THE PURPLE MONSTER STRIKES

Dennis Moore and Linda Stirling

THE PURPLE MONSTER STRIKES (15-chapter Republic serial/1945). Directors: Spencer Gordon Bennet; Fred C. Brannon. Colorized. 

A malevolent visitor from Mars who is inexplicably called the "Purple Monster" (Roy Barcroft) kills scientist Cyrus Layton (James Craven), and inhabits his corpse -- when he isn't in his own body -- as he goes about his deadly business. His main goal is to steal an interplanetary jet plane that will get him back to Mars so he can lead a major invasion force. Working against him are Layton's niece, Sheila (Linda Stirling, and agent Craig Foster (Dennis Moore). Working with the Purple Monster are would-be extortionist Hodge Garrett (Bud Geary) and -- briefly -- the Martian witch Marcia (Mary Moore), who tries to throw Sheila off of a cliff. 

Dennis Moore in a death trap

The Purple Monster Strikes is another lively Republic cliffhanger that moves at a breakneck pace, has an exciting musical score that bolsters every scene, action-packed fisticuffs in which every bit of furniture is broken as the antagonists literally hurl themselves at each other, and some memorable cliffhangers. Foster nearly falls to his death when a ladder is toppled in chapter one; a car in a garage plummets down onto the hero in chapter eight; and a clever phone trap has Foster nearly punctured by sharp rods when iron bars come down from the ceiling. Meanwhile Sheila nearly drowns when she falls into a room through a trapdoor, a room that rapidly fills with rushing water. 

Roy Barcroft and Bud Geary

However, if you're expecting logic be warned that it is not in great supply in this serial. For instance, in the aforementioned sequence there is simply no reason why a kindly professor would have such a secret room under the floor in his laboratory. The whole business with Tony (Anthony Warde), a supposedly blind associate of Garrett's, doesn't make much sense. The actors go through their paces with professionalism, although Stirling mostly seems bored. Handsome Moore is a stalwart hero, however. Craven and Barcroft show why they were both much in demand for serial action. John Davidson appears a couple of times as the Emperor of Mars, as does Ken Terrell as another bad guy. Stuntman and actor Bud Geary had nearly 300 credits in serials, westerns, and other types of movies, generally playing nasty gunsels. 

Verdict: Fun cliffhanger from Republic! ***. 

GHOST OF ZORRO

Clayton Moore as grandson of Zorro

GHOST OF ZORRO (12-chapter Republic serial/1949). Director: Fred C. Brannon. Colorized version. 

Ken Mason (Clayton Moore), grandson of Don Diego Vega, the original Zorro, is in New Mexico after the Civil War where Rita White (Pamela Blake) hopes to build a telegraph line beginning in Twin Bluffs. Bad guys George Crane (Gene Roth) and Hank Kilgore (Roy Barcroft), along with a host of other desperadoes, fear that the telegraph will help bring law and order to the territory. Ken is importuned by his buddy, Moccasin (George J. Lewis), to ride as Zorro to combat the various schemes of Crane and the others, and this he does. Explosions, attacks by Indians working with Crane, wagons flying over cliffsides, and more will not keep Zorro and Rita from completing that telegraph line. 

George J. Lewis and Pamela Blake

A sort of sequel to Son of Zorro, this is a cut below that serial but still entertaining and frequently exciting. Marshall Reed and Tom Steele are two of the nasty gunsels, and the latter gets a bit more to do than usual. George J. Lewis proves his versatility, as he often played bad guys as he did in Federal Operator 99 and many others. Pamela Blake was in a number of serials as well as Daltons' Women with Lash LaRue, but in this production she is competent but lacks enough oomph. Cliffhanger serials aren't always logical, but I'm still scratching my head over a scene in chapter two in which Mason/Zorro, riding behind Rita in a wagon, jumps off his horse, climbs a cliff, and somehow manages to jump into said wagon which is now, impossibly, behind him. (If the wagon went around some kind of curve, the logistics of this aren't shown.) Still, Ghost of Zorro is fun.

Verdict: Probably not the last gasp for Zorro. **3/4. 

SON OF ZORRO

Zorro in action!

SON OF ZORRO (13-chapter Republic serial/1947). Directors: Spencer Gordon Bennet; Fred C. Brannon. Colorized version. 

