THE MYSTERIOUS MR. VALENTINE

William Henry

THE MYSTERIOUS MR. VALENTINE (1946). Director: Philip Ford. Colorized.  

Janet Spencer (Linda Stirling of The Crimson Ghost) runs into trouble when a corpse is thrown in front of the car she's driving and she's accused of a hit and run. Private detective Steve Morgan (William Henry of Nearly Eighteen) comes to Janet's assistance, but he actually gets hired by Rita Armstrong (Barbara Wooddell) to find out who her husband's (Tristram Coffin) girlfriend (Virginia Christine) is. Then the husband, who was the dead man's business partner, is also murdered, and Lt. Milo Jones (Thomas E. Jackson) tells Steve to stick to divorce cases and insurance fraud. But Steve is determined to find out who is pretending to be the "Mysterious Mr. Valentine" who keeps phoning Janet and making blackmail demands no matter how often he gets hit on the head and knocked unconscious. 

Linda Stirling with Henry

The Mysterious Mr. Valentine comes off at first like an especially complicated episode of Perry Mason without the courtroom scenes. Things are a bit convoluted at first with characters and incidents being thrown at you in rapid succession. Henry makes a likable private dick, and although she looks a little odd in this (as if she overdid the dieting) Stirling is spirited and energetic, giving a breezier performance than usual. Tristram Coffin (of King of the Rocket Men) is as interesting as ever, and Virginia Christine makes a sexy and conniving mistress. Thomas E. Jackson is especially notable as the lieutenant, who -- thankfully -- doesn't play it gruff and nasty as actors playing cops often do in these roles. This is perhaps the only private eye film I've seen in which the hero actually has to go to the hospital for stitches after he gets conked on the head, although it happens again to him and others later in the film and apparently no one gets a concussion. Virginia Brissac, who was the realtor Mrs. Hammond on the "Sublease" episode of I Love Lucy, plays Janet's housekeeper. Arthur Space also appears in this, albeit briefly. This was Henry's one and only appearance as Steve Morgan; the actor amassed over 250 credits!

Verdict: Minor mystery film from Republic studios with an interesting plotline and some clever touches. **1/2. 

THE CRAWLING HAND

The hand runs amok

THE CRAWLING HAND (1963). Director: Herbert L. Strock. Colorized.

Captain Lockhart (Ashley Cowan) is the latest in a line of astronauts who are taken over by some strange kind of force while out in space. Lockhart's ship explodes, but his severed arm is found on a beach by Paul (Rod Lauren of The Young Swingers) and his girlfriend, Marta (Sirry Steffen), who freaks out. Inexplicably, Paul takes the arm home, where the hand strangles his landlady, Mrs. Hotchkiss (Arline Judge). Then whatever affected Lockhart in space begins affecting Paul. Will Sheriff Townsend (Alan Hale Jr. of Thunder in Carolina) be able to get Paul under control after he attacks Marta or will he have to shoot him? 

Sirry Steffen and Rod Lauren

The Crawling Hand has some interesting elements and could have been turned into a fairly good movie, but it goes in all the wrong directions and is never as creepy as intended. Probably the most interesting thing about it is the cast, which includes the Skipper from Gilligan's Island, former star Richard Arlen, old-time actress Arline Judge, Kent Taylor [The Crimson Key] and Peter Breck as scientists, and Allison Hayes of 50 Foot Woman fame, criminally wasted as a secretary with only a couple of scenes. Tristram Coffin of King of the Rocket Men also shows up for one sequence as a security chief. Rod Lauren gives an uneven performance, but Steffen showed promise; she only had six other credits, though. Herbert L. Strock also directed Gog.

Verdict: Had possibilities, but this doesn't really work. **. 

RADAR PATROL VS. SPY KING

Plane trouble: Jean Dean and Kirk Alyn

RADAR PATROL VS. SPY KING (12 chapter 1949 Republic serial). Director: Fred C. Brannon. COLORIZED.  

