IT, THE TERROR FROM BEYOND SPACE

"IT" on the rampage

IT, THE TERROR FROM BEYOND SPACE (1958). Director: Edward L. Cahn. Colorized. 

The first ship to explore Mars has only one survivor, Colonel Edward Carruthers (Marshall Thompson of Mystery Street), who is suspected of murdering the other crew members to conserve dwindling food supplies for himself. Carruthers insists that a hostile life form killed the others, and he's right -- this highly dangerous creature sneaks aboard the ship holding the members of the second expedition and kills them off one by one while Colonel Van Heusen (Kim Spalding), Ann Anderson (Shirley Patterson of The Land Unknown) and their colleagues try to figure out how to destroy the beast. 

Bice, Doran, Greer and Spalding

It, the Terror from Beyond Space, written by Jerome Bixby, whatever its low-budget flaws, remains a highly entertaining and suspenseful space monster flick, well-directed by the prolific Cahn. Spalding and Paul Langton probably give the best performances, although the others -- including Ann Doran, Dabbs Greer, Robert Bice and others -- are also effective. It uses the same score as Kronos, which came out the previous year. The picture moves fast so that you might not wonder how on earth it's a good idea to use grenades on a space ship! As has been noted by me and others many times, this film was very influential on the big-budget Alien, which uses the same plot and some of the same plot elements -- blasting the creature out of the air lock at the end, for instance -- as well. Ray Corrigan [The Monster and the Ape] plays the monster and the ubiquitous Pierre Watkin is an official back on Earth.

Verdict: Memorable sci fi creature feature which works quite well in color. ***. 

OUT OF THE FOG (1962)

David Sumner

OUT OF THE FOG (aka Fog for a Killer/1962). Director: Montgomery Tully.  

Released from prison, George Mallon (David Sumner) takes up residence in a kind of halfway house for ex-cons. He gets a job driving for a furniture company, but can't get rid of the massive chip on his shoulder. Even his own mother (Olga Lindo) wants nothing to do with him. When blond women are strangled on what is known as "the flats" each full moon, George becomes the prime suspect. Sgt. June Lock (Susan Travers) is assigned to get a job at the furniture company and ingratiate herself with George. On the next full moon George decides to forget about going to the movies with June, and instead takes her for a walk in the flats ... 

David Sumner and Susan Travers

Out of the Fog is a minor but well-acted British suspense film that could have used another twenty or thirty minutes of character development as well as a few tense murder sequences. It comes off much more like a 1940's production than something made two years after Psycho. David Sumner with his sensitive features so at odds with the bitter unpleasant character he plays makes a decided impression in the film, and a wide variety of character actors also make their contribution. A ridiculous bit has to do with Det. Supt. Chadwick (John Arnatt) ordering some more men to the flats once he learns June has gone there with George, but considering it was a full moon -- the only time murders occur -- why the hell wouldn't he have had a lot more men there already? Montgomery Tully also directed The Third Alibi. 

Verdict: Very good lead performance with a so-so script. **1/2. 

SO SWEET ... SO PERVERSE

Jean-Louis Trintignant and Carroll Baker

SO SWEET ... SO PERVERSE (aka  Cosi dolce ,,, cosi perversa//1969). Director: Umberto Lenzi. 

Jean Reynard (Jean-Louis Trintignant) lives with his wife, Danielle (Erika Blanc), in a Paris apartment. Danielle has stopped sleeping with Jean, which necessitates his having affairs. Jean becomes intrigued with the woman, Nicole (Carroll Baker of The Fourth Victim), who has moved into the apartment upstairs, and learns that she is being dominated by a lover named Klaus (Horst Frank). It isn't long before one of these people is murdered, while the other three accuse the others of pretending this victim is still alive -- which may even be true ...

Jean-Louis Trintignant and Erika Blanc

So Sweet ... So Perverse is essentially a retread of Diabolique, with its own twists, including that one of the female characters has come to realize she is a lesbian. The actors use their real voices, but the over-dubbing makes their performances, especially Baker's, seem a little off. Erika Blanc decidedly gives the most impressive performance. An unintentionally hilarious moment occurs when the police insist on one character making an ID in the morgue, although the corpse has been described as "completely unrecognizable!" This is one of four movies that Carroll Baker did for director Umberto Lenzi: Knife of Ice; Paranoia, which was originally called Orgasmo; and A Quiet Place to Kill, which was originally called Paranoia! Go figure!

Verdict: Minor but absorbing suspense film -- and nominal giallo -- with some new twists on an old idea. **1/2. 

MR. MONK'S LAST CASE: A MONK MOVIE

Tony Shalhoub and James Purefoy

MR. MONK'S LAST CASE: A MONK MOVIE (2023 telefilm). Director: Randy Zisk. 

