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Showing posts with label 2025. Show all posts
Showing posts with label 2025. Show all posts

Thursday, August 6, 2026

OBSESSION (2025)

 OBSESSION (2025). Writer/director: Curry Barker.

Bear (Michael Johnston) is an attractive if nerdy young man who is infatuated with the pretty Nikki (Inde Navarrette). She seems to think of him only as a friend, but one day -- in desperation -- he uses a novelty item called the "One Wish Willow" to make her fall in love with him. Bear never expects it to work, so it's not as if he was using a date rape drug. Nevertheless, the results are not what he expected. Nikki does indeed fall in love with Bear but she begins to act very strangely and obsessively. It's definitely a case of "be careful what you wish for."

Obsession is an obvious play on the notion that a sick infatuation can lead to destruction of both yourself and the object of your affection. Proving that there's nothing new under the sun, the basic premise -- a man uses supernatural means to make someone fall in love with him to his regret --was used in numerous horror comic book stories, and there isn't that much that's terribly original in this picture. The movie is slow, the direction generally uninspired, although the acting by the two leads and others is on the money. 

Although the film is comparatively tasteful for a modern-day horror flick -- of course the film is so underlit you really can't see that much of the more gruesome stuff -- it doesn't resist one moment of slasher-type carnage late in the picture. Bear takes much, much too long to suggest -- if he ever really does -- that Nikki may need psychiatric help, but as the characters in this are pretty one-dimensional it probably doesn't matter. The picture takes a long time to really get going, and the build-up isn't worth it. 

Verdict: A low-energy, over-long, and vastly over-rated horror film with excellent performances. **1/4.  

Thursday, April 2, 2026

WEAPONS

Not Bette Davis as Baby Jane; Amy Madigan as Aunt Gladys

WEAPONS (2025). Written and directed by Zach Cregger.

Seventeen children who were all in the class of a young female teacher named Justine (Julia Garner of Wolf Man) simply take off in the middle of the night and disappear. Justine becomes the chief suspect. Now you would imagine that FBI agents would be all over this town, but the only people working the case are some small-town cops, including Paul (Alden Ehrenreich) and one of the missing kids' fathers, Archer (Josh Brolin). Most of the people in town think that Justine has something to do with the children's disappearances, and frankly she seems more concerned over that than that her whole classroom has vanished. The only exception is young Alex (Cary Christopher), whose ill Aunt Gladys (Amy Madigan) is staying with him and his parents. Justine wants to talk to Alex herself, but the principal, Marcus (Benedict Wong), is against the idea. Meanwhile Paul pursues a drug-addicted drifter, James (Austin Abrams), who breaks into Alex' house and has reason to regret it ... 

Oscar-winning Amy Madigan
Weapons gets points for being something a little different, not just another slasher film, and (arguably) nothing with clowns. The picture is episodic, told from multiple points of view, and there is a degree of suspense until the villain behind the disappearances is revealed and everything turns into a dark, almost campy comedy. One could argue that the heavy moments of illogic -- nobody wonders about Alex' parents, for instance -- can be attributed not just to dramatic license but to the notion that Weapons is meant to be a kind of sinister fairy tale that no one could possibly take seriously. But that's just the problem. There are several very arresting sequences and some fine performances -- but no, I don't think Madigan's performance was quite worthy of an Oscar! -- but ultimately the whole thing just seems a little ridiculous, a burlesque. Also, for me, watching children being abused, psychologically or physically, is never entertaining. 

Verdict: Too long, too weird, too campy, too incredible, too much. **1/2. 

THE HOUSEMAID

Amanda Seyfried and Sydney Sweeney
THE HOUSEMAID (2025). Director: Paul Feig. 

Millie (Sydney Sweeney), who is keeping a few secrets, gets a job as housekeeper to a young couple with a small daughter. Nina Winchester (Amanda Seyfried) seems warm and welcoming at first, but has a habit of throwing fits and becoming jealous. Her husband, Andrew (Brandon Sklenar of Drop), is handsome and charming and seems to do his best to keep Nina under control. But the Winchesters are keeping secrets, too, as Millie learns when Nina and her daughter go out of town and Andrew asks Millie to accompany him on an innocent excursion to the theater ...

Brandon Sklenar
During much of its length The Housemaid resembles another one of those Lifetime movies with couples and nannies and housekeepers and the like where you know nothing good is going to come out of this particular hire. The Housemaid is a little trickier than that, although nothing that is that out of the ordinary. It's no big surprise who the big bad person will turn out to be, as it's almost obligatory in this day and age. Despite that, the film is absorbing enough and very well acted by all. All told, it's entertaining but not that memorable, although it has several compelling -- and even sexy -- sequences. Paul Feig also directed A Simple Favor and Another Simple Favor

Verdict: Very good performances in a credible if minor suspense flick. **1/2. 

SUPERMAN (2025)

Superman (David Corenswet) goes into action
SUPERMAN (2025). Director: James Gunn.

