SCIENCE FICTION CONFIDENTIAL: Interviews with 23 Monster Stars and Filmmakers. Tom Weaver. McFarland; 2002. 

Tom Weaver has assembled another crop of interviews with old time actors, producers etc. who at one point or another were involved with genre films, especially science fiction. Many of the names in this book are really obscure: Phoebe Dorin, who did a nightclub act and appeared on The Wild, Wild West with diminutive Michael Dunn; Russ Doughton, who produced The Blob, but there are a couple of more familiar names such as Dan O'Herlihy (who doesn't quite seem to belong in this book), David Hedison of The Fly and Voyage to the Bottom of the Sea, and Warren Stevens of Forbidden Planet fame. Not to mention prolific producers Richard and Alex Gordon. Speaking of The Blob, people involved with that production don't seem to be aware of earlier "blob" films such as The Creeping Unknown and Caltiki, the Immortal Monster (or just didn't want to admit it was a rip-off). Some of these people had genuine careers while others had only a brief flirtation with crazy "show biz." Some, like the very talented Jacqueline Scott [Macabre], have long careers without ever becoming quite famous. In any case, their stories are almost always interesting. 

Verdict: More interviews with a couple of greats and many not-so-great. ***. 

MURDER IN PEYTON PLACE

Stella Stevens

MURDER IN PEYTON PLACE (1977 telefilm). Director: Bruce Kessler. 

"I want to destroy Peyton Place." -- Stella Chernak

After two theatrical films and two TV series-- nighttime in 1969 and daytime in 1972 -- this TV movie returns to the lusty town of Peyton Place where Stella Chernak (Stella Stevens), a disgruntled former resident, is out for payback against real and imagined enemies. As Ryan O'Neal and Mia Farrow, who played lovers Rodney Harrington and Allison MacKenzie in the original series, had gone on to greener pastures -- Farrow only appears in a flashback -- they are (apparently) killed off in this sequel. Dorothy Malone and Tim O'Connor return as Allison's parents, as does Christopher Connelly as Rodney's brother, Norman and Ed Nelson [Attack of the Crab Monsters] as Dr. Rossi. The cast, characters and storylines of the afternoon soap Return to Peyton Place are ignored. 

Priscilla Morrill, Hedison, Nelson, Connolly

While the notion of a vengeful woman wanting to destroy an entire town sounds like it might at least be good television, this is not exactly The Visit. Murder in Peyton Place is, frankly dull, and while I was never a fan of the original series I can't imagine that those who were would be that pleased with this production. We know who the culprit is almost from the start, and Stella Stevens is surprisingly perfunctory as the villainess. Not even the presence of a boy toy (a creditable Robert Deman) and his mean-spirited Dobermans can help. The acting is of the soap opera variety, which means everyone is professional but no one exactly puts themselves out. Janet Margolin has replaced Barbara Parkins as Betty Anderson -- they look alike -- and David Hedison takes over from James Douglas as Steven Cord. Linda Gray plays Cord's wife. Marj Dusay is fine as Ellen Considine and Jonathan Goldsmith makes an impression as sexy bad boy Stan, who is married to one of Allison's sisters and fiddles with yet another.

Verdict: Things have never been more boring in Peyton Place! *1/2.  

THE LOST WORLD

Yehudi, the fire monster, pops in for supper

THE LOST WORLD (1960). Produced and directed by Irwin Allen. 

"This is the greatest moment of your lives." -- Professor Challenger. 

The peppery Professor Challenger (Claude Rains) insists that he saw dinosaurs on a South American plateau from the air and wants to mount an expedition right away. Against his better wishes and despite skepticism, he assembles a team consisting of explorer Lord Roxton (Michael Rennie), reporter Ed Ames (David Hedison), the doubting and persnickety Professor Summerlee (Richard Haydn), and late arrivals Jennifer Holmes (Jill St. John ) and her brother David (Ray Stricklyn). Rounding out the motley crew are pilot Manual (Fernando Lamas) and his pal and helpmate, Costa (Jay Novello). The group do find the expected dinosaurs, as well as a race of decidedly unfriendly cannibals. It's not only a question of how they will get off the plateau but which will kill them first -- the monsters or the natives?

