G. I. HONEYMOON

Peter Cookson and Gale Storm

G. I. HONEYMOON (1945). Director: Phil Karlstein (Phil Karlson). 

Ann (Gale Storm of Gambling Daughters) and Lt. Bob Gordon (Peter Cookson) get married but things keep conspiring to keep them apart. They wind up renting an apartment in a place that was once a gambling casino -- leading to further complications -- and Ann incurs the wrath of the owner, Ace Renaldo (Jerome Cowan), when she manages to get a train compartment away from him via a little flirting and subterfuge. Renaldo makes certain the Military Police are informed that the place is off limits when Bob has a whole bunch of superior officers over for a cocktail party. Alleged pandemonium results. 

Gale Storm and Frank Jenks

The main strength of G.I. Honeymoon is the acting from the entire cast. Even in these early days Storm was an old pro, and Cookson displays his usual charm and adeptness. Cowan gives another excellent performance, and Frank Jenks (of The She Creature) scores a bullseye as Cowan's associate, "Blubber" Malloy. Arline Judge, Virginia Brissac (of The Mysterious Mr. M), and Jonathan Hale are also on hand and are also good, along with an uncredited actor who plays the love-smitten "Casanova." Although there are a few laughs in the film, there just aren't enough of them, with the picture coming off more as busy and frenetic than hilarious. From Monogram studios, of course.

Verdict: Just misses being a really funny movie. **1/4. 

ABANDONED

Gale Storm and Dennis O'Keefe

ABANDONED (1949). Director: Joseph M. Newman. Colorized. 

Newspaper man Mark Sitko (Dennis O'Keefe) teams up with Paula Considine (Gale Storm) when the latter discovers that her sister is dead and her baby has disappeared. Meanwhile Paula is constantly followed by a corrupt private eye named Kerric (Raymond Burr). Kerric reports to a woman named Donner (Marjorie Rambeau) who is sort of in business with the nasty Decola (Will Kuluva) as babies are sold through illegal means. Now that Mark and Paula are learning more about this operation -- and have come to the conclusion that the sister was murdered -- their lives are definitely in danger, especially when they go undercover to get evidence to bring to Police Chief McRae (Jeff Chandler). 

Marjorie Rambeau and Raymond Burr

Abandoned certainly has an interesting cast. Playing a more or less serious part, Storm gives a good accounting of herself while O'Keefe displays his customary charm. As bad guys, Burr, Kuluva [Solo] and Rambeau adroitly emit varying levels of evil. Chandler is also adept, although he has little to do in the picture. Others in the cast include Jeannette Nolan as Major Ross of the Salvation Army, Mike Mazurki as a thug, Frank Cady as the city editor, David Clarke as itchy gunsel Harry, and Sid Tomack [The Kettles in the Ozarks] as a cop-bureaucrat. Clifton Young makes an impression in a brief bit as bartender Eddie. 

Storm and O'Keefe with Jeff Chandler in the background

Despite this cast, Abandoned didn't work for me at all. Maybe it needed more dynamic stars, a better script, or something, because the film seems to get duller just when it should be at its most exciting. There are certainly plenty of lively scenes -- for instance Burr and Mazurki getting into a deadly tussle -- but the movie just never becomes remotely riveting. Five years later Joseph M. Newman directed the much more entertaining science fiction film This Island Earth. The picture is generally well-colorized despite some glitches, such as O'Keefe's red nose on the left! 

Verdict: Just never gets out of the starting gate. **. 

LURE OF THE ISLANDS

Robert Lowery and Margie Hart

LURE OF THE ISLANDS (1942). Director: Jean Yarbrough.  

During WW2 two American agents -- Wally (Robert Lowery of Sensation Hunters) and Jinx (Guinn 'Big Boy' Williams) -- are told by the skipper (Tristram Coffin) to swim to a Tropical island paradise that may be a nest of Axis agents. There the boys encounter two women: Brooklyn-born Tana (Margie Hart), who hopes Wally will marry her and take her back to the U.S.; and Maui (Gale Storm of Nearly Eighteen), who is only interested in Jinx when Tana fibs that he's a pig millionaire. In this not terribly serious "war" film with song numbers, the foursome have to deal with a Nazi commandant (Ivan Lebedeff) and some Japanese who hope to turn the island into their base. 

