HOT ROD GIRL

Chuck Connors and John Smith

HOT ROD GIRL (1956). Director: Leslie H. Martinson. 

Mechanic Jeff Northrup (John Smith of Legacy of Blood) goes into a funk after his younger brother, Steve (Del Erickson), is killed after being goaded into racing in his hot rod. Although Jeff, who was in the car with his brother, tried to stop him, he loses his license and loses an interest in racing. His girlfriend, Lisa (Lori Nelson), tries to help him get over his depression, along with sympathetic cop Ben Merrill (Chuck Connors). Later, Jeff resists getting into a race with an out of town hotshot, Bronc (Mark Andrews), but tragedy results anyway. Now it's a question of who is responsible for a boy's death -- Jeff or Bronc?

Lori Nelson and Mark Andrews

Hot Rod Girls is an acceptable time-passer that might have amounted to something with a better script. The acting is generally competent, with John Smith giving a very good portrayal of a decent guy caught up in circumstances beyond his control.  Frank Gorshin of Batman fame scores as Flat Top, a flippant friend of Jeff's. Although he had very few credits, Mark Andrews makes his mark as the sinister and unpleasant Bronc. Roxanne Arlen is cast as the dippy blonde, L. B., and Dabbs Greer owns the auto shop where Jeff is employed. There's a fairly exciting sequence when Bronc and Flat Top play "chicken" in their cars, as well as a chase at the climax. Like most of these movies, the teens in this are played by actors in their thirties or thereabouts. Although Lisa is shown to be a racer herself in the movie's opening scene, this aspect of the film -- women racers -- is completely ignored despite the title. 

Verdict: Won't make your pulse race, but entertaining enough on its own terms. **1/2. 

BUS STOP: I Kiss Your Shadow and A Lion Walks Among us

Reason, Jenny Maxwell, Fabian

BUS STOP TV series. 

Bus Stop was an hour long 1961 drama series that lasted for one season. It focused on the inhabitants of a small town, including Grace (Marilyn Maxwell), who owns a restaurant or "bus stop;" waitress Elma (Joan Freeman); Sheriff Will (Rhodes Reason); and District Attorney Glenn Wagner (Richard Anderson). Sometimes these people participated in the weekly installment; at other times they showed up briefly or not at all.

The series has not been released on DVD yet, but there are two grainy episodes available on youtube, because these were "special" episodes. "I Kiss Your Shadow" was the 26th and final episode of the series, and it was based on a short story by Robert Bloch. The story concerns a man, Joe (George Grizzard),  whose wife, Donna (Joanne Linville), is killed in an automobile accident. He claims that Donna, who was a bit smothering when she was alive, is now haunting him, and attacks anyone who tries to come between them, including his psychiatrist, who is pushed out of a window. 

Dianne Foster

This episode has become famous because in his book Danse Macabre, Stephen King (who had probably not seen the episode in decades) wildly overpraises it. Children may have found it scary, and there are maybe a couple of creepy moments (and I never read the short story, which may be superior), but I found "I Kiss Your Shadow" to be obvious, trite, and predictable, although well-acted by the above-named, as well as by Alfred Ryder as Donna's brother and Richard Anderson. John Newland was probably tapped to direct this because of his association with the show One Step Beyond.

Anderson also has a large part and is excellent in a controversial episode entitled "A Lion Walks Among Us." which is quite well-directed by Robert Altman. Luke Freeman (pop singer Fabian) is a handsome young psycho who murders a country store clerk and seemingly gets away with it. The person who could have placed him at the scene is D.A. Wagner's wife, Sally (Dianne Foster), an alcoholic who gave Luke a lift. but then ordered him out of the car when he got fresh. 

Young Psycho: Fabian

Luke has a different story, and the defense attorney, Oliver West (Philip Abbott), who is a friend of the Wagner's, has to make mincemeat of the poor woman on the witness stand, a situation that is devastating to her husband. Rhodes Reason also appears in this episode as the sheriff and is fine. As for Fabian, he gives a better performance than expected, and uses his sexy looks and charm to etch an interesting portrait of a nasty psychopath. Dianne Foster is outstanding, especially in the courtroom scenes, and the episode is a stand out. The climactic scene was originally to have been much more violent, but even in this form there was some protest from viewers. Considering the ending of the story, I assume there were repercussions in future episodes.

Verdict: I Kiss Your Shadow: *1/2. 
              A Lion Walks Among Us: ***. 

THE CRATER LAKE MONSTER

The monster from Crater Lake

THE CRATER LAKE MONSTER (1977). Director: William R. Stromberg.

"I've been stuffing my shoes with newspapers for so long that my feet know more than my head does." -- Mitch. 

A meteor flashes across the sky and lands in Crater Lake in Oregon. The heat from the meteor causes a prehistoric egg to hatch, and before too long a long-necked, big toothed plesiosaurus -- the same creature that is supposedly in Loch Ness -- is snacking on the locals and a few tourists as well.