In a post-Civil War period rancher Jeffrey Stewart (George Turner) returns to Box County and discovers that crooked politicians and their cronies have taken over. These include Judge Hyde (Ernie Adams), Sheriff Moody (Ed Cassidy), a desperado named Boyd (Roy Barcroft of Manhunt of Mystery Island), and others, all of whom report to a mysterious "Chief" behind the scenes. Jeff has two main allies: his foreman Pancho (Stanley Price of The Invisible Monster), and the post-mistress, Kate Wells (Peggy Stewart of When the Clock Strikes). These and others who are opposed to the plans of the Chief will have a tough time fighting off his sinister schemes. Pancho gives Jeff the idea of dressing up as his ancestor, the famous Zorro!

George Turner as Jeff Stewart

Son of Zorro is an exciting, well-made Republic serial with lots of action, lively well-choreographed fist fights, and a snappy musical score. George Turner is fine and appealing in the actor's only starring role, and the other cast members add some zest as well.  Memorable cliffhangers include a huge ore crusher that threatens to smush Kate; an avalanche caused by dynamite; our hero and Kate trapped by rushing water inside a cave; a wagon that hurtles off a cliff during a landslide; an inferno in the jail where Kate and Jeff are trapped; and others. Other familiar players in the serial include Ken Terrell and Tom Steele as bad guys. Price isn't entirely convincing as the Hispanic foreman, and the identity of the Chief comes as no great surprise. 

Verdict: Highly entertaining and fast-paced western serial. ***. 

DAUGHTER OF DON Q

Delores hangs on for dear life!

DAUGHTER OF DON Q (12-chapter Republic serial/1946). Directors: Spencer Gordon Bennet; Fred C. Brannon.

Delores Quantero (Lorna Gray appearing as Adrian Booth) is one of the descendants of the wealthy Don Quantero. She is unaware that a greedy and sociopathic cousin named Carlos Manning (LeRoy Mason) has learned that Quantero's heirs may be in for millions due to certain land grants. Manning wants all the money for himself and hires Mel Donovan (Roy Barcroft) to kill Delores and all of the others! With the aid of reporter Cliff Roberts (Kirk Alyn), Delores tries to warn her scattered relatives and keep herself alive during repeated attacks. 

Roy Barcroft corners Kirk Alyn

Daughter of Don Q is another exciting and snappy Republic serial with plenty of action, bone-crushing fist fights and some terrific cliffhangers, including Delores hanging onto a curtain for dear life, a huge pane of glass that threatens to become a guillotine, and a rail car loaded with explosives that is heading directly for a racing train. The climax on a bridge with Delores trapped inside a crate and dangling on the railing is absolutely thrilling! 

Verdict: Nifty Republic serial! ***. 

SUNSET SERENADE

Roy Rogers listens as Gabby Hayes sings

SUNSET SERENADE (1942). Director: Joseph Kane.

Although Vera Martin (Joan Woodbury) thought she was going to inherit a ranch from the deceased owner, it actually goes to his nephew, a one-year-old baby in the care of Sylvia Clark (Helen Parrish of X Marks the Spot). Sylvia doesn't know that Vera and her friend, Jackson (Onslow Stevens), are scheming to get the ranch away from her for a song. Wouldn't you know that Roy Rogers, Gabby Hayes, Bob Nolan (of Heldorado) and his Sons of the Pioneers ((including Pat Brady) are in the vicinity, out of work cowboys who are practically starving. In exchange for vittles, most of which are "et" by Gabby, Roy and his buddies help out Sylvia. Later on they have a shoot-out with Jackson's gang when he tries to steal cattle that Sylvia just sold to Clifford Sheldon (Frank M. Thomas) and Roy saves the man from a rushing river when a dam is exploded. There are also some forgettable songs sung by Roy, Bob, Pat and even annoying Gabby. Trigger doesn't have much to do in this one. Roy Barcroft of G-Men Never Forget plays one of the gang of bad guys. A "modern" western from Republic studios. 

Verdict: Acceptable but mediocre Roy Rogers entry. **. 

RADAR MEN FROM THE MOON

Commando Cody takes to the air!

RADAR MEN FROM THE MOON (12-chapter Republic serial/1952). Director: Fred C. Brannon. Colorized. 

