SON OF ZORRO

Zorro in action!

SON OF ZORRO (13-chapter Republic serial/1947). Directors: Spencer Gordon Bennet; Fred C. Brannon. Colorized version. 

In a post-Civil War period rancher Jeffrey Stewart (George Turner) returns to Box County and discovers that crooked politicians and their cronies have taken over. These include Judge Hyde (Ernie Adams), Sheriff Moody (Ed Cassidy), a desperado named Boyd (Roy Barcroft of Manhunt of Mystery Island), and others, all of whom report to a mysterious "Chief" behind the scenes. Jeff has two main allies: his foreman Pancho (Stanley Price of The Invisible Monster), and the post-mistress, Kate Wells (Peggy Stewart of When the Clock Strikes). These and others who are opposed to the plans of the Chief will have a tough time fighting off his sinister schemes. Pancho gives Jeff the idea of dressing up as his ancestor, the famous Zorro!

George Turner as Jeff Stewart

Son of Zorro is an exciting, well-made Republic serial with lots of action, lively well-choreographed fist fights, and a snappy musical score. George Turner is fine and appealing in the actor's only starring role, and the other cast members add some zest as well.  Memorable cliffhangers include a huge ore crusher that threatens to smush Kate; an avalanche caused by dynamite; our hero and Kate trapped by rushing water inside a cave; a wagon that hurtles off a cliff during a landslide; an inferno in the jail where Kate and Jeff are trapped; and others. Other familiar players in the serial include Ken Terrell and Tom Steele as bad guys. Price isn't entirely convincing as the Hispanic foreman, and the identity of the Chief comes as no great surprise. 

Verdict: Highly entertaining and fast-paced western serial. ***. 

THE INVISIBLE MONSTER -- IN COLOR!

Richard Webb

THE INVISIBLE MONSTER (12-chapter Republic serial/1950). Director: Fred C. Brannon. 

A fellow who calls himself The Phantom Ruler (Stanley Price) has developed a formula which makes things invisible when they are coated with it. This includes the Ruler's cloak, which makes him invisible as long as he stays within a light beam generated by his special machine. His immediate goal is to get the materials for this formula, but his ultimate plan is to gather an army of invisible soldiers to help him take over the whole country. Determined to stop him are two insurance investigators (!), Lane Carson (Richard Webb of Hillbillies in a Haunted House) and plucky Carol Richards (Aline Towne of Radar Men from the Moon). Meanwhile the evil Burton (Lane Bradford of Zombies of the Stratosphere) and his associates are out to stymie them at every turn. 

Stanley Price as the Phantom Ruler

The Invisible Monster recycles some cliffhangers but is still a snappy, fast-paced and entertaining serial. Square-jawed Webb makes an effective hero and pretty Towne is his more-than-competent companion. As the main villain, Price doesn't chew the scenery and Bradford, as usual, makes a cold, non-nonsense sociopathic assistant. Others in the cast include Tom Steele as a henchman, Marshall Reed as a cop, as well as Roy Gordon as a doctor and John Hamilton as one of the foreigners forced to work for the Phantom Ruler (in positions he secures for them for his own nefarious purposes). Highlights  of the serial include Carol nearly being flattened by a heavy vault door; Lane tied up in a handcar that is packed with explosives and sent hurtling towards a train; Carol and Lane pursued by a minecart full of coal oil that has been set on fire; and others. The fight scenes are lively and well-staged. 

Verdict: Fast-paced fun! ***. 

THE DALTONS' WOMEN

Lash La Rue

THE DALTON'S WOMEN (1950). Director: Thomas Carr.

In the town of Navaho, members of the Dalton gang have seemingly become respectable citizens with new identities. However, they are up to their old tricks of holding up stagecoaches and robbing banks. Into town comes a man that everyone assumes is one of the Daltons, but "Mike Leonard" -- actually Clint Dalton (Jack Holt) -- knows better. He hires this stranger as a dealer in his saloon, suspecting that he's actually the law. Yes, indeed, the stranger is U.S. Marshall Lash La Rue (Lash La Rue), and he and Pinkerton agent Joan Talbot (Pamela Blake) set out to expose and round up the gang with the help of Lash's grizzled old pal Fuzzy Jones (Al St. John).

burlesque in the wild west?

Lash La Rue was a cowboy star who appeared in a great many low-budget productions for poverty row studio, PRC. In spite of this he gained a large following and had his own comic book that lasted until 1960. Although some have noted a resemblance to Humphrey Bogart, La Rue was actually handsomer than Bogie, although his acting range was much more limited. Playing himself in his movies, La Rue always dressed in black and carried a whip which he eventually learned to wield with a certain expertise; he also did his own stunts, which fitted neatly into PRC's budgetary plans. La Rue occasionally had small roles in films for other studios.

Catfight! June Benbow vs. Jacqueline Fontaine

The Dalton's Women throws in everything but the kitchen sink. There are sexy show girls strutting their stuff and doing the can can; a juggler whose act is interrupted by a shooting party; and a songstress named Jacqueline Fontaine (played by Jacqueline Fontaine, who was introduced in this picture). Fontaine delivers two numbers, including the catchy "The Right Kind of Man," in a husky and sensual voice; she knows how to deliver a song. The best scene in the movie has Fontaine involved in a wild, protracted catfight with saloon gal, May (June Benbow) over a character named Honest Hank (Archie Twitchell), who otherwise doesn't really figure in the plot. The catfight, with the two women pulling hair and nearly tearing the clothing off of each other, is one of the longest female-female fight scenes I've seen in any movie!