Glen Roberts and Mark Siegel

The Crater Lake Monster is a low-budget and generally forgettable monster movie that does boast some good locations, atmospheric photography (Paul Gentry), and some decent stop-motion and model work by Dave Allen. The monster has a battle with a steam shovel, but its appearances are simply too infrequent to make this pic a contender. To pad out the running time, there are such characters as a magician and his wife, as well as a convenience store robber and killer, all of whom encounter the creature. There is also way too much footage devoted to two buddies, Arnie (Glen Roberts) and Mitch (Mark Siegel), who rent boats to some of the victims; their allegedly comical appearances only dissipate the film's minor tension. At least Siegel gets the movie's funniest line (see above). 

Richard Cardella and Bob Hyman

Richard Cardella, who plays Sheriff Steve, also co-wrote the screenplay with the director, and Bob Hyman is cast as the town doctor.  Most of these actors had no other or very few acting credits, although Siegel has done a lot of work in visual effects. This was Stromberg's only directorial credit. Animator Dave Allen has the monster moving much like the dinosaur in The Giant Behemoth in one sequence. An unconvincing prop head is also used for other shots. An unintentionally hilarious moment occurs when one character talks about how she can supposedly see thousands of stars in the sky but it's broad daylight outside! The movie has a downbeat conclusion. 

Verdict: A monster you can miss. **. 

DEAD MAN'S ISLAND

Barbara Eden

DEAD MAN'S ISLAND (1996 telefilm). Director: Peter Roger Hunt.

Henrietta O'Dwyer (Barbara Eden) is an investigative reporter who was once in love with a man named Chase Prescott (William Shatner). Nearly thirty years have gone by, both have married other people, and Chase is now a very wealthy industrialist with a mansion on an isolated island that was once Indian land. Chase asks Henrietta to come to the island and informs her that someone tried to poison him; he wants her to ferret out who the would-be murderer is before he or she can succeed in taking his life.

William Shatner

The suspects in the movie consist of a near-classic 90's TV cast (in addition to Eden and Shatner, of course): Morgan Fairchild is an actress who wants Chase to back her in a Broadway show; Traci Lords is Chase's current and much younger spouse; Christopher Atkins and David Faustino (from Married With Children) are his sons; Olivia Hussey and Christopher Cazenove are the maid and butler; and Jameson Parker, Roddy McDowall and Don Most (from Happy Days) are his employees. As for motive, some of them will get a large amount of cash in Chase's will, while others have different grudges to bear.

Morgan Fairchild

Eden is, as usual, pleasant, but she isn't that convincing in her role, and her narration of the story is unnecessary. The other cast members are no better than they should be and Roddy McDowall is Roddy McDowall. If you like murder mysteries with the usual elements and two-dimensional suspects, there are much worse movies than Dead Man's Island, which moves pretty quickly and has some suspense, even if you may not entirely buy the denouement. It's amazing that Eden was actually sixty-five when she made this teleflick as she looks years younger. The island and mansion settings for the movie are beautiful.

Verdict: Not exactly Agatha Christie, but fun. ***. 

HAPPY DEATH DAY

Israel Broussard and Jessica Rothe

HAPPY DEATH DAY (2017). Director: Christopher Landon. Screenplay by Scott Lobdell.

After the death of her mother, college student Tree Gelbman (Jessica Rothe) has turned into a self-absorbed and rather unlikable person. She meets a young man named Carter Davis (Israel Broussard) and finds herself tangled in a Groundhog's Day-type time loop where she relives her birthday over and over. Each time a mysterious figure wearing a goofy clown mask (which somehow makes him more sinister) attacks and kills her. Tree finally figures that only by unmasking and killing her killer can she get back to her normal life. 

Charles Aitken and Jessica Rothe

Happy Death Day has perhaps too many moments of black comedy to sustain tension, but it does hold the attention, and there are a couple of good twists at the end. Rothe is okay as the heroine, who develops a nicer personality throughout her ordeal, and Broussard is appealing as Carter. Ruby Modine makes her mark as Lori, Tree's long-suffering roommate, and Charles Aitken is fine as a teacher with whom she has an affair. Despite the lack of gore, Happy Death Day was a big enough hit to engender a recent sequel Happy Death Day 2U. 

Verdict: Some good surprises help put his over. **1/2. 

GAMMERA, THE INVINCIBLE

The big turtle attacks a ship!

GAMMERA, THE INVINCIBLE (aka Daikaiju Gamera/1965-1966). Director: Noriaki Yuasa. 