With their air running out and facing extinction, aliens on the moon, led by Retik (Roy Barcroft), decide to wipe out earth and take it over. To do this they send one man -- that's right, one man -- Krog (Peter Brocco) to our planet, where he enlists the aid of criminals such as Graber (Clayton Moore of The Lone Ranger), to commit acts of sabotage (which in retrospect are kind of pointless without an army to back it up -- however the Radar Men do have a deadly ray weapon).

Bakewell, Wallace, Towne

Up against the moon menace are Commando Cody (George Wallace) who flies through the air with his jet pack, and his associates Ted (William Bakewell) and plucky, brave Joan (Aline Towne), as well as an associate they report to, Henderson (Don Walters). For twelve chapters our intrepid trio try to get material and weapons from the Radar Men (flying to the moon in their own ship on two occasions), while Graber and his buddies try to wipe them out and destroy their rocket. The good guys face explosives, poison gas, ray guns demolishing their planes, automobiles going over cliffs, a flow of molten rock in a moon cavern, and so on in some exciting cliffhangers. While Radar Men from the Moon may not be an outstanding serial, it is nevertheless fast-paced, silly fun with a more than competent cast. Clayton Moore would eventually graduate from villain roles to serial hero. Footage from previous Republic serials, especially King of the Rocket Men,  is sprinkled liberally throughout this cliffhanger.  

Verdict: Whatever its flaws, this is a fun serial. ***. 

INSURANCE INVESTIGATOR

Audrey Long and Richard Denning

INSURANCE INVESTIGATOR (1951). Director: George Blair. Colorized.

Insurance investigator Tom Davison (Richard Denning) is called in when the head of a real estate company, Sullivan (Roy Gordon), is found dead on the staircase outside his office. His associate, Hammond (John Eldredge), suspects that Sullivan was drinking heavily and had a tragic fall, but Sullivan's daughter, Nancy (Audrey Long), doesn't find this credible. Davison decides to pretend to be Nancy's cousin, and she gets him a job at the real estate office, where he can spy on Hammond and another agent, Addie (Hillary Brooke), who's having an affair with Hammond. Then someone inadvertently steps into an elevator shaft and has a deadly fall ...

Reed Hadley and Roy Barcroft

Insurance Investigator is a $1.99 item from Republic studios, and plays, like many of these B productions, like a TV show. Denning is, as always, a likable player, but he adds absolutely no nuances to his performance and his Tom Davison is no different from his Michael Shayne, Mr. North, or other characters that he's portrayed. Audrey Long is appealing and professional as the (supposedly) grieving daughter who carries on a romance with Davison, or at least tries to. Reed Hadley and Roy Barcroft add a bit of tension to their scenes as the resident bad guys behind a nasty insurance scheme. We're supposed to believe that an unsuspecting person can open the door to the elevator even though the car is on another floor. Well, maybe ... George Blair also directed Exposed. 

Verdict: Even color doesn't add much to this cheapie. *1/2. 

OLD OVERLAND TRAIL

One spiffy cowboy: Rex Allen 

OLD OVERLAND TRAIL (1953). Director: William Witney. 

Cowboy Rex Allen (Rex Allen) finds himself caught in a war between Indians, led by Black Hawk (Leonard Nimoy), and a pack of immigrants who travelled a long distance to settle in the area, Pouring fuel on the fire is slimy John Anchor (Roy Barcroft), who does his best to take advantage of everyone that he can, Indians and settlers alike. Rex' brother, Jim (Gil Herman), is Anchor's partner, and Rex and Jim come to blows when the former realizes that the latter is going along with Anchor's schemes. Then Jim is found dead, and Anchor sends Black Mask and his scouts out to bring back Rex -- as his brother's murderer!

Rex battles a pre-Star Trek Leonard Nimoy

Rex Allen was another handsome Republic Studios cowboy star -- along with Roy Rogers, Allan Lane, Monte Hale and others -- and he was at the time quite popular, and also had his own comic book series for several years. Attractive, competent and personable, Allen didn't quite have the charisma of Rogers, at least in this flick, but he could punch out the bad guys with the best of them. Slim Pickens, also playing himself, was Allen's comical partner in this and many other movies, and Allen had his own "not-so-wondrous" wonder horse in Koko. Gil Herman was another handsome dude who distinguished himself during WW2 service, while Virginia Hall (as Jim's gal pal, Mary) appeared only in this one western and had a few other minor credits.

