JUSTICE LEAGUE VS GODZILLA VS KONG

JUSTICE LEAGUE VS GODZILLA VS KONG. Written by Brian Buccellato. Art by Christian Duce and Tom Derenik. DC Comics/Legendary Comics. 2024. Originally published over seven issues. 

In a story that is apparently outside of normal DCU continuity, Superman is planning to propose to Lois Lane when trouble erupts in the shape of old foe and King Kong variation Titano. But that's only the beginning. Lex Luthor and his Injustice Society manage to invade Superman's Fortress of Solitude, and somehow wind up bringing Godzilla and other monstrosities -- a gargantuan spider, a winged Bat-creature, a mammoth-type beast with enormous tusks -- into the DCU via a "Dreamstone" manipulated by Toyman. Superman has little problem with Titano, but Godzilla is another matter, and a blast of his nuclear breath puts Superman in a kind of coma where his fellow Leaguers aren't even certain if he's still alive. Green Arrow winds up on Skull Island where he not only encounters King Kong (much, much larger than in the original movie) but the League of Assassins, who are up to no good. Under the seas another huge creature -- and Godzilla -- threatens Atlantis, so Aquaman unleases a many-tentacled Kraken to beat them off. Gorilla Grodd uses his mind-control powers to turn both Kong and Supergirl against our heroes temporarily, and also snuffs Green Lantern Guy Gardner. Luthor puts his mind inside a gigantic robot, MechaGodzilla, while Batman counters with his own gargantuan Bat-robot! Superman eventually recovers and joins the fray, he and his colleagues taking after monsters, Luthor, and assorted super-villains alike. 

Now if this isn't the ultimate fan boy's collection -- not only super-heroes but giant monsters, plus Lex Luthor and his huge collection of super-villains -- I don't know what is. The story is well-told, juggling all of these different characters and pop culture references together in swift and exciting fashion, while the art is at least serviceable and often quite striking. There was a sequel which will soon be out in a hardcover collection as well.  

Verdict: The ultimate pop culture experience. ***1/2. 

 

SUPERMAN (2025)

Superman (David Corenswet) goes into action

SUPERMAN (2025). Director: James Gunn.

David Corenswet as Clark Kent/Superman and Nicholas Hoult (of The Menu) as Lex Luthor give fine performances in this new Superman movie that trades on some nostalgic references while trying to stay somewhat contemporary in its approach. Kyrpto, the super-dog, more an artifact of silver age comics, shows up, and we've got Steve Lombard and Cat Grant -- both of whom work for the Daily Planet -- from the seventies. Superman's robots occupy the Fortress of Solitude. Instead of a phantom zone there is a prison that exists in a pocket universe and in which Superman is temporarily imprisoned. 

Hoult as Lex Luthor

In addition to bad guy Luthor, there is a clone called Ultra-Man, and a mammoth, if silly-looking monster that attacks Metropolis. As well there are appearances from members of the "Justice Gang," including Metamorpho, Green Lantern/Guy Gardner (Nathan Fillion), Mr. Terrific, and Hawkgirl. Oddly, Ma and Pa Kent are pretty much portrayed as hillbillies! Superman is entertaining enough, Conrenswet makes a swell, good-looking Man of Steel, but while this by no means a bad movie, it's still lacking something. 

Verdict: Okay only. **3/4. 

SUPER-ACTION: THE COPPER AGE OF DC COMICS

SUPER-ACTION: THE COPPER AGE OF DC COMICS. William Schoell. BearManor Media; 2024. 

Here is my latest installment in the history of super-hero comic books, this one focusing on DC Comics in the 80's and 90's, the so-called "copper" age. You can read about the rise of the maxi-series, such as Crisis on Infinite Earths, in which DC streamlined its universe and eliminated all of its parallel worlds (for a time at least). Then there's writer-artist John Byrne's big reboot of Superman (which did not last as long as intended, at least not with Byrne at the helm). George Perez' new take on Wonder Woman, in which the lady was turned from a joke into the star of a must-read series. In other developments Batman's partner Dick Grayson grew up, changed his name to Nightwing, and became leader of The New Teen Titans, a series so popular it rivaled Marvel's X-Men for a time. Batman got two new boy partners, Jason Todd and Tim Drake, one of whom is murdered by the Joker in the excellent (if wildly-contrived) "A Death in the Family." Flash. Green Lantern. Suicide Squad. Power of the Atom. More maxi-series than you can shake a stick at: Cosmic Odyssey, Legends, Armageddon 2001, Millennium. Read how DC Comics faced the challenge of Marvel and held its own!

Available on Amazon!

OTTO BINDER: THE LIFE AND WORK OF A COMIC BOOK AND SCIENCE FICTION VISIONARY

 

OTTO BINDER: THE LIFE AND WORK OF A COMIC BOOK AND SCIENCE FICTION VISIONARY. Bill Schelly. North Atlantic Books; 2016. 