Williams and Storm

Margie Hart was a burlesque stripper -- a competitor of Gypsy Rose Lee's -- who tried to kickstart a movie career by starring in this Monogram cheapie, which throws in everything but the kitchen sink. Unfortunately, Hart proved to be barely adequate as an actress. Although she later took acting lessons and did some theater, Lure of the Islands was her first and last movie. However, this is the kind of schlock that Lowery, Williams and Storm could probably do in their sleep, and they make a better impression. Hart warbles the pretty title tune (although she may have been dubbed) and Gale does a very cute number entitled "My Tahiti Sweetie" that boasts some clever and amusing lyrics. Kahala and Odetta Bray are the pretty native dancers and singers. 

Verdict: Another weird low-budget melange from Monogram. **1/2. 

NEARLY EIGHTEEN

NEARLY EIGHTEEN (1943). Director: Arthur Dreifuss. 

Gale Storm, who later went on to fame as the star of My Little Margie, was 21 when she made this Monogram cheapie musical. 17-year-old Jane Stanton (Storm) comes to New York to find work as a singer. She's almost hired by one saloon, until the owner discovers she's still a minor. Then a handsome manager (who's really a bookie), Tony (Rick Vallin), sends her over to a talent school run by Jack Leonard (William Henry). Unfortunately, the school doesn't take anyone over the age of 14, so Jane is forced to masquerade as a child. There were certainly exploitable and amusing elements in this picture, but none of them are developed in such a fashion as to provide meaty laughs. Storm, however, is poised, very attractive, and already shows signs of the talent for comedy that she'd display years later in two successful sitcoms. The scenes when Jack comes close to nearly kissing a girl he thinks is only 14 are kind of creepy. The best thing about the picture are the snappy musical numbers, such as "The Little Bell Rang," which are more-than-competently delivered by Storm, who sold a few successful records later in her career. 

Verdict: A passing storm on the way to better things. Nice songs, though, and Storm and her leading men are easy on the eyes. **.

GAMBLING DAUGHTERS

Cecelia Parker and Gale Storm

GAMBLING DAUGHTERS (1941). Director: Max Nosseck. 

Katherine (Janet Shaw), Diana (Cecelia Parker), and Lillian (Gale Storm) are students in an exclusive girls' school. One night they follow their French professor (Sig Arno) to an establishment called the Angel's Roost. This place, which has a casino in the basement, is managed by a creep named -- wouldn't you know it? -- Chance (Roger Pryor), and owned by an unseen, mysterious figure called "the Boss." Lillian begins dropping tons of money at the casino and before long is in serious debt. She is told to pay up or else. So she resorts to stealing the family jewels while her parents are out of the country.

Robert Baldwin

Then there's the comedy relief insurance investigator Jimmy Parker (Robert Baldwin), who pretends to be a gym instructor at the school and makes a mess of it. Jimmy and Diana, whose father turns out to be broke, are drawn to one another, while Lillian's situation gets more and more desperate. Chance blackmails her with some letters that she wrote to him, so her friends concoct a scheme to get them from a confederate. One thing I'll say for Gambling Daughters -- it has a fast pace. Gale Storm is typically exuberant, but she still manages to be effective when she's facing disaster. Aside from Storm, there are no real cast stand-outs but the players are all professional. Sidney Sheldon wrote the story treatment for this flick but did not do the screenplay. Cecelia Parker is best-known for playing Mickey Rooney's older sister in the Andy Hardy films. Baldwin had only a few credits and this was his last featured role in a motion picture. 

Verdict: Fun if distinctly minor pic from PRC (Producers Releasing Corporation), which is one step below Monogram. **1/2.