LOVE SLAVES OF THE AMAZONS

Don Taylor surrounded by green-painted Amazons

LOVE SLAVES OF THE AMAZONS (1957). Writer/Producer/Director: Curt Siodmak.

Dr. Crespi (Eduardo Ciannelli of Mysterious Dr. Satan) tries to convince Dr. Peter Masters (Don Taylor) that he not only knows where there are a race of women living near the Amazon, but that they guard a fabulous treasure that is theirs for the taking. The two men set sail but are beset by Fernando (Wilson Viana), who takes over the ship. Fleeing into the jungle, Peter just happens to run into the Amazon women, and is taken to their camp. Many of the women, including the queen (Ana Maria Nabuco), take a liking to Peter, and hope to use him as replacement for Mario (Tom Payne) who has sort of been forced into stud service. Along with Mario, Gina (Gianna Segale) is being held captive by the Amazons. Peter hopes to charm the queen and the others until he can figure out a way to escape ...

Eduardo Ciannelli and Don Taylor

Filmed in Brazil, Love Slaves of the Amazon doesn't quite deliver what the title promises, although it tries. In one scene a dozen or more amazons force Peter into a bathtub with his pants on. The music, contributed by no less than six composers (probably lifted from earlier films), does most of the work, although the performances are generally good. Crespi and Peter are determined to protect the secret of this lost civilization even though the amazons keep people captive and slaughter all male babies at birth! Who cares if modern society destroys these monsters? Siodmak also directed The Magnetic Monster. 

Verdict: Not one of Siodmak's better movies despite moments of interest. **1/4. 

barebones 18

barebones 18. Edited by Peter Enfantino and John Scoleri.

This issue is chock full of interesting stuff, including an article on mystery and suspense stories on the TV war show Combat; the pre-code Atlas horror comic Adventures into Terror; a look at the noir film The Big Caper with Corey Allen; my piece on Science Fiction Theatre; a look at Alfred Hitchcock's Mystery Magazine; plus Curt Siodmak, David J. Schow, Matthew R. Bradley, and more! You can easily order a copy from Amazon. Highly recommended. 

THE MAGNETIC MONSTER

THE MAGNETIC MONSTER (1953). Director: Curt Siodmak. Produced and co-written by Siodmak and Ivan Tors. 

Dr. Jeffrey Stewart (Richard Carlson) is an "A-Man" or investigator for the Office of Scientific Investigation (OSI). He and his partner Dan Forbes (King Donovan of Invasion of the Body Snatchers) are called in when a store owner (Byron Foulger) complains about weird magnetic disturbances terrifying his salespeople. The magnetic disruption is traced to an office upstairs where a dead man is found. Stewart discovers that scientist Harold Decker (Leonard Mudie) has somehow created a strange new element that needs massive amounts of electricity to keep it from imploding, causing mass destruction. Stewart manages to get the element from a dying Decker and off of an airplane before it can cause it to crash, but just when he thinks the danger is over there is a disaster at the facility where it is being stored. Growing in size (although never to gigantic proportions) the element will implode every eleven hours, eventually changing the earth's very orbit and boiling away the seas. Can anything destroy this "monster" before it destroys the world? 

The Magnetic Monster may not have giant spiders munching on mankind but it's horrifying enough in its own way, adeptly building up tension and suspense until the final nail-biting moments in a cyclotron deep in a mineshaft. Richard Carlson is the perfect lead for this kind of picture, radiating efficiency and concern in equal measure, and he gets good support from Donovan and Jean Byron as his wife. Others in the cast include Michael Fox as Dr. Semy, who consults with Stewart, and Kathleen Freeman, of all people, as a switchboard operator at the OSI. Billy Benedict of Blonde Dynamite is amusing, as usual, as one of the salesclerks in Foulger's store, and Foulger himself always strikes the right note. Siodmak directs at a swift pace. He was also responsible, unfortunately, for Bride of the Gorilla. 

Verdict: Surprisingly creepy and absorbing, and not a dull moment. ***1/4. 

BRIDE OF THE GORILLA

Barbara Payton and Raymond Burr

BRIDE OF THE GORILLA (1951). Writer/director: Curt Siodmak. 

Dina (Barbara Payton) is married to the wealthy plantation owner Klaas Van Gelder (Paul Cavanagh), but is secretly in love with his foreman, Barney (Raymond Burr), who returns her feelings. Barney is indirectly responsible for Van Gelder's death-by-snake, but the aged maid Al-Long (Gisela Werbisek), covers up for him and plots her own revenge. Barney begins imagining that he is transforming into a gorilla, and it starts driving him crazy, driving him into the jungle at night as well. Then there are stories of sightings of a supernatural creature that can tear a man to pieces ,,, 

Tom Conway and Lon Chaney, Jr. 

Bride of the Gorilla is similar to another Curt Siodmak film, Curucu, Beast of the Amazon, in that it promises a monster that it never delivers. With photography by Charles Van Enger and a flavorful score by Raoul Kraushaar, the film looks professional, but its script -- despite some interesting elements -- is dead on arrival. I imagine the film had a short shooting schedule as in many scenes the actors seem self-conscious and under-rehearsed. In spite of that, Raymond Burr and Barbara Payton have at least one well-played love scene. Cavanagh is as smooth and adept as ever in his brief appearances, and Tom Conway and Lon Chaney Jr. do the best they can with weak material. Woody Strode, who would go on to much better things, appears very briefly as a policeman. 

Verdict: Fortunately for Raymond Burr, Perry Mason put an end to his appearances in movies like this. **.