FIVE WEEKS IN A BALLOON

The huge cast of Five Weeks in a Balloon

FIVE WEEKS IN A BALLOON (1962). Produced and directed by Irwin Allen. 

Balloonist Fergusson (Cedric Hardwicke) wants to explore Africa by air but also has a deeper concern: beating a group of slave traders to a certain uncharted territory so that it can be claimed for England instead of by them. The balloon eventually fills up with a riot of motley individuals: the fussy Sir Vining (Richard Haydn at his fussiest); Fergusson's handsome assistant Jacques (Fabian), who handles the engine; American ne'er-do-well reporter Donald O'Shay (a miscast Red Buttons); rescued slave, Makia (Barbara Luna); another rescued slave, Susan (Barbara Eden); and even the slave trader himself Ahmed (Peter Lorre). There are way too many people on this balloon!

Buttons, Luna, Fabian

Five Weeks in a Balloon is the second film version of Jules Verne's first novel of the same name. Flight of the Lost Balloon, made the previous year, is a cheaper copy with very different plot points. Released by 20th Century-Fox in CinemaScope, Five Weeks has much better production values. Unfortunately this adaptation is just as loose and silly. After The Brothers Four warble the title tune over the credits, Fabian reprises it twice -- I can't get the damn thing out of my head. It is slightly better than the title tune for Flight of the Lost Balloon. Instead of a drunken fat cannibal queen as in Flight, this version offers an equally fat and drunken sultan. There's a sandstorm that doesn't really amount to much, a few wild animals, minor romances, and a fairly exciting climax in the forbidden city of Timbuktu. 

Chester aka Duchess: a "simian sot!"

Fabian [Bus Stop] actually manages to give a decent performance, although there is absolutely nothing of the 19th century about him, especially his hair style. I had trouble understanding a lot of Hardwick's mushy speech. Hadyn seems to essentially be playing the same part he played in The Lost World and many other films. Eden and Luna are reasonably competent and decorative. Peter Lorre is too cute by far for a rather loathsome and conscienceless slave trader. The slave trade is condemned but not very forcefully and black natives are never mentioned. Henry Daniell shows up briefly as a Sheik, and Herbert Marshall is the prime minister. Chester the Chimp plays the Duchess, who likes her liquor. "A simian sot," Hadyn declares her. Score by Paul Sawtell and photographed by Winton Hoch. 

Verdict: The surplus of silliness works against it. You keep hoping some dinosaurs will show up to enliven things! **1/4. 

BUS STOP: I Kiss Your Shadow and A Lion Walks Among us

Reason, Jenny Maxwell, Fabian

BUS STOP TV series. 

Bus Stop was an hour long 1961 drama series that lasted for one season. It focused on the inhabitants of a small town, including Grace (Marilyn Maxwell), who owns a restaurant or "bus stop;" waitress Elma (Joan Freeman); Sheriff Will (Rhodes Reason); and District Attorney Glenn Wagner (Richard Anderson). Sometimes these people participated in the weekly installment; at other times they showed up briefly or not at all.

The series has not been released on DVD yet, but there are two grainy episodes available on youtube, because these were "special" episodes. "I Kiss Your Shadow" was the 26th and final episode of the series, and it was based on a short story by Robert Bloch. The story concerns a man, Joe (George Grizzard),  whose wife, Donna (Joanne Linville), is killed in an automobile accident. He claims that Donna, who was a bit smothering when she was alive, is now haunting him, and attacks anyone who tries to come between them, including his psychiatrist, who is pushed out of a window. 

Dianne Foster

This episode has become famous because in his book Danse Macabre, Stephen King (who had probably not seen the episode in decades) wildly overpraises it. Children may have found it scary, and there are maybe a couple of creepy moments (and I never read the short story, which may be superior), but I found "I Kiss Your Shadow" to be obvious, trite, and predictable, although well-acted by the above-named, as well as by Alfred Ryder as Donna's brother and Richard Anderson. John Newland was probably tapped to direct this because of his association with the show One Step Beyond.

Anderson also has a large part and is excellent in a controversial episode entitled "A Lion Walks Among Us." which is quite well-directed by Robert Altman. Luke Freeman (pop singer Fabian) is a handsome young psycho who murders a country store clerk and seemingly gets away with it. The person who could have placed him at the scene is D.A. Wagner's wife, Sally (Dianne Foster), an alcoholic who gave Luke a lift. but then ordered him out of the car when he got fresh. 

Young Psycho: Fabian

Luke has a different story, and the defense attorney, Oliver West (Philip Abbott), who is a friend of the Wagner's, has to make mincemeat of the poor woman on the witness stand, a situation that is devastating to her husband. Rhodes Reason also appears in this episode as the sheriff and is fine. As for Fabian, he gives a better performance than expected, and uses his sexy looks and charm to etch an interesting portrait of a nasty psychopath. Dianne Foster is outstanding, especially in the courtroom scenes, and the episode is a stand out. The climactic scene was originally to have been much more violent, but even in this form there was some protest from viewers. Considering the ending of the story, I assume there were repercussions in future episodes.

Verdict: I Kiss Your Shadow: *1/2. 
              A Lion Walks Among Us: ***.