SUNSET SERENADE

Roy Rogers listens as Gabby Hayes sings

SUNSET SERENADE (1942). Director: Joseph Kane.

Although Vera Martin (Joan Woodbury) thought she was going to inherit a ranch from the deceased owner, it actually goes to his nephew, a one-year-old baby in the care of Sylvia Clark (Helen Parrish of X Marks the Spot). Sylvia doesn't know that Vera and her friend, Jackson (Onslow Stevens), are scheming to get the ranch away from her for a song. Wouldn't you know that Roy Rogers, Gabby Hayes, Bob Nolan (of Heldorado) and his Sons of the Pioneers ((including Pat Brady) are in the vicinity, out of work cowboys who are practically starving. In exchange for vittles, most of which are "et" by Gabby, Roy and his buddies help out Sylvia. Later on they have a shoot-out with Jackson's gang when he tries to steal cattle that Sylvia just sold to Clifford Sheldon (Frank M. Thomas) and Roy saves the man from a rushing river when a dam is exploded. There are also some forgettable songs sung by Roy, Bob, Pat and even annoying Gabby. Trigger doesn't have much to do in this one. Roy Barcroft of G-Men Never Forget plays one of the gang of bad guys. A "modern" western from Republic studios. 

Verdict: Acceptable but mediocre Roy Rogers entry. **. 

UNDER CALIFORNIAN STARS

Roy Rogers 

UNDER CALIFORNIAN  STARS (1948). Director: William Witney. 

Roy Rogers is celebrating his tenth year in pictures and goes home to his ranch for a special radio broadcast. There he learns that his employee, Cookie (Andy Devine), has hired another of his relatives, Caroline (Jane Frazee) but at least this one is pretty. Roy also befriends a little lame boy, Ted (Michael Chapin), whose evil stepfather Lige (Wade Crosby), helps his employer, Pop (George Lloyd), kidnap Trigger for ransom. Ted doesn't tell Roy all that he knows for fear of reprisal, but helps save the day in the end. 

Rogers with Jane Frazee

This is an amiable Roy Rogers Western that benefits greatly from pleasing players and from a a score cobbled together from various sources and composers. Jane Frazee is appealing but perhaps not quite distinctive enough. Michael Chapin also went on to have a number of credits, mostly on television. The lovable Andy Devine gets a few laughs in this, and Trigger -- the only one billed above the title aside from Roy -- goes through his dramatic paces as well. Of course there are the Sons of the Pioneers and a few catchy songs, the best of which are "Dust" and the title tune.  

Verdict: Songs and sentiment plus the thrashing hooves of Trigger! **3/4. 

HELDORADO

A disheveled Roy Rogers after a fist fight 

HELDORADO (1946). Director: William Witney.

In this "modern" western, Nevada State Ranger Roy Rogers (Roy Rogers) nearly arrests Gabby Hayes (also playing himself) for putting up posters for the annual Las Vegas celebration and defacing government property. (Although the posters for the event all through the movie read "Helldorado" with two "l"s, the movie's title has only one "l" -- go figure!) Roy "meets cute" with heiress Carol Randall (Dale Evans), who is dating Alec Baxter (Brad Dexter) without knowing he's a crook helping to pass phony cash in the casinos. Carol has not only been made Queen of Helldorado -- or Heldorado -- but also an honorary deputy sheriff, and she annoys Roy by taking her duties too seriously, trying to find out who murdered Alec when his body is found with bullets in it. Which of them will get to the killer or killers first? And how many songs will Roy sing with or without the Sons of the Pioneers?

Brad Dexter as playboy Alec

Heldorado is certainly not an awful movie but I wish it had been more entertaining. Even serial specialist William Witney, who certainly knew how to pace a movie, can't do much with mediocre and over-familiar material. Like Rogers' voice, the songs are perfectly pleasant, although the title tune sounds as if it were ripped off from somewhere else. The best performance is probably from Brad Dexter as the amiable mountebank Alec. Paul Harvey (of Unmasked) is also effective as the deceptively friendly Driscoll, a bad guy who locks Dale in a refrigerator at one point. The Sons of the Pioneers, with Bob Nolan and Pat Brady, are along for the ride and sing as well. There's also a treasure hunt that doesn't have much to do with the rest of the story, but seems to function as padding.

Verdict: Nothing's too terrible if Roy Rogers is in it! **1/4. 

COWBOYS, CREATURES AND CLASSICS: THE STORY OF REPUBLIC PICTURES

COWBOYS, CREATURES, AND CLASSICS: THE STORY OF REPUBLIC PICTURES. Chris Enss and Howard Kazanjian. Lyons Press/Rowman and Littlefield/2018.         

This big coffee table book looking into the history of Republic Pictures and its output, stars, genres, leading ladies, cowboys, serials, stunt men, and so on, is not without flaws, but it does provide a flavorful overview of the famous studio and is packed with lots of photos. Republic did not just do low-budget programmers but also came out with movies such as John Ford's The Quiet Man and the Joan Crawford western Johnny Guitar, among others. The book looks at how Republic Pictures played a significant role in John Wayne's career (and vice versa) and also looks at the studio's relationships with such as Gene Autrey and Roy Rogers. Studio founder Herbert J. Yates took a shine to skating star Vera Hruba Ralston, whom he later married, and nearly bankrupted the studio by trying to make a major star out of her. The emergence of television didn't help matters much, either, although Republic rented out sound stages to TV shows and also produced their own programs. This is a good, attractive-looking volume, although there are odd omissions. The appendix of films is not complete, especially when it comes to the serials -- no mention anywhere of the four Republic Dick Tracy serials, for instance.               

Verdict: Interesting and often informative look behind-the-scenes at Republic Pictures. ***