MYSTERY STREET

Ricardo Montalban

MYSTERY STREET (1950). Director: John Sturges. 

A blackmailer named Vivian (Jan Sterling), who lives in a shady boarding house, winds up on the wrong end of a bullet. Some time later Lt. Morales (Ricardo Montalban) of the Barnstable, Cape Cod police force is called in when a skeleton is found on a beach. With the help of forensics and some dogged police work, as well as interviews with those who knew Vivian, Morales is able to zero in on the killer. Morales' chief suspect is Henry Shanway (Marshall Thompson of Cult of the Cobra), a married man who made the drunken mistake of driving off with Vivian that night, while Mrs. Smerrling (Elsa Lanchester), the landlady of the boarding house, is playing a dangerous game of blackmail that could make her the next victim. 

Elsa Lanchester and Edmon Ryan

Mystery Street deals with forensic science much, more more than the average murder mystery of the period, which is one of its strengths. There are also some fine performances from Montalban, Lanchester, Thompson, Sterling, Bruce Bennett as a Harvard professor that Morales consults with, and Sally Forrest as Thompson's wife. Forrest has a particularly good scene talking obliquely about the death of her child in the hospital. There is also nice work from Betsy Blair as a woman who lived in the same boarding house as the victim, and Edmon Ryan as a ship builder who is another suspect. Walter Burke and King Donovan have smaller roles and are fine.

Sally Forrest and Marshall Thompson

Mystery Street has some flaws, however. There is not nearly enough music, which would have strengthened key sequences. Certain actions of the main suspect should have strongly intimated that he wasn't the murderer if Lt. Morales, who seems quite smart, was using his head. And the scene when Morales walks in on Shanway just a second after the latter happens to see the victim's photo in the newspaper is coincidence carried a bit too far. John Alton's moody photography is an asset, though. Leading man Montalban always played with a borderline cocky assurance that gives his thesping a certain flavorful aspect -- this film is no exception in that regard.

Verdict: Good crime thriller with some very good performances. ***. 

FLIGHT OF THE LOST BALLOON

Marshall Thompson and Mala Powers

FLIGHT OF THE LOST BALLOON (1961). Written and directed by Nathan Juran. 

When Dr. Joseph Faraday (Marshall Thompson) learns that the fiance, Sir Hubert (Douglas Kennedy), of Ellen Burton (Mala Powers of The Unknown Terror) -- daughter of explorer Adam Burton (Robert W. Gillette) -- has disappeared in Africa, he suggests a novel and quicker way of traversing the continent to find him: by balloon. But when it comes time to go, a mysterious man and guide known only as the Hindu (James Lanphier) arranges it so that Ellen goes along with him and Faraday instead of Adam Burton. Along the way the intrepid trio encounter a drunk cannibal queen and her cohorts, a flock of screeching attacking birds, bad-tempered gorillas, and a hostile 7 or so foot native named Golem (Felippe Birriel). On an island in Lake Victoria, the Hindu reveals his true colors. It all has to do with the ancient treasure of Cleopatra. 

James Lanphier

I suspect that Flight of the Lost Balloon was rushed out to compete with the following year's Five Weeks in a Balloon, as anything associated with Jules Verne -- who wrote Five Weeks -- was considered fair game after the success of 20,000 Leagues Under the Sea and Journey to the Center of the Earth. The movie is perhaps too low-budget to take advantage of its plot and scenery, with most of the trip by balloon -- which is never "lost" -- occurring via a mediocre blue screen process. 

Douglas Kennedy with Mala Powers

The actors are another story, as they handle the material with aplomb, especially James Lanphier as the very sinister Hindu, who is perfectly willing to torture Ellen to get her fiance to reveal the location of the treasure. Douglas Kennedy is also quite effective as the greedy Sir Hubert, who would rather spend years in captivity than give up the fabulous treasure he has been searching for. There's a good musical score by Hal Borne, but there isn't enough of it to drum up some excitement in key moments. Despite a lot of activity the film still threatens to become a bit tedious at times. Nathan Juran also directed First Men in the Moon and many others. NOTE: According to the Internet Movie Data Base this was an uncredited and very loose adaptation of Five Weeks in a Balloon, but 20th Century-Fox, who were working on their own version, forced them to remove all references to Jules Verne. 