Otto Binder was a science fact, science fiction, and comic book writer -- one of the most prolific in the business -- who began by writing for the pulp magazines and then turned to comics when they paid more money. He wrote more stories about Captain Marvel and his friends and enemies than anyone else, and at DC Comics was instrumental in adding characters and interesting developments to the Superman mythos. Later on he wrote science articles, as well as books on investigations into UFOs. Binder's personal life was often beset with both financial and private problems, and he suffered one terrible family tragedy that nearly derailed him. This is a respectful, absorbing, well-written and researched biography that gives Binder his due while also giving an honest assessment of his work, both good and bad. This is far more than a "fan-boy's" tribute, but a fully-realized biographical and career study of an important figure in both science fiction and comic book circles. 

Verdict: Excellent Binder biography. ***1/2. 

ALL OF THE MARVELS

ALL OF THE MARVELS: A Journey to the Ends of the Biggest Story Ever Told. Douglas Wolk. Penguin; 2021. 

With it looking to some people like the characters of Marvel Comics are taking over the cinematic universe, author Wolk attempts to put everything in perspective and give fans or wannabee fans directions in what to read and in what order. He does this by highlighting specific issues grouped together somewhat thematically in various chapters. The idea is intriguing, but I'm not certain that it's been especially well executed. For this long-time comics fan the most interesting sections have to do with more recent issues that I have missed, as the book does concentrate more on the past twenty years than the earlier days of Marvel. There are some interesting observations in the book to be sure, but you'll also have to suffer through tedious write-ups on stuff like The Unbeatable Squirrel Girl. (Wolk wants to make certain the world knows that Marvel's comics aren't just about, created by, or exclusively popular with the "old white guys" who basically invented the industry and kept it going for many decades.)  All of the Marvels -- I love the title -- comes off less as a labor of love than as a cynical "sure-fire" book project, although I'm not certain what its intended audience was supposed to be. Won't most people interested in Marvel comics already be reading them? 

Verdict: Some good things in this, but it's not really a fun read, and it should have been. **1/4.   

SLUGFEST

SLUGFEST: Inside the Epic 50-Year Battle Between Marvel and DC. Reed Tucker. Da Capo Press; 2017.

DC Comics, which came out with such iconic characters as Superman, Batman, and Wonder Woman, found itself with real competition from upstart publisher Marvel, whose comics were considered crude in comparison. (In the early days of comics there were many other publishers but most of them eventually fell by the wayside.) But Stan Lee, who was the face of Marvel for decades, took "perfect" super-heroes and made them more flawed and human, igniting the interest of older readers in super-hero comic books and leading to such books as Fantastic Four, Amazing Spider-Man, and Uncanny X-Men. Marvel eventually overtook DC in sales, and this interesting, well-written tome looks at the two major comics publishers over the decades and the various ways the companies and their staff battled it out for ascendency, both on the printed page and now in the movie theater. Although many writers and artists have worked for both companies and even jump back and forth between them -- and DC eventually adopted the Marvel style of storytelling --  there are some comics fans who insist on only reading the work from one company, which I've always thought was ridiculous. While Tucker does on occasion overstate things, the book does a good job of showing all the changes in these two companies and indeed in the industry itself. Although the quote doesn't appear in this book, Stan Lee once claimed, accurately, that the main difference between both firms was the age of its readers, although that would change. 

Verdict: A surprisingly good read that actually builds up some suspense. ***. 

SUPERHEROIC: THE BRONZE AGE OF COMICS VOLUME TWO

SUPERHEROIC: THE BRONZE AGE OF COMICS VOLUME TWO. William Schoell. Timbre Books; 2022. 

Well, it took me long enough but I finally finished volume two of my look at super-hero comics of the bronze age (1970 - 1982 approx.) 

From the amazon page: "SUPERHEROIC: THE BRONZE AGE OF COMICS VOLUME TWO follows SUPERHUMAN: THE BRONZE AGE OF COMICS VOLUME ONE. This volume covers IRON MAN, GREEN LANTERN, CAPTAIN AMERICA, THE INCREDIBLE HULK, SUPERMAN and his supporting cast, FANTASTIC FOUR, DAREDEVIL, THE DEFENDERS, WORLD'S FINEST, SUPERMAN FAMILY, JACK KIRBY'S FOURTH WORLD series and many, many other titles and heroes, including characters published by ATLAS, RED CIRCLE/ARCHIE and others. Each chapter looks at the most memorable issues, writers, and artists, detailing how "relevance" and social issues began to affect the comics of the seventies even as most of them remained colorful fun. WILLIAM SCHOELL is the author of THE SILVER AGE OF COMICS, COMIC BOOK HEROES OF THE SCREEN, and many others books on popular culture."