The explorers get their first look at a dinosaur

Very loosely based on the novel of the same name by Sir Arthur Conan Doyle, the movie is fun and colorful as long as you don't take it too seriously. The monsters are genuine lizards who are placed into process shots of varying effectiveness with the actors -- there's a marvelous scene with a monster's huge tail nearly sweeping Hedison and St. John off of a cliff as two dinosaurs have a battle nearby. The climax, greatly embellished and extended from Doyle's novel, features a cavern with a giant skeleton, angry pursuing natives, and a fire monster that makes a tasty snack out of poor Costa. It's ironic that he is so terrified of being sacrificed to cannibals but winds up eaten by a monster instead. 

Hedison, Stricklyn, St. John

Novello is probably the best actor in the bunch aside from Rains, who appears to be having fun if nothing else. The others all perform with a certain stalwart dignity, although many critics noted that St. John in her "shocking pink knee boots" seems out of her element. The film is well photographed in CinemaScope and Technicolor by Winton C. Hoch, and the score by Paul Sawtell and Bert Shefter is quite effective. 

Verdict: The biggest star is the Fire Monster. ***. 

VOYAGE TO THE BOTTOM OF THE SEA Season 4

Richard Basehart and David Hedison

VOYAGE TO THE BOTTOM OF THE SEA Season Four. 

Voyage to the Bottom of the Sea, despite a few silly detours, began as a relatively serious show that could be watched by both children and grown-ups. But with each season it became increasingly ludicrous, mostly because the powers-that-be concluded that it was mostly kids watching the show. It would have been better had they provided more storylines that viewers of all ages could appreciate, but that was generally not the case in the later seasons of the show. 

Vincent Price with one of his "Deadly Dolls"

Nevertheless, even season four -- the final season -- had a few watchable and interesting episodes. Vincent Price guest-starred in "The Deadly Dolls," which had a script by Charles Bennett, and had the crew being replaced by puppets; it was not memorable, unfortunately. "Cave of the Dead,' with Warren Stevens, had to do with missing ships and the Flying Dutchman. "Man-beast," "Fatal Cargo" and "The Abominable Snowman" featured dangerous creatures, mutated or otherwise, the first of which was actually Captain Crane (David Hedison), stomping around the Seaview. Admiral Nelson (Richard Basehart) is told that Crane is an imposter in "Edge of Doom," which was a more serious but, ironically, less interesting episode than others. "The Death Clock" is a loopy episode in which guest-star Chris Robinson uses a machine to manipulate time and space. Mr. Pym (Henry Jones) did the same thing with a stop watch in two episodes with missed potential, "A Time to Die," and the series's final episode, "No Way Back," which is the better of the two. 

Basehart and Hedison keep straight faces with the Lobster Man

The show's nadir might well have been "The Lobster Man," with a silly-looking crustacean man -- Victor Lundin managed to keep his dignity in the part -- although there were other contenders for silliest monster/alien. The best episodes of the season, however, included "Sealed Orders," in which the Seaview crew disappear one by one while a neutron bomb is being transported; "Rescue," (guest-starring Don Dubbins) with saboteurs on the sub causing havoc and death; and arguably the very best fourth season episode, "Man of Many Faces," in which an unknown person disguises himself as several crew members even as a certain device begins to pull the moon out of orbit. 

David Hedison and Bob Dowdell

Most of the fourth season episodes of the show proceeded as mysteries, providing a weird situation which Nelson, Crane, Chip (Bob Dowdell) and the others would have to figure out, only the solutions too often tended to be childish alien menaces. "Nightmare" began well, with Crane being accused of treason even as the Seaview aims missiles at Washington D.C., but it collapsed before the conclusion. There were far too many episodes in which Nelson or  Crane were mind-controlled into trying to kill each other or destroy the ship. At least producer Irwin Allen got to use his beloved giant lizard from The Lost World once again in "Death Clock."

Verdict: Not enough great episodes to make this a memorable season. **1/2.