KNIFE OF ICE

Carroll Baker

KNIFE OF ICE (aka Il coltello di ghiaccio/1972). Director: Umberto Lenzi. 

Martha (Carroll Baker) has been mute since her parents were killed in a train disaster and they threw her out a window to safety. Now she lives with her Uncle Ralph (Jorge Riguad) and her cousin, Jenny (Ida Galli of The Case of the Scorpion's Tail), as well as the sinister driver Marcos (Eduardo Fajardo of The Murder Mansion), housekeeper Mrs. Britton (Silvia Monelli), and the British maid Rosalie (Olga Gherardi). When Jenny is found dead in the garage, it develops that there was already another blond victim of an unknown killer. Now the police fear that Martha will be the next to be targeted. The main suspect is a devil worshipper named Randy Mason (Mario Pardo), but there are others: the mayor, Father Martin (Jose Marco), and the smooth and attractive Dr. Laurent (Alan Scott), who has been treating both Martha and her uncle. 

Baker with Alan Scott

This is the final collaboration between star Baker and director Lenzi, and it's arguably the least interesting. Although it does work up a bit of suspense towards the very end, the pacing is generally too slow and the characters are not that interesting. Jean Sorel is sorely missed as well, as Martha is given no real love interest. The twist ending to this doesn't quite convince, but the film is well-acted by all. Alan Scott was an American actor who did most of his films in Europe. 

Verdict: Disappointing Baker-Lenzi mystery flick. **1/2. 

THE SWEET BODY OF DEBORAH

Carroll Baker and Jean Sorel

THE SWEET BODY OF DEBORAH (aka il dolce corpo di Deborah/1968). Director: Romolo Guerrieri. 

Deborah (Carroll Baker) marries handsome Marcel (Jean Sorel) after only knowing him a few weeks. Marcel had been practically engaged to a woman named Suzanne (Ida Galli) who committed suicide when he left her. Visiting his hometown, Marcel sees signs that his former lover is either still alive or someone is trying to make it look that way. Deborah begins to receive unsettling phone calls and fears for her life. Then there's the angry Phillip (Luigi Pistilli of A White Dress for Mariale), who was in love with Suzanne and is furious at the way Marcel treated her. After Deborah and Marcel rent a truly fabulous house, they run into their neighbor, Robert Simack (George Hilton of The Dark is Death's Friend), who seems to have his own agenda. But then maybe everyone in this movie does -- a sinister plot eventually unfolds ... 

Jean Sorel

The Sweet Body of Deborah is a smooth if minor bit of romantic suspense that has some plot similarities to, of all things, Midnight Lace with Doris Day. Baker is so beautiful, and her character seems so completely appealing,  that it's a wonder anyone would think all she had going for her was her money. As usual Baker and Sorel make a good and sexy team; the couple also appeared together in Paranoia. Galli, Hilton and Pistilli all appeared together in The Case of the Scorpion's Tale. 

Verdict: Reasonably absorbing Italian mystery with an attractive cast. **3/4. 

PARANOIA

Carroll Baker and Lou Castel

PARANOIA (aka Orgasmo/1969). Director: Umberto Lenzi. 

Kathryn (Carroll Baker), recently widowed, moves into her wealthy late husband's fabulous estate in Italy. Her only companion is the dyspeptic housekeeper, Teresa (Lilla Brignone), with occasional visits from family lawyer Brian (Tino Carraro), who wants to marry her. Into her life pops hunky Peter (Lou Castel), a comparatively penniless young man who moves in on Kathryn and eventually into her home. Then who should show up but his free-spirited sister, Eva (Colette Descombes), who seems to have a hankering for Kathryn. But is Eva really Peter's sister, or something more? It isn't long before Kathryn begins to regret ever meeting the couple. 

Baker, Castel, Descombes

Paranoia is an entertaining and well-acted suspense-thriller that presents some truly despicable villains even if their victim isn't entirely sympathetic. There's another twist at the end and a satisfying denouement. This is one of several films that Baker did for director Umberto Lenzi. (This is not to be confused with another Baker/Lenzi collaboration entitled Paranoia or A Quiet Place to Kill.) Lou Castel was a Columbian actor who appeared in a number of Italian/International productions. Like most of the other films Baker did with Lenzi, lesbianism or bisexuality figures in the plot. Most of the others remind one of Diabolique, but not Paranoia.

Verdict: Absorbing story with intriguing plot and some very good players. ***. 