Franklyn Lord (Tristram Coffin) assigns two of his best agents -- Chris Calvert (Kirk Alyn) and Joan Hughes (Jean Dean) -- to track down the so-called Spy King, a man named Baroda (John Merton). Now that the war is over Baroda is trying to build an anti-radar device that he can sell to the highest bidder, and Chris and Joan -- along with Lt. Manuel Agura (George J. Lewis) -- are out to stop him. Baroda has several evil associates, the worst of whom is Nitra (Eve Whitney), although Ricco (Anthony Warde) is also pretty nasty. Along the way there are traps consisting of explosions, deadly gas, cars driving off of cliffs, and a closed laundry basket that rolls out of the back of a truck with Joan (supposedly) inside it. There's even a remote control truck with no driver. 

John Merton and Eve Whitney hold Jean Dean captive

Radar Patrol vs. Spy King is a lot of fun, moves at an extremely brisk pace., and has a great, exciting score by Russell Garcia and Stanley Wilson that embellishes each and every sequence. Alyn and Dean make assured and capable agents, and Joan can be as feisty as she needs to be, clobbering bad guys with her purse and shooting with the best of 'em. Although John Merton is rather colorless as Baroda, Eve Whitney makes one stylish and sophisticated she-spy. Five years later she sort of played herself as a model who comes to the Ricardo's home and inspires jealousy in Lucy and Ethel on the classic I Love Lucy episode "The Charm School." Actually this and Lucy were probably Whitney's largest roles, as most of her film appearances were uncredited bits. This is too bad, as Whitney makes a positive impression in Radar Patrol. Anthony Warde makes a highly capable gunsel as usual. The hideout used by Nitra and Baroda is a plane hidden in the forest. 

Colorized serials on youtube are hit or miss, as sometimes the original print is too poor to work well with the colorizing process. Fortunately, this print is pretty clear and very watchable, even if it isn't remastered. Although this print contains the entire serial, the credits -- aside from the opening -- have been edited out so the serial proceeds at a really rapid pace. 

Verdict:  Eve Whitney steals the show! ***

LURE OF THE ISLANDS

Robert Lowery and Margie Hart

LURE OF THE ISLANDS (1942). Director: Jean Yarbrough.  

During WW2 two American agents -- Wally (Robert Lowery of Sensation Hunters) and Jinx (Guinn 'Big Boy' Williams) -- are told by the skipper (Tristram Coffin) to swim to a Tropical island paradise that may be a nest of Axis agents. There the boys encounter two women: Brooklyn-born Tana (Margie Hart), who hopes Wally will marry her and take her back to the U.S.; and Maui (Gale Storm of Nearly Eighteen), who is only interested in Jinx when Tana fibs that he's a pig millionaire. In this not terribly serious "war" film with song numbers, the foursome have to deal with a Nazi commandant (Ivan Lebedeff) and some Japanese who hope to turn the island into their base. 

Williams and Storm

Margie Hart was a burlesque stripper -- a competitor of Gypsy Rose Lee's -- who tried to kickstart a movie career by starring in this Monogram cheapie, which throws in everything but the kitchen sink. Unfortunately, Hart proved to be barely adequate as an actress. Although she later took acting lessons and did some theater, Lure of the Islands was her first and last movie. However, this is the kind of schlock that Lowery, Williams and Storm could probably do in their sleep, and they make a better impression. Hart warbles the pretty title tune (although she may have been dubbed) and Gale does a very cute number entitled "My Tahiti Sweetie" that boasts some clever and amusing lyrics. Kahala and Odetta Bray are the pretty native dancers and singers. 

Verdict: Another weird low-budget melange from Monogram. **1/2. 

BLACKMAIL (1947)

William Marshall and Ricardo Cortez

BLACKMAIL (1947). Director: Lesley Selander. 