When several Russian pilots carrying atomic bombs fly off course, one of them crash lands and sets off an explosion that awakens a sleeping monster: the dread Gammera, a gargantuan turtle who can roast people with his flame breath a la Godzilla. Gammera seems mean-tempered, although he saves the life of an idiot little boy who has an obsession with turtles, an act which doesn't stop the turtle from stomping on others. Just when the authorities think they have found a way to stop the turtle's rampage, it turns out that he can turn his shell into a flying, spinning projectile with flame coming out of its openings. Gammera feeds on fire and other forms of energy. What to do? What to do? 

Dick O'Neill as the general in added scenes

Like Godzilla before it, Gammera is a combination of a 1965 Japanese film with American footage released in the U.S. the following year. This footage features a General (Dick O'Neill) barking orders at his staff, as well as a meeting at the U.N. with the Secretary of State (Albert Dekker of Dr. Cyclops) and General Arnold (Brian Donlevy of The Creeping Unknown). There is also a comical TV show in which the existence of Gammera is debated by two feuding and nutty scientists. The Japanese characters include Dr. Hidaka (Eiji Funakoshi), who tries to destroy the monster even as the U.N. come up with plan "Z." 

Brian Donlevy

Gammera, who can walk on its hind legs as well as on all fours, is brought to life via "suitmation" (a stunt man in a costume) as well as with several props and a lot of miniatures. Some of the process work is cruddy but at other times it's effective at blending the monster with the screaming, hysterical populace. The odd thing about Gammera is that the script is workable, but the execution is haphazard, and one suspects this was the case even before the American footage was spliced into the original movie. Gammera was featured in several sequels and became a hero to small children a la Godzilla.

Verdict: Somehow a turtle just doesn't make a very formidable monster despite the damage he does. **. 

COVER GIRL KILLER

Spencer Teakle and Felicity Young

COVER GIRL KILLER (1959). Writer/Director: Terry Bishop.

John (Spencer Teakle) has inherited a pin up magazine called Wow. He discovers that several of the women who appeared on the cover have been murdered, and are found wearing the same outfits and in similar poses as on those covers. Detective-Inspector Brunner (Victor Brooks) importunes June (Felicity Young) to pose for the cover so that he can trap the killer (Harry H. Corbett), a scheme that doesn't thrill John, who is in love with June. But the killer, who goes about wearing a wig and weird spectacles, is more clever than the police may realize and June could be in serious danger.

Harry H. Corbett in disguise

Cover Girl Killer may sound like a good bet for thriller fans, but this British production doesn't have the lurid intensity of, say, Horrors of the Black Museum, or the American film The Hypnotic Eye. About an hour long, it looks like a cheap TV production and although it does manage to hold your interest, has minimal suspense and excitement. Besides the fact that there is little flair to the direction, this is due to an overly sparse musical score (attributed to William Davies) that might have added a small degree of tension. There have been better half hour TV shows on the same theme than this. Everyone in this British film drinks coffee instead of tea!

Verdict: Some coffee jitters might have helped this movie. **. 

HORRORS OF THE BLACK MUSEUM

Michael Gough

HORRORS OF THE BLACK MUSEUM (1959). Director: Arthur Crabtree.

Crime writer Edmond Bancroft (Michael Gough) taunts Scotland Yard for failing to solve the murders of several women in extremely grisly incidents. The latest victim had needles shot into her eyes and brain when she looked into a doctored pair of binoculars. Bancroft thinks the murders may be tied into Scotland Yard's "black museum" of criminal artifacts, although he has his own black museum that in his opinion puts the Yard's to shame. 

June Cunningham

Bancroft has a handsome assistant, Rick (Graham Curnow), who does whatever his employer tells him. Bancroft is also keeping a buxom lady named Joan (June Cunningham), but in a scene that plays like something out of Of Human Bondage, she bitchily taunts the lame author when he refuses to give her any more money. Joan is later beheaded by a man with a grimacing, disfigured face. And there are more murders to come ...  

Michael Gough and Beatrice Varley 

Horrors of the Black Museum is a delightfully lurid and ghoulish horror flick with the usual zesty, adroit, if over-the-top performance from Gough at his best. Cunningham is also vivid and gets to do a sexy dance number in a pub. Curnow, Geoffrey Keen as Superintendent Graham and  Gerald Andersen as the ill-fated Dr. Ballan are also effective, while Shirley Anne Field makes an attractive fiancee, Angela, for Rick. Beatrice Varley also makes her mark as Aggie, the owner of an antique and notions store that stocks many items of interest to Bancroft. 

Graham Curnow 

Horrors of the Black Museum is a riot of deadly guillotines placed on top of beds, dead bodies boiled in acid, murder by ice tongs, and other tasteless tidbits that will delight the horror fanatic. One imagines that the first sadistic killing involving the binoculars might have turned a few stomachs back in the day. This is one of a trio of films Gough did for producer Herman Cohen, Konga and Black Zoo being the other two. 

Verdict: All this and CinemaScope, too! ***. 