PARANOIA/A QUIET PLACE TO KILL

Carroll Baker and Jean Sorel

PARANOIA/A QUIET PLACE TO KILL (1970). Director: Umberto Lenzi. 

After an accident, Helen (Carroll Baker), a race car driver, is invited by (whom she thinks is) her ex-husband, Maurice (Jean Sorel), to his estate, where he now lives with his wealthy wife, Constance (Anna Proclemer). Helen discovers that Constance actually issued the invitation, and there are early hints -- later discarded -- that she has a yen for her. Maurice is an unapologetic gigolo who left Helen when her money ran out. Constance has good reason to hate Maurice -- one revelation is kept towards the end of the film -- and offers Helen $10,000 if she'll help her kill him. But as usual in these kind of movies, things don't go as expected. 

Proclemer with Sorel

Carroll Baker gives a very good performance in this, one of several thrillers she did for director Umberto Lenzi. Sorel, who may or may not be dubbed, is comparatively listless, however. Proclemer makes a better impression, as does Marina Coffa as Constance's nubile daughter, Susan. Another film inspired a bit by Diabolique -- wife and ex-wife as opposed to wife and mistress -- the lack of originality, despite some minor twists, keeps this from being memorable. The theme song, "You," is horrible and horribly sung! A nominal giallo film essentially devoid of grisly murders. 

Verdict: The picture pulls one along but there's no pay-off. **.  

SO SWEET ... SO PERVERSE

Jean-Louis Trintignant and Carroll Baker

SO SWEET ... SO PERVERSE (aka  Cosi dolce ,,, cosi perversa//1969). Director: Umberto Lenzi. 

Jean Reynard (Jean-Louis Trintignant) lives with his wife, Danielle (Erika Blanc), in a Paris apartment. Danielle has stopped sleeping with Jean, which necessitates his having affairs. Jean becomes intrigued with the woman, Nicole (Carroll Baker of The Fourth Victim), who has moved into the apartment upstairs, and learns that she is being dominated by a lover named Klaus (Horst Frank). It isn't long before one of these people is murdered, while the other three accuse the others of pretending this victim is still alive -- which may even be true ...

Jean-Louis Trintignant and Erika Blanc

So Sweet ... So Perverse is essentially a retread of Diabolique, with its own twists, including that one of the female characters has come to realize she is a lesbian. The actors use their real voices, but the over-dubbing makes their performances, especially Baker's, seem a little off. Erika Blanc decidedly gives the most impressive performance. An unintentionally hilarious moment occurs when the police insist on one character making an ID in the morgue, although the corpse has been described as "completely unrecognizable!" This is one of four movies that Carroll Baker did for director Umberto Lenzi: Knife of Ice; Paranoia, which was originally called Orgasmo; and A Quiet Place to Kill, which was originally called Paranoia! Go figure!

Verdict: Minor but absorbing suspense film -- and nominal giallo -- with some new twists on an old idea. **1/2. 

THE FOURTH VICTIM

Carroll Baker and Michael Craig

THE FOURTH VICTIM (aka La ultima senora Anderson/1971). Director: Eugenio Martin.

After his third wife is found dead in the pool, Arthur Anderson (Michael Craig) is put on trial for murder. His first two wives also died in accidents, and Superintendent Dunphy (Jose Luis Lopez Vazquez) is convinced that Anderson killed all of them. But the jury doesn't agree, and Arthur enters into a new relationship with a woman named Julie (Carroll Baker). But Julie seems to be hiding a number of secrets which concern the owner of the crumbling estate next door. And did Julie herself commit a murder? Dr. Shephard (Manuel Gallardo) at a certain institution may have the answers if he lives long enough to give them ...

Michael Craig

A co-Spanish/Italian production, the low-budget Fourth Victim is chiefly of interest for the teaming of the two very attractive leads who both play with veracity despite the rather impossible nature of their roles. None of the characters, including the cop, are sympathetic, and a revelation late in the game, which should add to the film's suspense, seems to do just the opposite. A nominal giallo film, this could have used a few grisly murders but the movie instead tries to keep you guessing as to what is actually going on. The premise of the film is far-fetched but workable (and not that original), but the execution is fairly dismal. A really bad musical score doesn't help at all. Although she was past her Hollywood prime, Baker still looks gorgeous, and Craig remained handsome no matter how old he got. 

Verdict: Potboiler with good-looking leads and a convoluted screenplay. *1/2.