THE D.A.'S MAN

John Compton

THE D.A.'S MAN (1959). One season and 26 half-hour episodes.

Shannon (John Compton) is a former private eye who is now working with the district attorney's office in Manhattan as an undercover investigator. He reports to assistant D.A. Al Bonacorsi (Ralph Manza), and often works with another ADA named Ed Carney (Alfred Shelly). Although Compton was almost illegally good-looking, the stories rarely make references to his appearance, -- "a face like a Greek God," a woman says in "The Duke" --  although there are indications that he's a bit of a ladies man. 

"Iron Mike Benedict:" Wm Fawcett; Compton

Among the more memorable episodes: "The Actress" features an excellent Whitney Blake as a junkie waiting for her fix to arrive as an undercover Shannon waits with her and tries to help her. "Manhattan Gigolo" has Shannon "dating" an old woman as part of an investigation into a murderous Park Avenue safecracker (Paul Burke). William Fawcett gives a fine performance as "Iron Mike Benedict," one of the alcoholic victims of Stafford Repp, a bar owner who poisons customers for their insurance money. In the touching conclusion, Mike comes to see Shannon, in disguise as a bowery bum, as the son he never had. 

Alfred Shelly with Compton

Robert Ellenstein grooms young ladies for prostitution in "Mr. Santa Claus." Shannon goes undercover as a boxer to trap men who murder fighters who refuse to take a dive in "Club Fighter." In "Shakedown," in which phony cops and a pretty gal scam lonely out-of-town businessmen, Compton puts on a very convincing hayseed impersonation. In "The Duke" John Hudson heads a gang of fur thieves at a bar-hangout which Shannon infiltrates. Shannon investigates a murder in a small town in "Girls Best Friend."

The D.A.'s Man was an interesting series that was too short-lived to make much of an impression or help Compton's career. Compton's performances were a little uneven, as well, sometimes quite perfunctory, and other times -- especially when he was in character as part of his cover -- much more impressive. All but a couple of the episodes are available on youtube. 

Verdict: Some good stories and a handsome lead actor never hurt. **3/4. 

MURDER IN PEYTON PLACE

Stella Stevens

MURDER IN PEYTON PLACE (1977 telefilm). Director: Bruce Kessler. 

"I want to destroy Peyton Place." -- Stella Chernak

After two theatrical films and two TV series-- nighttime in 1969 and daytime in 1972 -- this TV movie returns to the lusty town of Peyton Place where Stella Chernak (Stella Stevens), a disgruntled former resident, is out for payback against real and imagined enemies. As Ryan O'Neal and Mia Farrow, who played lovers Rodney Harrington and Allison MacKenzie in the original series, had gone on to greener pastures -- Farrow only appears in a flashback -- they are (apparently) killed off in this sequel. Dorothy Malone and Tim O'Connor return as Allison's parents, as does Christopher Connelly as Rodney's brother, Norman and Ed Nelson [Attack of the Crab Monsters] as Dr. Rossi. The cast, characters and storylines of the afternoon soap Return to Peyton Place are ignored. 

Priscilla Morrill, Hedison, Nelson, Connolly

While the notion of a vengeful woman wanting to destroy an entire town sounds like it might at least be good television, this is not exactly The Visit. Murder in Peyton Place is, frankly dull, and while I was never a fan of the original series I can't imagine that those who were would be that pleased with this production. We know who the culprit is almost from the start, and Stella Stevens is surprisingly perfunctory as the villainess. Not even the presence of a boy toy (a creditable Robert Deman) and his mean-spirited Dobermans can help. The acting is of the soap opera variety, which means everyone is professional but no one exactly puts themselves out. Janet Margolin has replaced Barbara Parkins as Betty Anderson -- they look alike -- and David Hedison takes over from James Douglas as Steven Cord. Linda Gray plays Cord's wife. Marj Dusay is fine as Ellen Considine and Jonathan Goldsmith makes an impression as sexy bad boy Stan, who is married to one of Allison's sisters and fiddles with yet another.

Verdict: Things have never been more boring in Peyton Place! *1/2.  

CHILLERS

CHILLERS (1990 TV series). 

This French-English TV series with a foolish title is based on the work of novelist Patricia Highsmith of Talented Mr. Ripley and Strangers on a Train fame. The title makes one imagine that this will be a series of scary stories, but while there are a few creepy moments, that is not exactly the case. The main trouble is that not all of Highsmith's short stories translate well to the screen, and when I looked up some of the stories that had been adapted, I didn't find the originals all that great, either. Flat wind-ups do not make for compelling episodes. Perhaps Highsmith worked better in the longer form, although there are many who might disagree. While none of the 12 episodes of this short-lived series -- hosted amiably by Anthony Perkins -- are outstanding, there are a few that are notable. "A Curious Suicide" has a man killing an old friend, now a widower, who married the woman he loved; Nicole Willamson and Barry Foster are excellent as the two principals. "Old Folks at Home" finds a middle-aged couple regretting it after they take in an elderly couple who at first seem sweet but then become more and more demanding. In "Sauce for the Goose" a woman murders her husband to be with a younger man, a singer, then winds up fearing for her own life. Ian Holm stars in "The Stuff of Madness" in which a woman has numerous pets stuffed and spread throughout her garden while her husband obsesses over an old flame. In "Under a Dark Angel's Eyes" a man isn't told that his hateful mother has died so he can keep paying the bills for the couple supposedly looking after her -- Ian Richardson and Peter Vaughn offer exemplary performances in this. 

