOUS MR. VALENTINE

William Henry

THE MYSTERIOUS MR. VALENTINE (1946). Director: Philip Ford. Colorized.  

Janet Spencer (Linda Stirling of The Crimson Ghost) runs into trouble when a corpse is thrown in front of the car she's driving and she's accused of a hit and run. Private detective Steve Morgan (William Henry of Nearly Eighteen) comes to Janet's assistance, but he actually gets hired by Rita Armstrong (Barbara Wooddell) to find out who her husband's (Tristram Coffin) girlfriend (Virginia Christine) is. Then the husband, who was the dead man's business partner, is also murdered, and Lt. Milo Jones (Thomas E. Jackson) tells Steve to stick to divorce cases and insurance fraud. But Steve is determined to find out who is pretending to be the "Mysterious Mr. Valentine" who keeps phoning Janet and making blackmail demands no matter how often he gets hit on the head and knocked unconscious. 

Linda Stirling with Henry

The Mysterious Mr. Valentine comes off at first like an especially complicated episode of Perry Mason without the courtroom scenes. Things are a bit convoluted at first with characters and incidents being thrown at you in rapid succession. Henry makes a likable private dick, and although she looks a little odd in this (as if she overdid the dieting) Stirling is spirited and energetic, giving a breezier performance than usual. Tristram Coffin (of King of the Rocket Men) is as interesting as ever, and Virginia Christine makes a sexy and conniving mistress. Thomas E. Jackson is especially notable as the lieutenant, who -- thankfully -- doesn't play it gruff and nasty as actors playing cops often do in these roles. This is perhaps the only private eye film I've seen in which the hero actually has to go to the hospital for stitches after he gets conked on the head, although it happens again to him and others later in the film and apparently no one gets a concussion. Virginia Brissac, who was the realtor Mrs. Hammond on the "Sublease" episode of I Love Lucy, plays Janet's housekeeper. Arthur Space also appears in this, albeit briefly. This was Henry's one and only appearance as Steve Morgan; the actor amassed over 250 credits!

Verdict: Minor mystery film from Republic studios with an interesting plotline and some clever touches. **1/2. 

THE LADY AND THE MONSTER

Donovan's Brain

THE LADY AND THE MONSTER (1944). Director: George Sherman. 

Professor Franz Mueller (Erich von Stroheim) is a weird scientist who lives and works in a big old place called the Castle. He has two assistants: Janice (Vera Hruba Ralston), who is the object of his unwanted affections; and Dr. Patrick Cory (Richard Arlen), who is also in love with Janice. Mueller is obsessed with the idea of keeping a brain alive after death, and he gets his chance when a plane accident victim, wealthy W. H. Donovan, is brought to his estate. Although Cory goes along with it, he has serious misgivings, especially after the brain takes control of his mind and tries to get him to do things Donovan never had a chance to do while alive, such as getting his innocent son (William Henry of New Orleans Uncensored) acquitted of murder, and trying to run a child witness over with a car. 

Ralston and Arlen

Although The Lady and the Monster is not without flaws and has dull stretches, it improves as it goes along and turns out to be the somewhat superior version of the novel Donovan's Brain, which was also filmed under that title almost ten years later. Vera (Hruba) Ralston is billed above the title. Her husband ran Republic studios, which released this film, and was determined to turn her into a star, even though she perhaps lacked that all-important presence. Richard Arlen makes a better impression, although von Stroheim gives a strange, not terribly good performance along the lines of the one he delivered in The Crime of Dr. Crespi almost ten years earlier.

Richard Arlen and Sidney Blackmer

An interesting touch in the film is the way Arlen looks increasingly demonic the further he falls under Donovan's control. Sidney Blackmer acts with his customary authority as a lawyer that isn't sure of Arlen's motives or that he wants to work with him. Mary Nash is also effective as the sympathetic housekeeper, Mrs. Fain. William Henry only gets one scene and is adequate. The movie has an exciting climax involving a car and then a struggle on a cliffside. In the remake the brain begins to grow bigger but that doesn't happen in this version. 

Verdict: Okay brain movie with some suspense. **1/4. 

CANADIAN MOUNTIES VS ATOMIC INVADERS

William Henry and Susan Morrow

CANADIAN MOUNTIES VS ATOMIC INVADERS (12-chapter Republic serial/1953). Director: Franklin Adreon.  Colorized.