Adrian Monk (Tony Shalhoub) comes out of retirement to investigate when his stepdaughter Molly's (Caitlin McGee) fiance, Griffin (Auston Scott), dies in a bungee jumping accident. Molly is convinced that Rick Eden (James Purefoy of Injustice), an Elon Musk-type who runs a vast Amazon-style corporation, is somehow behind the man's death and possibly others. In fact Griffin was sure that Eden had murdered his late business partner and was attempting to get some solid information when he died. 

Tony Shalhoub and Caitlin McGee

It's a delight to see Monk again, although some of the fun is vitiated by the fact that Adrian spends much of the movie contemplating suicide, and the recurring appearances by his late wife, Trudy, become tiresome (in fact the sentimental after-life sequences, meant to be poignant, come dangerously close to being sappy). At least Shalhoub is in good trim, and it's a pleasure to see Natalie (Traylor Howard), Stottlemeyer (Ted Levine) and Randy (Jason Gray-Stanford) again. James Purefoy makes a sexy and compelling adversary as well, liming the role of a narcissistic sociopath with chilling understatement. The solution to this is quite clever as well. As usual, some of the grimmer aspects of the story don't quite jell with the light-hearted approach. 

Verdict: Despite some annoying aspects, this is a very good bet for Monk fans. ***. 

THE DARK MAN

Maxwell Reed and Natasha Parry

THE DARK MAN (1951). Written and directed by Jeffrey Dell. 

An unidentified man (Maxwell Reed of Shadow of Fear) commits a murder, and then decides to kill off the cab driver who has driven him away from the murder scene. Unfortunately, a pretty young actress named Molly (Natasha Parry) sees the latter action and immediately goes to the top of Reed's hit list. Molly manages to get away this time, and is soon taken under the wing of the lustful Inspector Viner (Edward Underdown), who seems to spend more time thinking of her and kissing her than he does in doing a decent job of protecting her. No one bothers to even check out her flat when she goes home from the theater where she works, so naturally "the Dark Man" is waiting for her -- in the dark, of course. The climax takes place at a military testing range where there is some minimal excitement, but the movie is essentially mediocre. There is some moody photography by Eric Cross, and an interesting, dissonant score by Hubert Clifford. 

Verdict: **1/2. 

ATTACK OF THE GIANT LEECHES

Yvette Vickers and Michael Emmet

ATTACK OF THE GIANT LEECHES (1959). Director: Bernard L. Kowalski. Executive producer: Roger Corman. Colorized. 

Portly Dave Walker (Bruno VeSota) has a hard time keeping his sexy wife, Liz (Yvette Vickers of Attack of the 50 Foot Woman), under control. She goes off with Dave's alleged friend, the much sexier Cal (Michael Emmet), and Dave discovers the two of them making love in the swamp. As Dave is threatening them with his shotgun and forcing them into the water, they are attacked by two giant leeches -- or leech men, if you prefer. Everyone suspects Dave of murder but then more people start disappearing. Game warden Steve Benton (Ken Clark of Mission Bloody Mary), along with his girlfriend, Nan (Jan Shepard), and her father, Doc Greyson (Tyler McVey of Teenage Thunder), investigate but come into conflict with each other when Doc wants to bomb the swamp ... 

Ken Clark and Jan Shepard

With its backwoods bayou atmosphere, a sleepy score by Alexander Laszlo (also used in Night of the Blood Beast), and some decent acting, Attack of the Giant Leeches may not be a world-beater but at least it holds the attention if you're a devotee of creature features. The color adds a degree of gruesomeness to the scenes in the underground lair of the leeches, and the sequence of dead bodies rising up in the lake has always been kind of creepy. Vickers is as vivid as ever, and VeSota and Emmet are effective and professional. Ken Clark, who showed much more charisma playing a superspy in some eurospy features, is stalwart as the game warden. Although she apparently never appeared in anything that allowed her to make much of an impression, Jan Shepard amassed over eighty credits and had a long career, as did Tyler McVey, who had over 220 credits! Kowalksi also directed Michael Emmet and McVey in Night of the Blood Beast, which is better than Leeches. Art director Daniel Haller went on to better things.  

Verdict: You know it isn't especially wonderful but there's just something about it ... **1/2. 

NAKED YOU DIE

Mark Damon and Eleonora Brown

NAKED YOU DIE (aka Nude ... si muore/1968), Director: Antonio Margheriti (Anthony Dawson). 

In the exclusive girls' school, St. Hilda College, students and faculty are either going missing or being murdered. Meanwhile student Lucille (Eleonora Brown) is having an affair with teacher Richard Barrett (Mark Damon), something of which headmistress Miss Transfield (Vivian Stapleton) would certainly disapprove. Other potential victims and assailants include the strange Mrs. Clay (Ludmila Lvova); physical education instructor Di Brazzi (Giovanni di Benedetto); the gardener (Luciano Pigozzi), who spies on the young ladies in the shower; mystery-loving Jill (Sally Smith), who proves to be quite courageous;  elderly Professor Andre (Aldo De Carellis); Betty Ann (Caterina Trentini); and others. 