Verdict: Rocket ships and subs are more fun than balloons. **1/4. 

FIEND WITHOUT A FACE

One of the fiends goes on the attack!

FIEND WITHOUT A FACE (1958), Director: Arthur Crabtree, Colorized. 

Canadian locals near an American air base with an atomic power plant blame the Army for everything from less milk from the cows to too many noisy flights overhead, but then when dead bodies start turning up everyone gets worried. Townspeople and military people alike are beset by invisible creatures that are somehow able to suck out brains and spinal cords from victims through two holes in the skull. The foolish Professor Walgate (Kynaston Reeves) has managed to materialize his thoughts in the shape of living, malevolent brains that have now strangely multiplied and are on the attack. The brains use the atomic power to become visible to Walgate, Major Cummings (Marshall Thompson of It, the Terror from Beyond Space), Barbara Griselle (Kim Parker), whose brother was the first victim, Captain Chester (Terry Kilburn) and others in the exciting climax. Will the brains take over the town?

Kim Parker and Marshall Thompson

Fiend Without a Face is a silly but fun monster flick with some decent acting and more than decent stop-motion animation of the brains, along with excellent, creepy sound effects. The brains are not only able to pull themselves along the ground by using their attached spinal cords, but can actually launch themselves into the air! The whole thing is very much like a comic book story, with absurd "science" and a great deal of illogic. Walgate tries to explain how the brains came to be in one sequence, but his explanations only cause more confusion. But in the long run it doesn't matter as Fiend is short, fast-paced, and very entertaining and amusing. Thompson manages to keep a straight face throughout and always claimed that he actually directed much of the movie. James Dyrenforth, who plays the ill-fated mayor, was also in The Giant Behemoth. Arthur Crabtree also directed the zesty Horrors of the Black Museum. 

Verdict: You can't beat those brains! ***.

IT, THE TERROR FROM BEYOND SPACE

"IT" on the rampage

IT, THE TERROR FROM BEYOND SPACE (1958). Director: Edward L. Cahn. Colorized. 

The first ship to explore Mars has only one survivor, Colonel Edward Carruthers (Marshall Thompson of Mystery Street), who is suspected of murdering the other crew members to conserve dwindling food supplies for himself. Carruthers insists that a hostile life form killed the others, and he's right -- this highly dangerous creature sneaks aboard the ship holding the members of the second expedition and kills them off one by one while Colonel Van Heusen (Kim Spalding), Ann Anderson (Shirley Patterson of The Land Unknown) and their colleagues try to figure out how to destroy the beast. 

Bice, Doran, Greer and Spalding

It, the Terror from Beyond Space, written by Jerome Bixby, whatever its low-budget flaws, remains a highly entertaining and suspenseful space monster flick, well-directed by the prolific Cahn. Spalding and Paul Langton probably give the best performances, although the others -- including Ann Doran, Dabbs Greer, Robert Bice and others -- are also effective. It uses the same score as Kronos, which came out the previous year. The picture moves fast so that you might not wonder how on earth it's a good idea to use grenades on a space ship! As has been noted by me and others many times, this film was very influential on the big-budget Alien, which uses the same plot and some of the same plot elements -- blasting the creature out of the air lock at the end, for instance -- as well. Ray Corrigan [The Monster and the Ape] plays the monster and the ubiquitous Pierre Watkin is an official back on Earth.

Verdict: Memorable sci fi creature feature which works quite well in color. ***. 

PUBLIC DEFENDER

Reed Hadley as the Public Defender argues a case

PUBLIC DEFENDER. (1954 television series). 70 half-hour episodes.

Reed Hadley had formerly starred in Racket Squad where he put away the bad guys, but he switched hats for this new series and is defending them (as "Bart Matthews"), although many -- but not all -- turn out to be innocent. The cases were supposedly taken from real-life public defender files -- with the state and the name of the P.D. being stated at the end of each episode -- but this is a bit suspect as one episode, "The Director," clearly takes place in Hollywood but the public defender is from South Bend, Indiana! Say what?

