THE PHANTOM OF THE OPERA (2004)

Gerard Butler as the Phantom

THE PHANTOM OF THE OPERA (2004). Director: Joel Schumacher. 

In 1870 A mysterious figure known as the Phantom (Gerard Butler) haunts the Paris Opera, where the lead soprano is the unpleasant diva Carlotta (Minnie Driver). The Phantom, however, much prefers the singing of Christine (Emmy Rossum), a young soprano with whom he is falling in love, and he will do anything to insure that she replaces Carlotta on the stage. Christine has another suitor, a viscount named Raoul (Patrick Wilson), whose presence is an irritation to the Phantom. The Phantom eventually kidnaps Christine and takes her to his vast, watery, underground labyrinth beneath the opera house ... 

Emmy Rossum and Patrick Wilson

The Phantom of the Opera is the film adaptation of  Andrew Lloyd Webber's very popular musical, which blends together various styles such as pop, rock, and operatic pastiche to tell its story. Although other versions of this famous tale have made up new reasons for the Phantom's disfigurement, this version sticks to the original notion that the Phantom -- or Eric -- was deformed since birth, 

The Pairs Opera

Phantom is handsomely produced and well-acted by Rossum, Wilson, and Butler, as well as Driver and a host of excellent character actors. Influenced by everyone from Puccini to Sondheim, Webber's score includes such memorable ditties as "Music of the Night," "Prima Donna," the title tune, "Point of No Return," "Wish You Were Here Again," and others. "Masquerade" is presented as an exciting full-fledged production number. Rossum has a lovely non-operatic voice, and while Butler is hardly a great singer, his voice works very well for the Phantom. 

Phantom of the Opera could have been a campy mess -- there are only occasional touches of camp --  and it will not work for everyone. But I found it absorbing and colorful and often melodious, with outstanding scenic design. A death trap sequence in the underground wherein the Phantom tries to kill Raoul is well-handled as well. 

Verdict: Very good adaptation of a highly successful and macabre musical. ***1/4. 

LURE OF THE ISLANDS

Robert Lowery and Margie Hart

LURE OF THE ISLANDS (1942). Director: Jean Yarbrough.  

During WW2 two American agents -- Wally (Robert Lowery of Sensation Hunters) and Jinx (Guinn 'Big Boy' Williams) -- are told by the skipper (Tristram Coffin) to swim to a Tropical island paradise that may be a nest of Axis agents. There the boys encounter two women: Brooklyn-born Tana (Margie Hart), who hopes Wally will marry her and take her back to the U.S.; and Maui (Gale Storm of Nearly Eighteen), who is only interested in Jinx when Tana fibs that he's a pig millionaire. In this not terribly serious "war" film with song numbers, the foursome have to deal with a Nazi commandant (Ivan Lebedeff) and some Japanese who hope to turn the island into their base. 

Williams and Storm

Margie Hart was a burlesque stripper -- a competitor of Gypsy Rose Lee's -- who tried to kickstart a movie career by starring in this Monogram cheapie, which throws in everything but the kitchen sink. Unfortunately, Hart proved to be barely adequate as an actress. Although she later took acting lessons and did some theater, Lure of the Islands was her first and last movie. However, this is the kind of schlock that Lowery, Williams and Storm could probably do in their sleep, and they make a better impression. Hart warbles the pretty title tune (although she may have been dubbed) and Gale does a very cute number entitled "My Tahiti Sweetie" that boasts some clever and amusing lyrics. Kahala and Odetta Bray are the pretty native dancers and singers. 

Verdict: Another weird low-budget melange from Monogram. **1/2. 

OLD OVERLAND TRAIL

One spiffy cowboy: Rex Allen 

OLD OVERLAND TRAIL (1953). Director: William Witney. 

Cowboy Rex Allen (Rex Allen) finds himself caught in a war between Indians, led by Black Hawk (Leonard Nimoy), and a pack of immigrants who travelled a long distance to settle in the area, Pouring fuel on the fire is slimy John Anchor (Roy Barcroft), who does his best to take advantage of everyone that he can, Indians and settlers alike. Rex' brother, Jim (Gil Herman), is Anchor's partner, and Rex and Jim come to blows when the former realizes that the latter is going along with Anchor's schemes. Then Jim is found dead, and Anchor sends Black Mask and his scouts out to bring back Rex -- as his brother's murderer!

Rex battles a pre-Star Trek Leonard Nimoy

Rex Allen was another handsome Republic Studios cowboy star -- along with Roy Rogers, Allan Lane, Monte Hale and others -- and he was at the time quite popular, and also had his own comic book series for several years. Attractive, competent and personable, Allen didn't quite have the charisma of Rogers, at least in this flick, but he could punch out the bad guys with the best of them. Slim Pickens, also playing himself, was Allen's comical partner in this and many other movies, and Allen had his own "not-so-wondrous" wonder horse in Koko. Gil Herman was another handsome dude who distinguished himself during WW2 service, while Virginia Hall (as Jim's gal pal, Mary) appeared only in this one western and had a few other minor credits.

Gil Herman, Rex Allen, Roy Barcroft

Rex Allen started out as a singer and had a rich baritone voice that reminds one a bit of Bing Crosby. In Old Overland Trail he gives splendid renditions of "Just a Wandrin' Buckeroo," "Cowboy's Dream of Heaven," and others. Rex is backed up by the Republic Rhythm Riders singing group. Directed by serial specialist William Witney, Old Overland Trail has plenty of exciting fisticuffs along with a sequence when Indians circle and attack a wagon train. The two brothers also have a rousing battle. Serial star Marshall Reed appears briefly as a sergeant. Reed and Barcroft both appeared in The James Brothers of Missouri. 

Verdict: With plenty of songs and punches, this is a good example of why Rex Allen became so popular. **3/4.