The headmistress with her girls

More of a mystery film than a true giallo, Naked You Die features some fairly lame strangulation sequences and hasn't much style. Still, the picture builds up considerable suspense as you wonder who will get it next and who is behind it all and why. Alas, when the murderer is unmasked it is not too big a surprise (it's also sort of given away if you're paying attention). It's hard to judge the acting. The biggest name in the cast, Michael Rennie (of The Lost World), who plays a police inspector, is dubbed. Considering how bodies keep turning up, no one seems as frightened as they should be. 

Verdict: Okay Italian time-passer. **1/2.  

THE PAINTED SMILE

Liz Fraser and Tony Wickert

THE PAINTED SMILE (aka Murder Can Be Deadly/1962). Director: Lance Comfort.  

Jo Lake (Liz Fraser) and her boyfriend Mark (Peter Reynolds) entrap unsuspecting men, with Liz picking them up and Mark pretending to be her husband. One night Mark is murdered by a gangster named Kleinie (Kenneth Griffith). Jo brings Tom (Tony Wickert) home from the club where he and his pals are celebrating his having one final fling, where they come upon Mark's body. Jo tells a horrified Tom that if he doesn't help her get rid of the corpse, she will tell the police that he is the murderer. Tom's actions after that border on the moronic. The Painted Smile is a lesser melodrama from director Lance Comfort. The acting is more than adequate. Others in the cast include a pre-Blowup David Hemmings as one of Tom's pals and Nanette Newman as Tom's highly supportive fiancee, Mary. Singer Craig Douglas warbles a tune in a nightclub. 

Verdict: Very short alleged thriller that you can easily miss. **. 

ALL OF THE MARVELS

ALL OF THE MARVELS: A Journey to the Ends of the Biggest Story Ever Told. Douglas Wolk. Penguin; 2021. 

With it looking to some people like the characters of Marvel Comics are taking over the cinematic universe, author Wolk attempts to put everything in perspective and give fans or wannabee fans directions in what to read and in what order. He does this by highlighting specific issues grouped together somewhat thematically in various chapters. The idea is intriguing, but I'm not certain that it's been especially well executed. For this long-time comics fan the most interesting sections have to do with more recent issues that I have missed, as the book does concentrate more on the past twenty years than the earlier days of Marvel. There are some interesting observations in the book to be sure, but you'll also have to suffer through tedious write-ups on stuff like The Unbeatable Squirrel Girl. (Wolk wants to make certain the world knows that Marvel's comics aren't just about, created by, or exclusively popular with the "old white guys" who basically invented the industry and kept it going for many decades.)  All of the Marvels -- I love the title -- comes off less as a labor of love than as a cynical "sure-fire" book project, although I'm not certain what its intended audience was supposed to be. Won't most people interested in Marvel comics already be reading them? 

Verdict: Some good things in this, but it's not really a fun read, and it should have been. **1/4.   

SALUTE THE TOFF

Arthur Hill, John Bentley, Peter Gawthorne

SALUTE THE TOFF (1951). Director: Maclean Rogers. Colorized. 

Richard Rollinson, popularly known as the amateur sleuth the Toff (John Bentley), is importuned to look into the disappearance of a man named Jimmy Draycott (Tony Britton), whose secretary, Fay (Carol Marsh), is clearly in love with him. Draycott has a rival for her affections in reporter Ted Harrison (Arthur Hill). Inspector Grice (Valentine Dyall of The Horror of It All) just wishes the Toff would stay out of Scotland Yard's hair, but he manages to dig up information that Grice can't. Mixed up in the disappearance are several shady characters, including Mr. and Mrs. Lorne (Peter Bull and Shelagh Fraser), and the eldery Mortimer Harvey (Peter Gawthorne). The Toff's butler, Jolly (Roddy Hughes) is ever on hand to supply tea and crumpets, bits of information, and a good right hook when required. 

John Bentley as the Toff

The Toff was a creation of popular mystery writer John Creasey, who may have also written the script for this film. John Bentley was perfect casting, as he was in many of these British thrillers, sometimes playing good guys such as Rollinson or Paul Temple and sometimes not. It may seem odd to find Arthur Hill in this picture, but in his youth he went to England from Canada and had a good career on the British stage, as well as in films, before going to the U.S. where he appeared in many movies and starred as Owen Marshall, Counselor-at-Law on television. Salute the Toff is an okay UK crime picture which moves fairly fast but never quite erupts into anything especially memorable. Maclean Rogers also directed John Bentley in Calling Paul Temple.

Verdict: Undistinguished English thriller has a good cast and some good moments. **1/4.