Gil Herman, Rex Allen, Roy Barcroft

Rex Allen started out as a singer and had a rich baritone voice that reminds one a bit of Bing Crosby. In Old Overland Trail he gives splendid renditions of "Just a Wandrin' Buckeroo," "Cowboy's Dream of Heaven," and others. Rex is backed up by the Republic Rhythm Riders singing group. Directed by serial specialist William Witney, Old Overland Trail has plenty of exciting fisticuffs along with a sequence when Indians circle and attack a wagon train. The two brothers also have a rousing battle. Serial star Marshall Reed appears briefly as a sergeant. Reed and Barcroft both appeared in The James Brothers of Missouri. 

Verdict: With plenty of songs and punches, this is a good example of why Rex Allen became so popular. **3/4. 

BLACKMAIL (1947)

William Marshall and Ricardo Cortez

BLACKMAIL (1947). Director: Lesley Selander. 

Ziggy Cranston (Ricardo Cortez) calls in a private eye, Danny Turner (William Marshall), when he is blackmailed by a avaricious gal named Carla (Stephanie Bachelor). When Carla is murdered, Ziggy is less concerned that he might be accused of the crime than that there might be associates of the dead woman who still have the incriminating photographs. This turns out to be true, and one of those associates winds up dead in Ziggy's swimming pool. Thinking Ziggy did the deed, Danny wants no part of murder and calls the police, but when the cops, including Inspector Donaldson (Grant Withers) get there the body has disappeared. Ziggy's gal, Sylvia (Adele Mara), backs up his story that there was no murder and no body, but Danny determines to get to the bottom of things. Along the way he has to contend with casino owner Kellaway (Roy Barcroft of The James Brothers of Missouri), his punch-happy associate, Pinky (Tristram Coffin of King of the Rocket Men), the supposedly French chauffeur Antoine (Richard Fraser of The Tiger Woman), and other nefarious characters before he reveals the true killer at the climax.

"I didn't do it!" Ricardo Cortez and Adele Mara

Blackmail is another bit of film noir from Republic studios featuring many of their contract players. Star William Marshall, who was once married to Ginger Rogers, makes a very convincing movie-type private eye radiating toughness and insolence in equal measure although he isn't given many opportunities to love up the ladies. Cortez plays the part in such a way that you never quite know if he's on the level or making things up as he goes along. Adele Mara is okay if a little bland in this as Cortez' squeeze. The plot is a wild and confusing  concoction that has a few holes in it, although it's entertaining enough and fast-paced. Marshall should have made more of these but this was his only appearance as Danny Turner. Probably the best thing about the movie are the ferocious fistfights which approach the level of the fisticuffs seen in Republic serials.

Verdict: Fast-moving Republic private eye flick. **1/2. 

WHEN THE CLOCK STRIKES

WHEN THE CLOCK STRIKES (1961). Director: Edward L. Cahn.

The Cady Lodge, owned and run by Cady (Henry Corden), is located not far from a prison. That very night a man, Pierce, is about to be executed, although witness Sam Morgan (James Brown) isn't so sure about his identification of the condemned man. On the road Sam picks up Ellie (Merry Anders of Legacy of Blood), who turns out to be Mrs. Pierce, the wife of the man on death row. Apparently there's $600,000 floating around and both Sam and Ellie want a piece of it -- could the answer be in the condemned man's effects? As the couple conspire, Sheriff Mitchell (Roy Barcroft of G-Men Never Forget) drops by for his usual beer --- and there's two other visitors to the lodge: Martinez (Jorge Moreno), who insists that he killed the man allegedly murdered by the now-dead Pierce; and yet another "Mrs. Pierce" (Peggy Stewart)!

Corden, Brown and Anders

When the Clock Strikes, while illogical at times, certainly has an intriguing premise as well as a few good twists. It's fun to see major serial villain Roy Barcroft playing a good guy for a change. Brown and Anders offer lead performances that are competent but suggest there wasn't much rehearsal time for this very low-budget opus. Edward L. Cahn was the prolific director of seemingly a thousand B movies, including The Four Skulls of Jonathan Drake, Invasion of the Saucer Men, and Voodoo Woman. 

