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Showing posts with label Bill Pullman. Show all posts
Showing posts with label Bill Pullman. Show all posts

Thursday, May 5, 2022

THE GRUDGE

THE GRUDGE (2004). Director: Takashi Shimizu. Written by Stephen Susco. 

In an attempt to have another smash hit like The Ring, Columbia has taken another Japanese horror film and come out with an American remake – although it still takes place in Japan with some transplanted Americans. Sarah Michelle Gellar is the nominal heroine who becomes embroiled in a frightening ghost story when she fills in for a home care provider who's disappeared. She sees spooky visions of a little boy who is central to the mystery. Apparently there was a murder-suicide in the house, and the evil that lives within is reverberating outward to ensnare anyone who comes into its invisible web. A workable if unoriginal idea is given mediocre execution that all but spoils the movie; it also has a much less interesting storyline than The Ring. Although there are a number of creepy moments, they are also rather silly, and the whole movie is quite predictable and, at times, illogical. Prosaically filmed, there are absolutely no surprises to The Grudge. The ghostly little boy is generally too helpless and cute-looking to be very scary. Bill Pullman appears as a man who commits suicide sometime after seeing the child and he isn't bad. Gellar, on the other hand, isn't much of an actress. She seems to have little future beyond bad movies like this. 

Verdict: Why horror films have a bad name. *

Thursday, September 24, 2020

SHORT TAKES III

Dermot Mulroney and Michael Cudlitz
Silent Witness (2011 telefilm) Director: Peter Markle. A lawyer, Tony (Dermot Mulroney) who was once accused of a rape-murder, goes back to his home town to defend an old friend (Michael Cudlitz) who has been accused of killing a teenage girl with whom he was having an affair. Well-acted and absorbing, with a degree of suspense and a satisfying wind-up. Anne Heche is effective as the defendant's wife; Judd Hirsch scores as a legal associate of Tony's. Anthony Ruivivar and Lisa Berry are also notable in supporting roles. ***.

McConaughey and Phillippe
The Lincoln Lawyer (2011). Director: Brad Furman. Mick Haller (Matthew McConaughey) defends an entitled, homophobic creep named Louis (Ryan Phillippe) from a rape charge but begins to realize that his client may be even worse than he imagined. Performances help put over this suspense film, with notable work from the two leads as well as from Marisa Tomei as Mick's ex-wife and William H. Macy as his investigator. Macy apparently plays a gay character, but there is no discussion about Louis' remarks about the "faggots"who allegedly pulled him off his victim. Still, this is an interesting and attention-holding flick with some twists. **3/4.               

Bill Pullman
Innocent (2011 telefilm). Judge Rusty Sabich (Bill Pullman), who was acquitted years ago of murdering his mistress, is now put on trail for allegedly murdering his wife, Barbara (Marcia Gay Harden). Richard Schiff and Alfred Molina turn in good performances along with the leads. The picture is confusing at times because it bounces back and forth in time, although it has a decent score. Some of the developments are unlikely. Absorbing enough but ultimately minor. Based on a novel by Scott Turow, moderately well-known for the vastly over-rated Presumed Innocent. **3/4.

Switchback (1997) is a suspenseful, unpredictable and occasionally thrilling movie about an FBI man (Dennis Quiad) who searches for his son's abductor while another man (Danny Glover) picks up a hitchhiker (Jared Leto) and the audience wonders which is the serial killer. Quaid's actions sometimes seem strange, and there's a lot left unsaid about all of the characters but this is an absorbing and well-acted movie. Ted Levine and William Fichtner are also in the cast. Written and directed by Jeb Stuart. .

A Murder of Crows (1998) Cuba Gooding Jr. plays a man who becomes a celebrated author after presenting a dead man's manuscript as his own, but then winds up in deep crap when the book seems to detail a series of murders. Suspenseful if far-fetched, the entertaining picture features some good performances from Gooding, Tom Berenger, Eric Stoltz, Mark Pellegrino, and Marianne Jean-Baptiste. Written and directed by Rowdy Herrington. ***.