IN THE DEVIL'S GARDEN

Suzy Kendall

IN THE DEVIL'S GARDEN (aka Assault/1971). Director: Sidney Hayers. 

A girl, Tessa (Lesley-Anne Down), is sexually assaulted in the woods and is so traumatized that she is unable to speak. Then another girl is not only raped but murdered. Dr. Lomax (James Laurenson) tries to get through to the mute girl without success. Detective Velyan (Frank Finlay of Lifeforce) is frustrated by the lack of clues in the case when Julie West (Suzy Kendall of Torso), the arts teacher at the nearby girls' school, gets a glimpse of the killer, but can only describe him as being "like the Devil." Nevertheless she, a reporter (Freddie Jones) and Velyan and his associates cook up a plan to use the brave Julie as a decoy. Meanwhile there are a few suspects, including the headmistress's sleazy husband, Leslie (Tony Beckley of Beware My Brethren), and even Dr. Lomax and some of the police officers. Julie discovers that the killer is much closer than anyone realizes ... 

Frank Finlay and James Laurenson

In the Devi's Garden, originally released under the dull title Assault, is an interesting and suspenseful thriller with some solid performances. The ending is dragged out a bit too much, and the identity of the killer is telegraphed a bit too soon, but there are some intriguing developments nevertheless. Lesley-Anne Down was introduced in this film -- it was actually her fourth movie -- and is unrecognizable at 17. James Cosmo, Dilys Hamlett, Patrick Jordan, and Anthony Ainley also have significant roles. Sidney Hayers also directed Circus of Horrors.

Verdict: Reasonably worthwhile suspense-thriller. **3/4. 

LIFEFORCE

Steve Railsback

LIFEFORCE (1985). Director: Tobe Hooper. 

Colonel Tom Carlson (Steve Railsback) leads a crew of astronauts who are investigating Halley's comet when they come across a huge derelict spaceship. Inside it they find many deceased bat-like creatures, and are unaware that three of the survivors of the alien race have transformed themselves into attractive humans. One of the trio is a naked female (Mathilda May) who begins to entrance the Colonel. This "woman" is an energy vampire, and back on earth she and her companions create havoc, leading to a plague in London and a near-apocalypse that only Carlson can stop. 

Pitiful victim of the space vampires

Lifeforce was not well-received when it was released -- I always thought the film was actually not bad -- maybe because the plot was a little confusing and audiences at the time may have been sick of zombies. But Lifeforce moves at a swift pace, is well-acted, has some marvelous special effects and stand-out sequences, and the riot scenes in London are very well-staged. In fact, Tobe Hooper's direction [Texas Chainsaw Massacre] is on-target every step of the way. There's a terrific sequence involving an autopsy, as well as a scene inside a copter when the vampire uses blood to form a surrogate body. Although one wouldn't expect this is the kind of material to be scored by Henry Mancini, the composer does an excellent job. 

Steve Railsback and Patrick Stewart 

Steve Railsback gives a very effective performance as Colonel Carlson. As for the supporting cast, Peter Firth seems to be channeling Brian Donlevy as Professor Quatermass in his generally cold portrayal of Colonel Caine. Patrick Stewart scores as Dr. Armstrong, who runs a psychiatric institution and who has been possessed, in a way, by one of the vampires. There's a wild scene when Tom Carlson smooches Dr. Armstrong on the mouth, thinking he's kissing the lady from space! Frank Finlay and Michael Gothard are also good as scientists fighting against the vampires. 

Mathilda May

Lifeforce was undoubtedly influential on Species -- which also featured a sexy female creature --  which came out ten years later. It's also possible that Lifeforce was influenced by Alien, as well the 1979 "Proteus" storyline in the X-Men comic book, in which the villain absorbs energy from victims, leaves them desiccated husks, and takes on their form. One might argue that the entertaining and fast-paced Lifeforce is a bit too busy at times, and is borderline campy, but in general the film is quite well-made and entertaining, if rather cold-blooded.

Verdict: One of Hooper's best pictures. ***.