Verdict: Minor but intriguing little mystery movie. **1/2. 

THE JAMES BROTHERS OF MISSOURI

Robert Bice and Keith Richards as Frank and Jesse James

THE JAMES BROTHERS OF MISSOURI (12 chapter Republic serial/1949. Director: Fred C. Brannon. 

Frank and Jesse James (Robert Bice of Captive Women and Keith Richards) only want to forget their past, go straight, and live their lives in peace. They are befriended by Lon Royer (John Hamitlon), a former member of the James Gang, and his daughter, Peg (Noel Neill), who are running a freight business in the town of Rimrock. Unfortunately, Ace Marlin (Roy Barcroft of Manhunt of Mystery Island), who is running a rival business, wants to obliterate the competition and murders Lon. Marlin's silent partner, who pretends to befriend the grieving Peg, is Belle Calhoun (Patricia Knox), who owns the general store. Frank and Jesse, masquerading as Peg's cousins, John Howard and Carroll, do everything they can to help Peg and her business, and counteract the increasingly violent and sinister actions of Marlin. 

Roy Barcroft and Patricia Knox

The James Brothers of Missouri is the third and last of the three Jesse James serials produced by Republic Pictures. Clayton Moore was Jesse in the first two serials, and while Richards is fine as Jesse James, Moore is still missed. Neill appeared in the previous serial, The Adventures of Frank and Jesse James, but she plays a different character this time. This is also true of Roy Barcroft, who is very adept in his villainy. Patricia Knox is also quite credible as a woman who seems to have a heart of gold but is really as nasty and manipulative as any hooker-hard gun moll. Lane Bradford [The Invisible Monster], Tom Steele, and Marshall Reed are familiar serial stalwarts who play various thugs in Marlin's employ. 

Keith Richards

The acting in this is fine, but Fred C. Brannon, who often co-directed these serials, proves that he has as assured a sole directorial hand as any other Republic fixture. The serial moves at a brisk pace and features some thrilling chase sequences, as well as cliffhangers in which Jesse is unconscious in the back of a runaway wagon, which blows up, and Peg is nearly scalded by acid. In this serial, Frank and Jesse are not anything like the real desperadoes, who were thugs, unrepentant criminals, and who even attacked and murdered civilian abolitionists. The story that they robbed the rich and gave to the poor like Robin Hood is also a load of crap. Keith Richards amassed nearly 200 credits, most of them on television or in bit parts in the movies. He played a drunken saloon patron in Jesse James Rides Again, then played Jesse himself -- a rare starring part -- two serials later. 

Verdict: The "heroes" in this weren't really heroes, but the serial is good and exciting western fun. ***. 

JESSE JAMES RIDES AGAIN

John Compton and Clayton Moore

JESSE JAMES RIDES AGAIN (13 chapter Republic serial/1947). Directed by Fred C. Brannon and Thomas Carr.

Jesse James (Clayton Moore of G-Men Never Forget) is on the run from the sheriff along with his buddy Steve Long (John Compton of The D.A.'s Man). Jesse feels his criminal activities have been highly exaggerated and Steve is completely innocent. With Jesse using a fake name, they come to a small town and bunk with an old farmer, Sam Bolton (Tom London)  and his daughter, Ann (Linda Stirling.) When the farm is attacked by a group of masked Black Raiders, Jesse and Steve help fight them off, and Jesse tells a grateful Ann who he really is. These seemingly inexplicable raids against farmers are engineered by James Clark (Tristram Coffin of King of the Rocket Men) and carried out by Frank Lawton (Roy Barcroft) -- they are after the oil that is under everyone's property.

John Compton with Roy Barcroft

In chapter one a riverboat blows up with Ann tied up on board. Chapter 12 features an exciting horse and carriage race between raiders and farmers as the latter try to deliver oil and the raiders try to stop them. The best cliffhanger occurs in chapter 7, when Ann is put inside a cage called a cotton compress and is nearly crushed to death. The performances are all good in this, the action is fast, the fisticuffs are furious, and the serial is fun. This was the first of three Republic serials featuring the character of Jesse James. The follow ups were The Adventures of Frank and Jesse James and The James Brothers of Missouri. 

Verdict: Action, thrills, and two handsome hunks! ***.  