SOLDIERS OF FORTUNE

John Russell and Chick Chandler

SOLDIERS OF FORTUNE 1955 - 1957 syndicated television series.

This half hour show lasted two seasons and concerned the exploits of two adventurers who would do just about anything and go anywhere if the pay was right: Tim Kelly (John Russell) and Toubo Smith (Chick Chandler). The show used old sets from Republic films and serials as well as a lot of adroitly-employed stock footage. Russell and Chandler -- the former tall, handsome and macho, with a splendid physique, the latter short and plucky -- complimented each other perfectly.

Chandler and Russell

In one first season episode Kelly suggests that Toubo is getting too old and tired, should settle down and marry, he's over the hill. "A friend shouldn't say that to a friend," says an offended Toubo. "Who says you're a friend," replies Kelly "We travel around together," protests Toubo. To which Kelly replies, "I'm just keeping you out of trouble." The viewer honestly doesn't know if Kelly is joking or not, but in an episode in the second season, Kelly clearly risks his life to save his buddy's when the latter is nearly sacrificed to natives, so there's no doubt that there is a genuine bond of friendship between the two men.

John Russell before his Lawman TV series mustache

Soldiers of Fortune was not a classic series, but it was entertaining and (via stock footage and standing sets) managed to send the boys all over the world. Among the more memorable "A" episodes were the following: a woman is plagued by a voodoo cult in "Drums of Far Island;" a Chinese salesman in Limehouse is embroiled in a smuggling plot in "Hatchet Man;" sabotage holds up construction of an underwater tunnel in Cuba in "Sandhogs;" and the boys go undercover on a cargo ship with a sinister crew in "Crew of the Dolly D." 

Chick Chandler

Out of fifty-two episodes I have managed to see all but five, but at least half are of B+ quality. Guest-stars include Henry Brandon ("Greatest Beast" -- was an oil man killed by a Tibetan monster?); Jay Novello ("Vanishing Island" -- that  occasionally rises to the surface and holds a treasure); Beverly Garland ("Lady and the Lion" -- intrigue on an African film set); Jean Byron ("Tattooed Lady of Torima" -- a beautiful woman runs a diamond racket in Columbia); Michael Emmet ("Skull of the Inca" -- an educated native returns to headhunter land to find treasure and encounters giant lizards from One Million B.C. instead). 

"City of Doom" with Pamela Duncan

Also Grant Williams ("Lady of Rajmahal" -- a rajah's frightened wife wants to leave home with some priceless art treasures); Adele Jurgens ("Danger Sisters" -- two gals with a knife-throwing act get into trouble in Tangier); and Pamela Duncan ("The City of Doom" -- a maharajah's sister fears that a cult that is against progress will eventually destroy the city). Many episodes featured women whom at first seemed warm and sympathetic and turned out to have a dagger up their sleeves, and duplicitous characters of both sexes abounded. 

Verdict: Basically a fun if imperfect series that was easy to take. **1/2. 

VENOM (2018)

Tom Hardy as Eddie Brock

VENOM (2018). Director: Ruben Fleischer. 

Reporter Eddie Brock (Tom Hardy) winds up fired from his job when he goes up against billionaire scientist Carlton Drake (Riz Ahmed), who sends men into space to look for resources and finds some weird aliens called Symbiotes. Drake wants to merge the aliens with humans and uses homeless people, most of whom don't survive, for experimentation. Eddie's fiancee, Annie (Michelle Williams), loses her job, too, and cancels their engagement. 

Eddie confronted by Venom

Eddie eventually winds up bonded with one of these creatures himself. The alien talks to him, calls himself "Venom" and has to be talked out of biting people's head's off when he's hungry, which doesn't always work. Venom knows that a group of his kind plan to take over Earth, but he likes it here, and tries to help Eddie prevent Drake -- who has bonded with an alien known as "Riot" -- from taking off into space. 

Venom on thee rampage

Venom is actually a character that was introduced in the Spider-Man comic books. Peter Parker put on a black costume he found during the "Secret Wars" and only later discovered that it was alive. Reed Richards of the Fantastic Four helped him separate from the symbiote, which later merged with Eddie Brock (and later with the serial killer Cletus Kasady, as well as with Parker's friend, "Flash" Thompson.) Played by an appealingly grubby Tom Hardy, Brock is more of a sympathetic figure in this movie than he was in the comics. 

Riz Ahmed

Although Venom begins quite well -- and the FX work throughout is quite good -- the movie eventually becomes a mess, getting sillier and more ridiculous as it goes along. Venom might have worked as an outre horror film, but the PG rating works against it, and this doesn't really jell as a part-time black comedy. The movie has no real climax, because there has to be room for a sequel. There are a couple of exciting moments, but the battle between Venom and Riot kind of falls flat. 

Verdict: Not one of the better Marvel movies. **.