A group of foreign agents in Canada want to build bases from which they can launch rockets to destroy key American cites. Sgt. Don Roberts (William Henry of Uranium Boom) is unaware of this dastardly plot but wonders why some desperadoes are trying so hard to keep homesteaders from settling in a certain area. Don and reporter Kay Conway (Susan Morrow of Cat-Women of the Moon) face avalanches, overturned boards with spikes in them, trucks going over cliffs, cracking ice floes, and exploding boats before they figure out what's going on, and that a folksy, simple-minded tradesman in town is secretly a sinister agent named Marlof (Arthur Space of The Crimson Key). There are also appearances by Harry Lauter, Pierre Watkin, Hank Patterson, and Tom Steele, not to mention a couple of cute, mischievous bear cubs. 

Verdict: Acceptable if unspectacular cliffhanger serial. **3/4. 

NEARLY EIGHTEEN

NEARLY EIGHTEEN (1943). Director: Arthur Dreifuss. 

Gale Storm, who later went on to fame as the star of My Little Margie, was 21 when she made this Monogram cheapie musical. 17-year-old Jane Stanton (Storm) comes to New York to find work as a singer. She's almost hired by one saloon, until the owner discovers she's still a minor. Then a handsome manager (who's really a bookie), Tony (Rick Vallin), sends her over to a talent school run by Jack Leonard (William Henry). Unfortunately, the school doesn't take anyone over the age of 14, so Jane is forced to masquerade as a child. There were certainly exploitable and amusing elements in this picture, but none of them are developed in such a fashion as to provide meaty laughs. Storm, however, is poised, very attractive, and already shows signs of the talent for comedy that she'd display years later in two successful sitcoms. The scenes when Jack comes close to nearly kissing a girl he thinks is only 14 are kind of creepy. The best thing about the picture are the snappy musical numbers, such as "The Little Bell Rang," which are more-than-competently delivered by Storm, who sold a few successful records later in her career. 

Verdict: A passing storm on the way to better things. Nice songs, though, and Storm and her leading men are easy on the eyes. **.

NEW ORLEANS UNCENSORED

Beverly Garland and Arthur Franz

NEW ORLEANS UNCENSORED (1955). Director: William Castle. 

New Orleans, the second busiest port after New York City, has become a hotbed of crime and violence. Dan Corbett (Arthur Franz) only wants to fix up an old rust bucket of a ship and start his own business, but for now he works on the docks. Dan gets involved with two women: Alma Mae (Helene Stanton), who is the sexy girlfriend of mob boss "Zero" Saxon (Michael Ansara); and Marie Reilly (Beverly Garland of Soldiers of Fortune), whose husband, Joe (William Henry of Uranium Boom) works for Saxon and later winds up dead. Dan agrees to help the authorities expose Saxon's corruption by going to work for him undercover, even though he knows he's putting himself in harm's way. 

Arthur Franz and Helene Stanton

Frankly, there's enough material in this picture to have made an exciting thriller, but New Orleans Uncensored just ambles along without ever once igniting. The performances are all credible, although the cops and other authorities are played by real-life policemen. The suspenseful climax the film has supposedly been building to never quite materializes. Other cast members include Mike Mazurki as Saxon's dumb enforcer, and Ed Nelson as a dock worker. This same year Helene Stanton played a blonde goddess in the Jungle Jim film Jungle Moon Men. 

Verdict: Surprisingly, a rather dull William Castle movie. **. 

URANIUM BOOM

Wm Talman, Dennis Morgan, Philip Van Zandt

URANIUM BOOM (1956). Director: William Castle. 

During a uranium boom in Colorado where everyone hopes to strike it rich, Brad Collins (Dennis Morgan) and Grady Mathews (William Talman) come to blows over a hotel room, but then decide to strike out together to make a killing. The two men find what they're looking for with the help of Navajo Charlie (Philip Van Zandt), and Brad goes back to town to stake their claim. In town Brad meets up and falls in love with Jean Williams (Patricia Medina), not realizing that Jean is the very woman Grady is hoping to spend his life with ... 

Ladies Meet: Tina Carver, Patricia Medina

Uranium Boom is a low-budget version of the rags-to-riches, two-rivals-fighting-over-the-same business-and-woman movies that in former years would have starred the likes of Clark Gable or Spencer Tracy. Morgan, best-known as a song and dance man, is perfectly adept, however, and Talman, best-known as the prosecutor on Perry Mason, is also very good. Van Zandt is mildly amusing as the inscrutable Indian, and Medina adds some class as the woman that both men love. Tina Carver, a TV actress most famous for her role in From Hell It Came, is not quite as sexy as everyone seems to think, but she's okay as another woman who tries to throw a monkey wrench in Collins' plans. William Henry and S. John Launer, who frequently played a judge on Perry Mason, have smaller roles and are effective.  Talman and Morgan have a lively fight scene, but the two ladies never come to blows, alas. 

Verdict: Strangely entertaining. **1/4.