MANHUNT OF MYSTERY ISLAND

Roy Barcroft as Captain Mephisto

MANHUNT OF MYSTERY ISLAND (15 chapter Republic serial/1945.)  Directed by Spencer Gordon Bennet, Wallace Grissell, and Yakima Canutt. 

Professor Forrest (Forrest Taylor), who is working on a special device, is kidnapped by a man calling himself Captain Mephisto (Roy Barcroft of The Kettles on Old MacDonald's Farm). Mephisto wants the professor to weaponize his device so that he can use it to rule the world. Forrest's daughter, Claire (Linda Stirling of The Crimson Ghost), and detective Lance Reardon (Richard Bailey) manage to trace the professor to Mystery Island, a former penal colony and stronghold of a pirate (also named Mephisto) that is now owned by four businessmen. Mephisto, a descendant of the original, is actually one of those four men, but he uses a special transformation chair to turn himself into an exact duplicate of the long-dead pirate. Thus, Mephisto always knows the couple's plans ahead of time ... 

Richard Bailey and Linda Stirling

Manhunt of Mystery Island is a terrific, fast-paced and exciting Republic serial, with one excellent cliffhanger after another. There is a splendid bit in chapter seven in which Reardon, engaging in fisticuffs in a skyscraper, saves himself after being punched out of a window by grabbing onto a firehose! Chapter eleven features a thrilling fight between Mephisto and Reardon on shaky wooden platforms built high above the water's edge. There's a rope bridge that is deliberately snapped, plunging the couple to near doom in chapter thirteen. Not to mention our hero being trapped under a wine press, cornered by a destructive ray that threatens to parboil him, caught in a small chamber filling with gas, and so on. The acting in the movie may be merely serviceable, but no one watches these things for great acting. 

Verdict: Suspenseful, intriguing and often thrilling Republic cliffhanger. ***1/4.  

G-MEN NEVER FORGET

Clayton Moore

G-MEN NEVER FORGET (12 chapter Republic serial/1948). Directed by Fred C. Brannon and Yakima Canutt.

Notorious criminal Vic Murkland (Roy Barcroft) escapes from jail and joins his gang at the sanitarium of Dr. Benson (Stanley Price). Murkland has come up with an ingenious plan: he has Benson surgically alter his face so that he looks exactly like Police Commissioner Cameron (also played by Roy Barcroft) and then changes places with him, keeping the real commissioner prisoner. This way he secretly keeps interfering with agent Ted O'Hara (Clayton Moore of Lone Ranger fame) and his very capable assistant, Detective-Sergeant Frances Blake (Ramsay Ames) as they try to stymie the plans of the missing Murkland and his chief gunsel Duke Graham (Gil Frye) and others.

Moore and Roy Barcroft

G-Men Never Forget has a more interesting story than many other serials, and some times almost plays like film noir. Moore makes a strikingly handsome and very effective leading man in this, and Ramsay Ames makes a better impression than she does in other productions. With this serial Roy Barcroft, who appeared in a great many serials, is given one of his best opportunities, and he's fine in a dual role. Premiere stunt man Tom Steele also has more to do than usual, not just as a stunt double but as one of Murkland's gang. Douglas Aylesworth is Detective Hayden, whom at one point O'Hara suspects of being in league with Murkland, a fatal error.

Moore and Ramsay Ames

There are the usual thrills and spills, chases and fist fights. An explosion in a tunnel unleashes a torrent of water that nearly swamps O'Hara and he is nearly electrocuted when his truck runs into high voltage wires and explodes. Just as a truck she's trapped in is about to go over a cliff, Frances uses her wits to narrowly escape the death trap. In a surprising development, our hero doesn't save the day when Murkland sabotages a ship and a large heavy piece of its frame falls from a crane and causes death and destruction -- although O'Hara doesn't get a scratch. (This might have been real footage of a shipyard accident, the use of which is in questionable taste if anyone was actually killed.) Co-director Yakima Canutt was a famed stunt man, bit actor, and stunt coordinator who was the second unit director for the chariot race in the 1959 version of Ben-Hur.

Verdict: Snappy, fast-paced serial with the added sex appeal of Moore and Ames. ***. 