Ziggy Cranston (Ricardo Cortez) calls in a private eye, Danny Turner (William Marshall), when he is blackmailed by a avaricious gal named Carla (Stephanie Bachelor). When Carla is murdered, Ziggy is less concerned that he might be accused of the crime than that there might be associates of the dead woman who still have the incriminating photographs. This turns out to be true, and one of those associates winds up dead in Ziggy's swimming pool. Thinking Ziggy did the deed, Danny wants no part of murder and calls the police, but when the cops, including Inspector Donaldson (Grant Withers) get there the body has disappeared. Ziggy's gal, Sylvia (Adele Mara), backs up his story that there was no murder and no body, but Danny determines to get to the bottom of things. Along the way he has to contend with casino owner Kellaway (Roy Barcroft of The James Brothers of Missouri), his punch-happy associate, Pinky (Tristram Coffin of King of the Rocket Men), the supposedly French chauffeur Antoine (Richard Fraser of The Tiger Woman), and other nefarious characters before he reveals the true killer at the climax.

"I didn't do it!" Ricardo Cortez and Adele Mara

Blackmail is another bit of film noir from Republic studios featuring many of their contract players. Star William Marshall, who was once married to Ginger Rogers, makes a very convincing movie-type private eye radiating toughness and insolence in equal measure although he isn't given many opportunities to love up the ladies. Cortez plays the part in such a way that you never quite know if he's on the level or making things up as he goes along. Adele Mara is okay if a little bland in this as Cortez' squeeze. The plot is a wild and confusing  concoction that has a few holes in it, although it's entertaining enough and fast-paced. Marshall should have made more of these but this was his only appearance as Danny Turner. Probably the best thing about the movie are the ferocious fistfights which approach the level of the fisticuffs seen in Republic serials.

Verdict: Fast-moving Republic private eye flick. **1/2. 

MA BARKER'S KILLER BROOD

Family portrait

MA BARKER'S KILLER BROOD (1960). Director: Bill Karn. 

Ma Barker (Lurene Tuttle) is a no-nonsense, vulgar, cop-hating termagant who wants the best for her boys -- and for herself. Against her weaker husband's wishes, she encourages her boys to go out and commit jobs at an early age. She has no patience with young Herman (Don Grady), who would prefer to play his fiddle like a "sissy." Herman is the first of the gang to come to a bad end. Before long, Ma is involved with the likes of Machine Gun Kelly, Pretty Boy Floyd, and John Dillinger. After robberies, murders and kidnappings, she holds off the Feds in an hours-long battle at her farmhouse, but crime does not pay ... 

Tuttle with Ron Foster

This low-budget film probably came about because of the success of the TV show The Untouchables, which in its first season had an episode on Ma Barker played by Claire Trevor. Tuttle is just as good and as tough as Trevor, but Killer Brood is not as good as that TV episode, although both vehicles are similarly brutal. Nowadays people claim that Ma Barker was at worst an accessory, that she knew her boys were criminals but took no part in their crimes and certainly didn't plan them. Whatever the case, she has entered folklore as "the most murderous mother of them all." (Shelley Winters also played the part in Bloody Mama.) Other cast members include Ron Foster as handsome son "Doc," and Byron Foulger as a crooked physician who comes afoul of nasty Ma. Tristram Coffin has a good if small role as Barker's second husband, and he is given a notable death scene. The film follows the basic facts along with much embellishing, and has an exciting enough climax. 

Verdict: Lurid, low-budget, and really not very good despite an effective turn by Tuttle. **. 

JESSE JAMES RIDES AGAIN

John Compton and Clayton Moore

JESSE JAMES RIDES AGAIN (13 chapter Republic serial/1947). Directed by Fred C. Brannon and Thomas Carr.

Jesse James (Clayton Moore of G-Men Never Forget) is on the run from the sheriff along with his buddy Steve Long (John Compton of The D.A.'s Man). Jesse feels his criminal activities have been highly exaggerated and Steve is completely innocent. With Jesse using a fake name, they come to a small town and bunk with an old farmer, Sam Bolton (Tom London)  and his daughter, Ann (Linda Stirling.) When the farm is attacked by a group of masked Black Raiders, Jesse and Steve help fight them off, and Jesse tells a grateful Ann who he really is. These seemingly inexplicable raids against farmers are engineered by James Clark (Tristram Coffin of King of the Rocket Men) and carried out by Frank Lawton (Roy Barcroft) -- they are after the oil that is under everyone's property.

