THE LADY AND THE MONSTER

Donovan's Brain

THE LADY AND THE MONSTER (1944). Director: George Sherman. 

Professor Franz Mueller (Erich von Stroheim) is a weird scientist who lives and works in a big old place called the Castle. He has two assistants: Janice (Vera Hruba Ralston), who is the object of his unwanted affections; and Dr. Patrick Cory (Richard Arlen), who is also in love with Janice. Mueller is obsessed with the idea of keeping a brain alive after death, and he gets his chance when a plane accident victim, wealthy W. H. Donovan, is brought to his estate. Although Cory goes along with it, he has serious misgivings, especially after the brain takes control of his mind and tries to get him to do things Donovan never had a chance to do while alive, such as getting his innocent son (William Henry of New Orleans Uncensored) acquitted of murder, and trying to run a child witness over with a car. 

Ralston and Arlen

Although The Lady and the Monster is not without flaws and has dull stretches, it improves as it goes along and turns out to be the somewhat superior version of the novel Donovan's Brain, which was also filmed under that title almost ten years later. Vera (Hruba) Ralston is billed above the title. Her husband ran Republic studios, which released this film, and was determined to turn her into a star, even though she perhaps lacked that all-important presence. Richard Arlen makes a better impression, although von Stroheim gives a strange, not terribly good performance along the lines of the one he delivered in The Crime of Dr. Crespi almost ten years earlier.

Richard Arlen and Sidney Blackmer

An interesting touch in the film is the way Arlen looks increasingly demonic the further he falls under Donovan's control. Sidney Blackmer acts with his customary authority as a lawyer that isn't sure of Arlen's motives or that he wants to work with him. Mary Nash is also effective as the sympathetic housekeeper, Mrs. Fain. William Henry only gets one scene and is adequate. The movie has an exciting climax involving a car and then a struggle on a cliffside. In the remake the brain begins to grow bigger but that doesn't happen in this version. 

Verdict: Okay brain movie with some suspense. **1/4. 

THE CRAWLING HAND

The hand runs amok

THE CRAWLING HAND (1963). Director: Herbert L. Strock. Colorized.

Captain Lockhart (Ashley Cowan) is the latest in a line of astronauts who are taken over by some strange kind of force while out in space. Lockhart's ship explodes, but his severed arm is found on a beach by Paul (Rod Lauren of The Young Swingers) and his girlfriend, Marta (Sirry Steffen), who freaks out. Inexplicably, Paul takes the arm home, where the hand strangles his landlady, Mrs. Hotchkiss (Arline Judge). Then whatever affected Lockhart in space begins affecting Paul. Will Sheriff Townsend (Alan Hale Jr. of Thunder in Carolina) be able to get Paul under control after he attacks Marta or will he have to shoot him? 

Sirry Steffen and Rod Lauren

The Crawling Hand has some interesting elements and could have been turned into a fairly good movie, but it goes in all the wrong directions and is never as creepy as intended. Probably the most interesting thing about it is the cast, which includes the Skipper from Gilligan's Island, former star Richard Arlen, old-time actress Arline Judge, Kent Taylor [The Crimson Key] and Peter Breck as scientists, and Allison Hayes of 50 Foot Woman fame, criminally wasted as a secretary with only a couple of scenes. Tristram Coffin of King of the Rocket Men also shows up for one sequence as a security chief. Rod Lauren gives an uneven performance, but Steffen showed promise; she only had six other credits, though. Herbert L. Strock also directed Gog.

Verdict: Had possibilities, but this doesn't really work. **. 

ACCOMPLICE

Richard Arlen and Veda Ann Borg

ACCOMPLICE (1946). Director: Walter Colmes.

Private eye Simon Lash (Richard Arlen) gets a surprise visitor, Joyce (Veda Ann Borg), the woman who left him at the altar years before to marry a wealthy man. Now her husband is missing and Joyce wants Simon to track him down, although he is wary that this is merely a divorce case, which he wants no part of. Simon's investigation takes him to a mink farm, where he encounters the suspicious Sheriff Rucker (Archie Twitchell), along with a couple of bodies. Eventually the trail leads Lash to a mysterious castle in the desert (not to be confused with the Charlie Chan film of that name) where elderly men with shotguns have got an operation running that might put Lash in a bit of difficulty.

Accomplice is a fast-moving, interesting PI story, although towards the end it does get a little ridiculous. However, the acting is sharp, there are certainly interesting settings, and the action is all resolved in a satisfactory and exciting manner. Although Arlen makes a more than credible private eye, he was never to play Lash again. 

Verdict: Entertaining PI flick from the forties. **3/4.