Tom Neal, Lyle Talbot, J. Farrell MacDoanld

Others in the cast include the ubiquitous Lyle Talbot as an honest businessman, Tom Neal [Jungle Girl] as the dishonest Mayor, J. Farrell MacDonald as the representative of the stagecoach company, Stanley Price [The Invisible Monster] as bad guy Manson, and Tom Tyler [Adventures of Captain Marvel] as Emmett Dalton. Thomas Carr also co-directed the serial Jesse James Rides Again. This really was the first movie for Jacqueline Fontaine, who had thirteen successive credits in B movies like Outlaw Women, A productions such as The Country Girl, and assorted television programs. A "Western Adventure" Production. 

Verdict: If you've always wanted to see a Lash La Rue picture, this is the one to go for. Dig that zesty catfight! **1/2. 

G-MEN NEVER FORGET

Clayton Moore

G-MEN NEVER FORGET (12 chapter Republic serial/1948). Directed by Fred C. Brannon and Yakima Canutt.

Notorious criminal Vic Murkland (Roy Barcroft) escapes from jail and joins his gang at the sanitarium of Dr. Benson (Stanley Price). Murkland has come up with an ingenious plan: he has Benson surgically alter his face so that he looks exactly like Police Commissioner Cameron (also played by Roy Barcroft) and then changes places with him, keeping the real commissioner prisoner. This way he secretly keeps interfering with agent Ted O'Hara (Clayton Moore of Lone Ranger fame) and his very capable assistant, Detective-Sergeant Frances Blake (Ramsay Ames) as they try to stymie the plans of the missing Murkland and his chief gunsel Duke Graham (Gil Frye) and others.

Moore and Roy Barcroft

G-Men Never Forget has a more interesting story than many other serials, and some times almost plays like film noir. Moore makes a strikingly handsome and very effective leading man in this, and Ramsay Ames makes a better impression than she does in other productions. With this serial Roy Barcroft, who appeared in a great many serials, is given one of his best opportunities, and he's fine in a dual role. Premiere stunt man Tom Steele also has more to do than usual, not just as a stunt double but as one of Murkland's gang. Douglas Aylesworth is Detective Hayden, whom at one point O'Hara suspects of being in league with Murkland, a fatal error.

Moore and Ramsay Ames

There are the usual thrills and spills, chases and fist fights. An explosion in a tunnel unleashes a torrent of water that nearly swamps O'Hara and he is nearly electrocuted when his truck runs into high voltage wires and explodes. Just as a truck she's trapped in is about to go over a cliff, Frances uses her wits to narrowly escape the death trap. In a surprising development, our hero doesn't save the day when Murkland sabotages a ship and a large heavy piece of its frame falls from a crane and causes death and destruction -- although O'Hara doesn't get a scratch. (This might have been real footage of a shipyard accident, the use of which is in questionable taste if anyone was actually killed.) Co-director Yakima Canutt was a famed stunt man, bit actor, and stunt coordinator who was the second unit director for the chariot race in the 1959 version of Ben-Hur.

Verdict: Snappy, fast-paced serial with the added sex appeal of Moore and Ames. ***. 

THE INVISIBLE MONSTER

Richard Webb

THE INVISIBLE MONSTER (12 chapter Republic serial/1950). Director: Fred C. Brannon.

A man who calls himself the Phantom Ruler (Stanley Price) is determined to take over the nation with an invisible army. He already wears a black cloak which makes him disappear under a certain kind of light. Now he has enlisted the often unwilling aid of illegal immigrants who work in various disciplines. PR and his thuggish helpmates -- who are almost constantly outwitted by handsome insurance agent Lane Carson (Richard Webb) -- try various means to get money and chemicals. Along the way Lane and his pretty assistant Carol (Aline Towne of Radar Men from the Moon) face danger at every turn. 

Stanley Price and Douglas Evans

There is no suspense over the identity of the Phantom Ruler because he is unmasked in chapter one, although his actual name or occupation is never revealed. However, the serial itself does work up some suspense over how Lane and Carol will finally capture the elusive mastermind. The couple are nearly immolated by a stream of gasoline and a fiery truck explosion in chapter two, and are trapped by a river of fire in a mine in chapter five. In chapter seven Lane is tied to a railroad hand-car loaded with explosives and sent hurtling toward an express train as Carol tries to prevent the collision with her automobile. In chapter eight Lane manages to free himself from a pit below a trapdoor when the house above is set on fire. 

Richard Webb takes aim

Lane has a condescending attitude when he first finds out that a woman is to be his partner. "Isn't this an unusual job for a woman?" he sniffs. However, he is eventually won over by Carol's courage and aptitude. Webb [Captain Midnight] makes the perfect serial hero, stalwart, strong, square-jawed, and both "dreamy" and heroic in bearing and appearance. Towne is also capable as a serial leading lady, although she is less colorful than others. Price underplays his role of despicable monster and manages to be convincing if unexciting. Lane Bradford [Zombies of the Stratosphere] is sneeringly effective as the chief thug in the Phantom Ruler's employ. John Crawford is his helpmate, and the "foreigners" forced to help them include John Hamilton, Douglas Evans [The Crimson Key], Dale Van Sickel and George Meeker. Tom Steele and Marshall Reed, both of whom were in very many serials, also make appearances on opposite sides. Stanley Wilson's excellent score expertly compliments the action -- and there is plenty of it in this exciting serial. 

Verdict: Despite the absence of an unknown archenemy and flying, costumed hero, this is still a fun cliffhanger serial. ***.