ANGEL FACE

Robert Mitchum with Jean Simmons

ANGEL FACE (1952). Produced and directed by Otto Preminger. Colorized.  

Frank Jessup (Robert Mitchum) is an ambulance driver who encounters Diane Tremayne (Jean Simmons) when her stepmother, Catherine (Barbara O'Neil), nearly dies due to an "accident" in her home. Although he has his misgivings, as well as a steady date in Mary (Mona Freeman of Shadow of Fear), he is drawn to Diane and eventually becomes her family's chauffeur. Although Frank warned himself not to get involved with the dangerous Diane, he winds up on trial for murder -- along with Diane -- when a terrible accident results in two deaths. The defense attorney (Leon Ames) cooks up a scheme that might free them -- or might not. 

Leon Ames with Simmons

Angel Face is a film that I really enjoy every time I see it, and I find it far more compelling and entertaining than Laura, the film arguably most associated with Preminger. Simmons underplays beautifully throughout the movie, so that you're never quite certain what she's up to, and Mitchum offers his typical rough-hewn portrayal and is equally effective. O'Neil and Herbert Marshall (of Midnight Lace) as her husband and Diane's father are also excellent, and Leon Ames nearly walks off with the show in his incisive turn as the lawyer. Jim Backus as the prosecutor and Kenneth Tobey [It Came from Beneath the Sea] as another ambulance driver are also in good form, along with Freeman as the cast-off girlfriend who can't quite imagine a life with Mitchum at her side. 

Simmons with Robert Mitchum

While it is interesting to muse what Angel Face might have been like had it been directed by the great Alfred Hitchcock, Preminger does a nice job with the picture and keeps things moving (although others have found it slow). Are there improbable moments -- most likely, as is the case in most of these thrillers today and back then, but nothing out of the ordinary. Many have argued that Mitchum's actions at the very end seem rather stupid, but nobody ever said that Frank Jessup was a genius. In any case, Angel Face has a nice score by Dimitri Tiomkin and is well photographed by Harry Stradling, Sr. Apparently Ben Hecht contributed to the screenplay by Nugent and Millard. 

Verdict: Something about this picture ... and it's not just the smash of an ending! ***1/2. 

MIDNIGHT LACE

Doris Day in jeopardy

MIDNIGHT LACE (1960). Director: David Miller.

Heiress Kit Preston (Doris Day) has never had a difficult day in her life, so the perky but somewhat neurotic lady is unprepared when she starts to get death threats from a sinister, cartoon-like voice in the London fog and over the telephone. Kit recently wed businessman Anthony Preston (Rex Harrison), and while he is concerned, neither he nor Inspector Byrnes (John Williams) are absolutely certain that Kit has been hearing anything. She is suspicious of everyone she encounters, including her maid's nephew (Roddy McDowall of Dead Man's Island); a hunky contractor working on a house next door (John Gavin); and an odd fellow who keeps following her (Anthony Dawson). Then someone pushes her in front of a bus ...

Day, Harrison, Williams, Gavin, Loy

Midnight Lace is a smooth and entertaining suspense film with a host of good actors, including those mentioned and Myrna Loy as Kit's aunt and Herbert Marshall (of Gog) as Anthony's business associate. Natasha Parry [The Dark Man] and Hermione Baddeley are also notable. As for Day, she gives a convincing if borderline comical performance of a incredibly overwrought woman who is admittedly in a tense situation but has no clue as to how to handle it without getting hysterical -- and I do mean hysterical. One has to witness her incredible meltdown on the staircase to believe it! The picture is fun however. It has some structural similarities to another film directed by David Miller, Sudden Fear. (In that film Joan Crawford handles things with much more vigor than Day does). 

Verdict: Unless you really hate Day you should enjoy this. ***. 

GOG

Richard Egan and Herbert Marshall

GOG (1954). Director: Herbert L. Strock. Produced by Ivan Tors. 

Two scientists at a top-secret underground research facility in the desert are horribly killed in their lab when locked into a chamber with a freezing gas. Security man David Sheppard (Richard Egan) is called in to investigate the murders and other incidents of sabotage. Old girlfriend Joanna Merritt (Constance Dowling) is on hand and is also an undercover security agent. Their suspects include virtually everyone in the complex, such as Dr Elzevir (Philip Van Zandt) and his wife (Valerie Vernon); radiation expert Dr. Carter (Byron Kane); and Dr. Zeitman (John Wengraf), who is in charge of the computer, NOVAC, which runs the complex, as well as the two robots, named after the biblical legends Gog and Magog. Project head Dr. Van Ness (Herbert Marshall) tries to help Sheppard and Merritt figure out what's going on before there are even more murders. 

Gog has an excellent premise but the execution is far from perfect. Herbert L. Strock both directs and edits and does a mediocre job in both instances. The first half of the film is much too talky, with a lot of lectures, although it eventually has several exciting scenes: a laser attack on Mrs. Elzevir, and a scene when a spinning contraption in a pressure chamber runs amok, as well as the robotic attack at the climax in which the whole place is nearly blown to smithereens. Egan and Marshall, romantic heroes, at first seem out of place in the film but are assets to the production, as is Constance Dowling, although this was her last theatrical feature (she had two more TV credits than retired when she married Gog's producer, Ivan Tors, with whom she had five children. She died young at 49.) Michael Fox and William Schallert have smaller roles. 

Verdict: Despite the clumsy direction, this does work up some suspense and is entertaining and well-acted. ***. 

ANGEL FACE

Jean Simmons

ANGEL FACE (1953). Produced and directed by Otto Preminger. 

Frank Jessup (Robert Mitchum) is an ambulance driver who meets the fascinating Diane Tremayne (Jean Simmons) when her stepmother, Catherine (Barbara O'Neil), has a near-deadly encounter with a gas jet. Although Frank is already involved with Mary (Mona Freeman), Frank can't quite resist seeing Diane and ultimately going to work for her family as a chauffeur. Diane truly hates her stepmother -- she thinks she treats her beloved father (Herbert Marshall) like a lap dog -- but Frank has no interest in her nefarious plans. In spite of his admonitions, there is a very terrible accident, and Frank's life winds up spiraling out of control ... But there are worse things to come. 

Robert Mitchum and Mona Freeman

Angel Face is one of Otto Preminger's best movies, an absorbing and exciting, well-acted exercise in film noir with Jean Simmons wisely underplaying so that the audience is never quite certain what is on her mind. Mitchum plays an essentially decent guy who isn't quite willing to do indecent things for Diane's sake, although one could argue that he isn't terribly nice to his cast-off girlfriend, Mary, who stands by him for awhile. Kenneth Tobey [It Came from Beneath the Sea] is Mary's admirer and Frank's former associate, Leon Ames is a defense lawyer, and Jim Backus plays the prosecutor; all are fine. There are twists and turns to the plot and a ferociously horrifying climax. (Those who suggest that  Frank's actions at the end are unrealistic forget that he was never the brightest bulb in the chandelier.) Angel Face contains elements of everything from Double Indemnity to Leave Her to Heaven but has a mystique all of its own. 

Verdict: Some people you should never get into cars with. ***1/4.