LOST IN THE STRATOSPHERE

Edward J. Nugent, William Cagney

LOST IN THE STRATOSPHERE (1934). Director: Melville W. Brown. Colorized. 

Tom Cooper (William Cagney) and Richard "Woody" Wood (Edward J. Nugent) are pilots and pals who are often friendly rivals for the various women they encounter. Tom sets up Woody with an obese lady (June Gittelson) and Woody sends soap in Tom's name to officers' wives. But things take a serious turn when Woody's fiancee Evelyn (June Collyer of The Ghost Walks) hides her identity from a smitten Tom and uses the name of her maid, Ida (Hattie McDaniel). Before long Tom and "Ida" are in love and Tom thinks his buddy stole his gal. No longer friends, the two are chosen to take monitoring equipment up into the stratosphere in a balloon. What will happen if things go wrong?

Nugent with June Collyer

Lost in the Stratosphere would have been more interesting if the fellows did indeed get lost in the stratosphere, but nothing of that nature ever happens. Most of the movie deals more with romance than action, and never comes close to being science fiction. William Cagney was the lookalike brother of James Cagney. He had only a few acting roles and became his more famous brother's manager in addition to producing his pictures. Edward J. Nugent was a handsome second lead who amassed 85 credits from the silent era onwards and eventually became a television director. The acting in this is good and Hattie McDaniel as the wise maid Ida is as delightful as ever. 

Verdict: Minor military romance with interesting players. **1/4. 

MYSTERY MOUNTAIN

Ken Maynard

MYSTERY MOUNTAIN (12 chapter Mascot serial/1934). Directors: Otto Brower; B. Reeves Eason. 

After her father's death Jane Corwin (Verna Hillie) wants to keep her transportation company going despite the competition from a new railroad that wants to tunnel through the nearby mountain. When a mysterious figure called the Rattler -- who wears a black cloak and glasses with a fake nose and mustache attached! -- begins acts of sabotage against the railroad, supervisor Frank Blayden (Edward Earle of Heartaches) blames Jane. Railroad detective Ken Williams (Ken Maynard) is called in to find out who the Rattler really is, and there are several suspects. The Rattler uses poison darts and other weapons against his enemies and to confound and confuse them puts on realistic masks of various people involved in the story. But can Ken ever unmask the Rattler?

The Rattler sneaks up on Breezy

Mystery Mountain is a fun if minor serial from Mascot, which almost always seems to have the villain using masks of his enemies and associates to cause dissension among the others. (A notion later stolen for the Tom Cruise Mission: Impossible movies.) Maynard, best-known as a big cowboy star (who was reportedly a real son of a bitch in real life), is more than competent as the hero, and Verna Hillie is both attractive and credible as the heroine. There is way too much of Syd Saylor as reporter and comedy relief Breezy Baker, who is as much screw-up as helpmate to Williams. Mystery Mountain can be both exciting and suspenseful, but it cries out for much more music. Another cast member is Ken Maynard's amazing horse Tarzan, who seems to be as smart as Roy Rogers' Trigger. B. Reeves Eason also directed Spy Ship. 

Verdict: Entertaining Mascot serial with good players. ***. 

THE GHOST WALKS

Johnny Arthur, Richard Carle, John Miljan

THE GHOST WALKS (1934). Director: Frank R. Strayer. Colorized.  

On a dark and stormy night producer Herman Wood (Richard Carle), his nervous secretary, Homer (Johnny Arthur), and playwright Prescott Ames (John Miljan) manage to make it to the home of Dr. Kent (Henry Kolker). Prescott is engaged to Kent's daughter, Gloria (June Collyer), but she is also pursued by a persistent Terry Shaw (Donald Kirke). During dinner Beatrice (Eve Southern) says that the ghost of her dead husband will be joining them -- after dinner she is found dead. It develops that, aside from the murder, everything that transpired at dinner is taken from Prescott's play, and Wood and Homer still think everyone is just acting when Beatrice's corpse disappears ...

Rivals: Donald Kirke and John Miljan

Even by 1934 standards this comedy-mystery film is creaky with the usual quota of hoary elements, such as an old mansion, a thunderstorm, even an escaped maniac from an asylum conveniently located nearby. As the emphasis is on humor it's hard to get much involved with the "plot," such as it is. The only thing that keeps one watching is the relatively fast pace and some of the performances, with Carle and Arthur making an amusing combo of secretary and impatient, grumpy employer. The others in the cast are professional enough although no one stands out, which is no surprise given the material. At one point Homer winds up in a bed straight out of a Hawthorne  story when the canopy begins to descend. 

Verdict: Where are Abbott and Costello when you need them? **.