THE CRAWLING HAND

The hand runs amok

THE CRAWLING HAND (1963). Director: Herbert L. Strock. Colorized.

Captain Lockhart (Ashley Cowan) is the latest in a line of astronauts who are taken over by some strange kind of force while out in space. Lockhart's ship explodes, but his severed arm is found on a beach by Paul (Rod Lauren of The Young Swingers) and his girlfriend, Marta (Sirry Steffen), who freaks out. Inexplicably, Paul takes the arm home, where the hand strangles his landlady, Mrs. Hotchkiss (Arline Judge). Then whatever affected Lockhart in space begins affecting Paul. Will Sheriff Townsend (Alan Hale Jr. of Thunder in Carolina) be able to get Paul under control after he attacks Marta or will he have to shoot him? 

Sirry Steffen and Rod Lauren

The Crawling Hand has some interesting elements and could have been turned into a fairly good movie, but it goes in all the wrong directions and is never as creepy as intended. Probably the most interesting thing about it is the cast, which includes the Skipper from Gilligan's Island, former star Richard Arlen, old-time actress Arline Judge, Kent Taylor [The Crimson Key] and Peter Breck as scientists, and Allison Hayes of 50 Foot Woman fame, criminally wasted as a secretary with only a couple of scenes. Tristram Coffin of King of the Rocket Men also shows up for one sequence as a security chief. Rod Lauren gives an uneven performance, but Steffen showed promise; she only had six other credits, though. Herbert L. Strock also directed Gog.

Verdict: Had possibilities, but this doesn't really work. **. 

GOG

Richard Egan and Herbert Marshall

GOG (1954). Director: Herbert L. Strock. Produced by Ivan Tors. 

Two scientists at a top-secret underground research facility in the desert are horribly killed in their lab when locked into a chamber with a freezing gas. Security man David Sheppard (Richard Egan) is called in to investigate the murders and other incidents of sabotage. Old girlfriend Joanna Merritt (Constance Dowling) is on hand and is also an undercover security agent. Their suspects include virtually everyone in the complex, such as Dr Elzevir (Philip Van Zandt) and his wife (Valerie Vernon); radiation expert Dr. Carter (Byron Kane); and Dr. Zeitman (John Wengraf), who is in charge of the computer, NOVAC, which runs the complex, as well as the two robots, named after the biblical legends Gog and Magog. Project head Dr. Van Ness (Herbert Marshall) tries to help Sheppard and Merritt figure out what's going on before there are even more murders. 

Gog has an excellent premise but the execution is far from perfect. Herbert L. Strock both directs and edits and does a mediocre job in both instances. The first half of the film is much too talky, with a lot of lectures, although it eventually has several exciting scenes: a laser attack on Mrs. Elzevir, and a scene when a spinning contraption in a pressure chamber runs amok, as well as the robotic attack at the climax in which the whole place is nearly blown to smithereens. Egan and Marshall, romantic heroes, at first seem out of place in the film but are assets to the production, as is Constance Dowling, although this was her last theatrical feature (she had two more TV credits than retired when she married Gog's producer, Ivan Tors, with whom she had five children. She died young at 49.) Michael Fox and William Schallert have smaller roles. 

Verdict: Despite the clumsy direction, this does work up some suspense and is entertaining and well-acted. ***.