THE PURPLE MONSTER STRIKES

Linda Stirling and Dennis Moore

THE PURPLE MONSTER STRIKES (15 chapter Republic serial/1945). Directed by Spencer Gordon Bennett and Fred C. Brannon.

A man from  Mars (Ray Barcroft), the first wave of an invasion force and who calls himself the "Purple Monster," kills Dr. Layton (James Craven) and periodically takes over his body to use in his nefarious schemes. (Apparently his animating the corpse of Dr. Layton also prevents obvious decomposition.) Unaware that her uncle is actually a Martian invader, Layton's niece Sheila (Linda Stirling) and her associate, Craig (Dennis Moore), an insurance investigator, find themselves persistently in deadly conflict with the Purple Monster and a variety of earth gangsters headed by a man named Garrett (Bud Geary).

Dennis Moore about to be incinerated

The Monster first wants the rocket ship invented by Layton, then goes after a deadly "annihilator," as well as a Dimensional Magnet and a Stabilizer. Naturally Craig and Sheila do their best to keep these weapons out of the hands of the Monster and his men. At one point the Monster brings in a female Martian named Marcia (Mary Moore), who kills and takes over the body of poor Helen (Rosemonde James), a scientist's assistant who's in the wrong place at the wrong time. Sheila and the Martian witch have a "cat fight" on top of a cliff that doesn't go well for Marcia in chapter twelve. The Monster reports to the Emperor of Mars (John Davidson), who isn't certain that Barcroft is the right man for the job.

James Craven and Dennis Moore

The Purple Monster Strikes is full of lively fight scenes and a variety of cliffhangers. Sheila is almost shot into space inside a rocket in chapter one. Craig nearly falls off a ladder between two buildings when it totters and crashes into a wall in chapter two. There is a watery death trap for Sheila in chapter six and Craig is nearly squashed by a falling auto hanging on an overhead pulley in chapter eight. A moving wall pushes Craig towards bars lined with spikes in chapter ten. Dennis Moore is swell as Craig and has one of the best voices of any leading man. Stirling is decorative and reasonably adept as well. Craven and Barcroft are enthusiastic supporting players. There is no scene showing Sheila's remorse when she learns that her uncle has been dead all this time! Craven played a scientist who forms an alliance with an invading Martian in the later Flying Disc Man from Mars.

Verdict: Crazy but lots of action and fun. ***. 

THE KETTLES ON OLD MACDONALD'S FARM

Marjorie Main and Parker Fennelly

THE KETTLES ON OLD MACDONALD'S FARM (1957). Director: Virgil W. Vogel. 

"After thirty years I don't think I can fall asleep until I hear the sound of your snoring." -- Pa to Ma Kettle.

Pa Kettle (Parker Fennelly) is finally planning to sell the old farm after winning a new house way back in Ma and Pa Kettle. The potential buyers are Sally Flemming (Gloria Talbott of The Leech Woman) and her fiance, Brad (John Smith of Hod Rod Girl). Sally's father (Roy Barcroft) objects to the wedding because he thinks his daughter is spoiled and will never make a good farm wife. Ma (Marjorie Main) and Pa decide to let the couple move in on a trial basis, with Ma as chaperone, but will they ever actually make it to the altar?

Gloria Talbott and John Smith

Percy Kilbride had left the series by this time and Parker Fennelly took over the role for this final Kettle film. Fennelly is fine as Pa, and doesn't make the mistake of aping Kilbride. As happened in an earlier Kettle film, Pa gets the mistaken impression that Ma is pregnant again. Another complication is the mischievous presence of an amazing trained bear called Tree-Toes, which the Kettles try to capture, as well as the usual, amusing disagreements and misunderstandings.

This was a good way to end the series, as this entry -- while not quite as good as the best entries -- has a better story than the last couple of films, and is consistently amusing. There's also new theme music to go with a new Pa, but there is no "MacDonald" or his farm. Sally and Brad's differences -- frankly she doesn't really seem cut out to have the tedious, back-breaking life of a farm wife and why should she have to endure it?  -- are never really resolved.  Roy Barcroft appeared in a number of cliffhanger serials such as Radar Men from the Moon. John Smith was a handsome leading man who appeared in many "B" movies and television programs. 

Verdict: Fun movie bolstered by performances of Main and Fennelly and the depiction of their long-time warm relationship. ***