Patrick O'Neal as the (alleged) "Forger"

Public Defender was a more interesting show than it might sound like, and during its two-year run it presented many memorable episodes. "Think No Evil" has Jimmy Lydon accused of armed robbery. "Confession of Guilt" features a woman who is forced to shoot her ex-husband (an excellent Dan Haggerty). "Third Floor Rear" stars a notable Marshall Thompson and Frances Rafferty in a tale of a widower with a little boy who is up against his dead wife's parents. "The Forger" has Patrick O'Neal playing an accused forger who has no less than fourteen witnesses against him. "Badge of Honor" concerns a young cop who falsifies a report and is importuned to do the right thing. "Escape" has a man escaping from a work farm when he gets a letter from a lady that he's in love with -- and she's not worth it (Anne Kimbell gives a notable performance in this episode). "Pauper's Gold" is an especially excellent episode starring Douglass Dumbrille [The Catman of Paris] and Gloria Talbott [The Leech Woman] in a story of a man let out of jail for robbery who is re-arrested.

Marshall Thompson in Third Floor Rear"

"The Failure" concerns a veteran bookkeeper and family man who steals money from his employer because he can't afford nice things for his wife and children. "The Murder Photo" stars DeForrest Kelly in a story of an endangered  little boy who inadvertently takes a photo of a killer's car. In "Crash Out" a convict with only thirty days to go tries to break out of prison. ""All That Glitters" concerns a man accused of shooting his wife who insists that he didn't do it. Guest-stars on the show included Robert Clarke, Randy Stuart, Marie Windsor, Paul Langton, Glenn Langan, Esther Dale, Ann Doran, Martha Hyer, Richard Travis, Percy Helton, Phyllis Coates, Hugh Beaumont, Richard Crane, Frankie Darro, Dennis Hopper and Natalie Wood. Frequent directors for the series included Erle C. Kenton and Budd Boetticher. 

Verdict: Highly interesting early crime show with a solid Hadley as the man you'd definitely want defending you. ***.

CULT OF THE COBRA

Faith Domergue as Lisa

CULT OF THE COBRA (1955). Director: Francis D. Lyon.

Several soldiers are in Asia in 1945 when they encounter a man named Daru (Leonard Strong), who tells them he can get them in to see the rites of a snake-worshipping cult  -- the Cult of the Cobra -- for a price. Unfortunately, while the ceremony is going on, one of the men, Nick (James Dobson), stupidly takes a photo with a flash bulb! Pandemonium results, one cultist is killed, and a death curse is placed on the heads of the fleeing G.I.s. 

Leonard Strong, Jack Kelly, Reynolds, Janssen

Back in the U.S., Tom (Marshall Thompson) learns that Julia (Kathleen Hughes), who dated both Tom and his roommate Paul (Richard Long), has decided to marry the latter. A despondent Tom is happy to meet a beautiful new neighbor, Lisa (Faith Domergue of Legacy of Blood), and they quickly fall for each other. In the meantime, Tom's G.I. buddies -- Rico (David Janssen), Carl (Jack Kelly), and Pete (William Reynolds) -- begin dying in mysterious ways, and Lisa takes surreptitious walks late at night. The Cult of the Cobra. also known as Lamians, always claimed some of the cultists could change from human into snake ... 

On the rebound? Marshall Thompson

Cult of the Cobra is an entertaining picture with an interesting cast. Although Domergue may not seem like the perfect choice to play an Asian snake goddess, she gives a generally good performance, as does Marshall Thompson. Domergue convincingly gets across her distress that she may be forced to kill a man that she is falling in love with. The other actors show little emotion as their buddies start dropping like flies. The picture has no atmosphere or much directorial flair, although it does generate some suspense towards the end. Kathleen Hughes is decorative as Julia. A confrontation between her and Domergue is over just as it starts to get interesting. 

Verdict: Worth one look but probably not another. **1/2.