The book has several black and white illustrations. Available from Amazon in kindle, trade paperback, and hardcover format.

Of course volume one SUPERHUMAN, revised and updated, is also available in kindle, trade paperback and hardcover formats. 

 

TRUE BELIEVER: THE RISE AND FALL OF STAN LEE

TRUE BELIEVER: THE RISE AND FALL OF STAN LEE. Abraham Riesman. Crown; 2021. 

This very interesting and readable biography of the man most associated with Marvel comics examines the life of author and entrepreneur Stan Lee. Lee gets deserved credit for being the man who took a second or third-rate comic book company and put it on the map, competing with, and becoming, one of the Big Boys. Lee, however, often took more credit than he deserved, although it may be true that other people simply jumped to conclusions. Many people believe that Lee was the sole creator of such characters as Spider-Man, the Hulk, X-Men etc. - there is still debate today as to who contributed what -- but it is clear that people such as Jack Kirby and Steve Ditko had as big a hand in this, (although they, too, especially Kirby, may also have taken too much credit). The book reveals that it was never Lee's (Stanley Lieber)  goal in life to become associated with comic books, although -- perhaps for his own purposes -- he did much to make them respectable. He and others made the Marvel heroes flawed human beings as opposed to the perfect almost god-like characters of DC Comics such as Superman and Wonder Woman. 

True Believer looks at the attempts Lee made to create different companies in his later years and to produce films, often with people who turned out to be utterly disreputable or downright criminal. The bio also looks at Lee's relationships with his wife and daughter -- who is depicted as being a bit crazy -- and his brother, Larry Lieber. Although there are no great surprises in the earlier chapters of the book -- much has been rehashed-- the later chapters detailing numerous lawsuits, charges of elder abuse, and the like, are fascinating and page-turning. It's amazing that so many Marvel characters who were created back in the sixties (Joe Simon and Jack Kirby's Captain America, who was in no way a creation of Stan Lee, debuted in the 1940s!), are now the stars of mega-billion dollar Hollywood films. 

Verdict: Intriguing look at the late Stan Lee. ***. 
 

ADVENTURES OF CAPTAIN MARVEL

Tom Tyler crashes through!

ADVENTURES OF CAPTAIN MARVEL/12 chapter Republic serial/1941). Directed by John English and William Witney. 

Very young reporter Billy Batson (Frank Coghlan Jr.) accompanies some scientists to the Valley of the Tombs in Siam. There they uncover some secret chambers,  one of which holds ancient lenses that could be used to create a devastating weapon. In another chamber Billy meets the old wizard Shazam, who imbues him with special powers based on the gods of legend. All he has to do is utter the magic word "Shazam!" and he instantly transforms into the powerful hero, Captaim Marvel (Tom Tyler)!

The sinister Scorpion wants those lenses!

Back in the States, both nerdy Billy and the super-butch captain will need their wits about them because they have an adversary, a masked man who calls himself the Scorpion and who is secretly one of the scientists on the expedition.  The lenses have been divided up among the other men and the Scorpion will stop at nothing to get them so that he can create a "Solar Atom Smasher." Billy, CM, and secretary Betty (Louise Currie) all find themselves in doom-traps thanks to the Scorpion and his equally evil henchmen. These include a guillotine, a bomb in Billy's plane, a machine gun safe trap, and a car with Betty inside careening floor by floor down a parking garage, among others.   

Captain Marvel takes to the air

"Junior" Coghlan is boyishly earnest and although older than the character in the Captain Marvel comic book this is based on, he manages to come off as a juvenile even though he was 25-years-old at the time. Former cowboy hero Tom Tyler has limited dialogue but he makes an impressive Captain Marvel, and the flying sequences and other FX are well-done by the Lydecker brothers. Captain Marvel is a tough character who takes no prisoners, tossing crooks around like tenpins, and even throws one guy off the roof of a building to his death in chapter five, in which he also gets trapped by a river of molten ore. 

Frank (Junior) Coghlan Jr. as Billy Batson 

Among the supporting cast, the best impressions are made by Reed Hadley [Public Defender] as Rahman Bar, who is working with the Scorpion, and John Davidson as the Indian Tal Chotali, who is also a suspect. An unseen Gerald Mohr is the voice of the Scorpion and apparently plays the part while masked, but when the villain is unmasked he is revealed as someone else entirely. An exciting scene in chapter ten has the gang trapped on a floundering ship, and Billy suggests they use a breeches buoy to get everyone off of it before it sinks. It's a suspenseful sequence, but one can't help but think that Captain Marvel could have simply flown everyone off the ship in a quarter of the time. Nevertheless, this is a very entertaining serial. 

Verdict: More entertaining than the comic books, frankly. ***.