John Compton with Roy Barcroft

In chapter one a riverboat blows up with Ann tied up on board. Chapter 12 features an exciting horse and carriage race between raiders and farmers as the latter try to deliver oil and the raiders try to stop them. The best cliffhanger occurs in chapter 7, when Ann is put inside a cage called a cotton compress and is nearly crushed to death. The performances are all good in this, the action is fast, the fisticuffs are furious, and the serial is fun. This was the first of three Republic serials featuring the character of Jesse James. The follow ups were The Adventures of Frank and Jesse James and The James Brothers of Missouri. 

Verdict: Action, thrills, and two handsome hunks! ***.  

THE CORPSE VANISHES

 

THE CORPSE VANISHES (1942). Director: Wallace Fox.

A series of young brides collapse and apparently die in front of the altar on their wedding days, and then their bodies -- taken away by a hearse -- completely disappear. Could Dr. Lorenz (Bela Lugosi) be the culprit? A reporter named Patricia Hunter (Luana Walters) discovers that each woman was wearing a special kind of orchid at her wedding. Patricia's editor is so stupid that he doesn't seem to think this is any kind of a clue! Tristram Coffin (billed as Tris Coffin), the King of the Rocket Men himself, plays the Lorenz' family doctor, while Elizabeth Russell from The Seventh Victim, Weird Woman, and others, plays Lorenz' aged wife who needs, shall we say, frequent beauty treatments. This holds the attention but it isn't one of Bela's better latter-day features. An interesting idea isn't well developed. Lugosi is good, as usual.

Verdict: Hold the orchids if you dare. **.

KING OF THE ROCKET MEN

The Rocket Man takes to the air

KING OF THE ROCKET MEN (12 Chapter Republic serial/1949). Director: Fred C. Brannon. 

Jeffrey King (Tristram Coffin) is the director of security for a group called Science Associates, and also happens to be a rocket propulsion expert. When a series of scientists are killed in "accidents" Jeff helps Professor Millard (James Craven) fake his own death so that he can work in secret against the person responsible. Millard creates an atomic-powered rocket suit that Jeff (and at one point Millard) wears as "Rocket Man." His opponent is the mysterious Dr. Vulcan, whom both Jeff and Millard suspect is one of the members of the Science Associates board. 

Mae Clarke and Don Haggerty

King of the Rocket Men is the first of three Republic serials -- four if you count Commando Cody, the serial/TV series -- that use the rocket man suit and feature a flying hero who has various identities. This serial is exciting and suspenseful as our hero dodges a river of lava in a cave (chapter six) and other dastardly traps. The cliffhangers generally aren't that inventive, but there is still a lot of action and fun. The climactic chapter features Dr. Vulcan unleashing his "decimator" and practically destroying Manhattan, wherein stock footage from the old disaster flick Deluge -- still impressive -- comes in. Jeff's partner is Burt Winslow (House Peters Jr.) and both men suspect the other of being in league with Vulcan at various points during the serial. 

Tristram Coffin

Other cast members include Mae Clarke, famous for Frankenstein and the grapefruit scene in Public Enemy, who plays feisty reporter Glenda Thomas. At 39 Clarke was older than the typical serial heroine or female colleague. Don Haggerty makes an impression as the persistent thug Dirken who works for Dr. Vulcan. Stanley Wilson's music score keeps things hopping, and everything moves at a very swift pace. Tristram Coffin was offered a very rare leading role in this serial; he appeared in a number of previous serials in supporting or villainous roles. Coffin amassed 260 credits, and appeared in numerous movies and TV shows such as the "Country Club Dance" episode of I Love Lucy. 

Verdict: Great fun for serial devotees. ***.