Stephane Freiss in "Puzzle"

One episode, "The Thrill Seeker," I found too poor  to even finish. Two others are notable for vastly different reasons. "Puzzle" offers a fine performance by Stephane Freiss as Harry, a handsome executive who is caught between two attractive girlfriends who don't know about each other. Like many other episodes, this is entertaining but is not at all a "chiller" and also has a flat resolution. "The Day of Reckoning" is notable if only for the fact that it was helmed by well-known director Samuel Fuller. But the plot, a weird one about tensions between both humans and poultry at an automated chicken farm, is evocative but goes nowhere, becoming rather silly all told. I can only imagine what Fuller thought when he was handed the script!

Verdict: Some very good premises that initially stir the imagination but don't quite hold up for the most part. **1/2. 

STATE TROOPER

Don Haggerty and Rod Cameron

STATE TROOPER (1956). Half-hour TV series. 

State Trooper starred Rod Cameron as Rod Blake, the chief investigator for the Nevada State Troopers. In some episodes he was advised or assisted by Don Haggerty (of King of the Rocket Men) as Sheriff Elder and Robert Armstrong (of King Kong fame) as Sheriff Andy Anderson. The series lasted for three seasons and amassed 105 episodes, all of which are available on DVD. The stories ranged from chases after escaped convicts to missing persons cases to classic, complicated murder mysteries which sometimes sent Blake way outside of his normal stomping grounds. The show was slick, fast-paced and entertaining. Cameron was perfect as Blake, a strong but sympathetic character who could be as tough as nails when he had to be but also had a soft and fair side to him. If you were going to be arrested, you wanted the arresting officer to be Blake, as he'd ferret out the truth if anyone could. 

Faith Domergue

The most memorable episodes of the series include: "From Here to Molokai" --  a fugitive is accused of murder in Hawaii; "Boulder Joe's Bottle House" -- an old, retired safecracker is forced to do a job (with Jeanne Cooper); "The Last Stage" -- a hotel's prop stage coach is actually robbed (with Doris Packer); "Cinder Jungle" -- a railroad robbery leads to the murder of a sympathetic cop; "Diamonds Come High " -- a series of diamond robberies (with Doris Singleton); "No Blaze of Glory" -- a store owner's wife is caught in a blaze (with Vivi Janis and Frank Ferguson); "Safe on a Boat" -- a robbery of a casino's safe during a honeymoon boat trip; "Fury on Freemont Street" -- an intense woman (Virginia Christine) is supposedly scared of her ex-con ex-husband. 

Constance Ford

A passenger disappears from a charter boat in "The Talking Corpse" with Craig Stevens and Jeanne Cooper (again). Rod goes undercover to investigate thefts of mine ore and finds a nasty foreman and a trampy wife in "The Fancy Dancers of Steptoe Valley." Rod investigates what caused a stampede that killed a blind woman in "The Sound of Death" with Laurie Mitchell. In "Dancing Dowager" a con woman thinks Rod is rich and tries to fleece him. In "Cable Car to Tombstone" a man (Dennis Moore) falls off of the Hoover dam and a cop (Ross Elliott) is accused. In "Sweetheart of Sigmund Kaye" a young woman (Norma Eberhardt) with a fiance (Corey Allen) reports her parents missing after quite a long time. In "The Case of the Happy Dragon" the twenty-year-old corpse of a Chinese woman is stolen from a funeral home and ransomed. In "Stay Lost, Little Girl" an old man hires a private eye to find his missing niece, but she may not want to be found. "And Baby Makes Two" features a wonderful Constance Ford in a dual role of a Vegas showgirl and her lookalike involved in a casino robbery.

Norma Eberhardt and Corey Allen 

Other guest-stars on the show include Bart Burns, Paul Langton, Patrick O'Neal, Walter Reed, Andrea King, Virginia Gregg, Joan Taylor, Angie Dickinson, Joi Lansing, Faith Domergue, Robert Vaughn, Douglas Fowley and even Joan Crawford's brother Hal Le Sueur. State Trooper presented satisfying mini-dramas of good and evil and often featured lively fight scenes, interesting characters, and exciting chases. The episodes rarely went below a B+ in quality. 

Verdict: Good cop show with an excellent, perfectly-cast Cameron. ***. 

THE TELEVISION HORRORS OF DAN CURTIS

THE TELEVISION HORRORS OF DAN CURTIS: Dark Shadows, the Night Stalker, and Other Productions. Jeff Thompson. McFarland; second edition 2019. 

Although producer/director Dan Curtis was also responsible for the mammoth and critically acclaimed mini-series The Winds of War and its sequel War and Remembrance,  he will always be primarily remembered for his prodigious output in the horror field. This includes Dark Shadows and its reboot as well as the big-screen adaptations; The Night Stalker, which introduced Carl Kolchek (Darren McGavin); the notable theatrical film Burnt Offerings; videotaped adaptations of literary classics such as Dr. Jekyll and Mr. Hyde, Dorian Gray, Frankenstein etc.; and numerous horror telefilms, some of which were quite effective (Scream of the Wolf) and others which were merely mediocre (the over-rated Trilogy of Terror and others). Author Jeff Thompson provides lots of behind-the-scenes details in several chapters that explore these various projects, as well as a chapter on projected projects that never came to be. Although at times Thompson writes as if Curtis can do no wrong -- and despite some good work I'm not necessarily convinced Curtis was some kind of horror genius -- the book is still well-written and very entertaining.

Verdict: If you love the work of Dan Curtis, this is the book for you. ***.