David Corenswet as Clark Kent/Superman and Nicholas Hoult (of The Menu) as Lex Luthor give fine performances in this new Superman movie that trades on some nostalgic references while trying to stay somewhat contemporary in its approach. Kyrpto, the super-dog, more an artifact of silver age comics, shows up, and we've got Steve Lombard and Cat Grant -- both of whom work for the Daily Planet -- from the seventies. Superman's robots occupy the Fortress of Solitude. Instead of a phantom zone there is a prison that exists in a pocket universe and in which Superman is temporarily imprisoned. 

Hoult as Lex Luthor
In addition to bad guy Luthor, there is a clone called Ultra-Man, and a mammoth, if silly-looking monster that attacks Metropolis. As well there are appearances from members of the "Justice Gang," including Metamorpho, Green Lantern/Guy Gardner (Nathan Fillion), Mr. Terrific, and Hawkgirl. Oddly, Ma and Pa Kent are pretty much portrayed as hillbillies! Superman is entertaining enough, Conrenswet makes a swell, good-looking Man of Steel, but while this by no means a bad movie, it's still lacking something. 

Verdict: Okay only. **3/4. 

Thursday, March 19, 2026

JURASSIC WORLD: REBIRTH

A T Rex on the attack!
JURASSIC WORLD: REBIRTH (2025). Director: Gareth Edwards. 

A new expedition goes to the island where the genetically-engineered dinosaurs roam, as blood samples are needed for a drug to prevent heart disease. Naturally millions of dollars are at stake, and some would love to get these samples for major financial gain. Meanwhile, the people in the party -- played by Scarlett Johansson, Mahershala Ali, Jonathan Bailey, etc. -- have to dodge attacks by various gigantic predators. Complicating matters is a family that has ventured too close to the island and winds up stranded there.  

One big effin fish!
JWR is a perfectly acceptable dino movie with the usual stunning FX work and exciting scenes. The highlights include the attack on the boat by a huge aquatic creature, a scene when a T-Rex goes after the aforementioned family, and a rampage by a huge, flying Quetzelcoatus in a mountain cave. If there's any problem with the movie is that it's too long, with the somewhat annoying family padding out the running time. 

Verdict: One more Jurassic go-round. **3/4. 


Thursday, February 19, 2026

I KNOW WHAT YOU DID LAST SUMMER (2025)

The cast of I Know
I KNOW WHAT YOU DID LAST SUMMER (2025). Director: Jennifer Kaytin Robinson. 

A group of young people are involved in a deadly car accident, cover it up, and discover that someone is stalking and killing them. When they discover that something very similar happened nearly thirty years ago, they get in touch with a survivor of the original I Know What You Did Last Summer (1997) -- Julie James (Jennifer Love Hewitt) -- for help. 

Freddie Prinze Jr.
Billy Campbell, Brandy Norwood (from I Still Know What You Did Last Summer) Sarah Michelle Gellar (of The Grudge) and Freddie Prinze Jr. also appear in the film, the last two reprising their roles from the original. This combination of sequel and remake is entertaining, the action sequences well-done, although I have to say I simply did not believe the ending, the revelation of the killer's identity, for a minute. Still, as slasher films go, I Know What You Did Last Summer is fun enough, and while it's bloody, it isn't bloody disgusting.

Verdict: If you like slashers and don't worry too much about motives. ***. 

Thursday, January 22, 2026

THE BLACK PHONE / BLACK PHONE 2

The Grabber (Ethan Hawke)
THE BLACK PHONE (2021). Director: Scott Derrickson.
BLACK PHONE 2 (2025). Director: Derrickson.

In a small town in the 70's a series of high school boys have been abducted by an unknown creep known as the "Grabber" (Ethan Hawke). The latest victim is 13-year-old Finney (Mason Thames). Finney finds himself in a  locked sound-proofed basement where the Grabber -- wearing a hideous mask (modeled, I suspect, on Batman's Joker) -- visits him from time to time. Things turn especially strange when a disconnected phone in the basement begins to ring -- and Finney finds himself talking to the ghosts of the previous victims. Can one of these dead boys tell him how to escape, and will it be in time? In the meantime Finney's psychic and potty-mouthed sister, (Madeleine McGraw), tries to find him.

Mason Thames and Ethan Hawke
I had mixed emotions while watching The Black Phone. I admit I'm not overly fond of stories in which children are in danger and are physically or psychologically tortured. At least Phone is not overly graphic and can not be considered "torture porn." If the Grabber has a sexual interest in the boys it is not explored, although one imagines he does. The storyline borders on the pretentious at times and actually gets a little silly. But after awhile the efforts of Finney to escape and of the police, Gwen and others to find him, become compelling. Thames and Hawke give excellent performances, and there are also notable supporting performances from the victims and others. 

Verdict: A bit overlong but creepy. **3/4. 

BLACK PHONE 2
shows us Finn and Gwen four years later, where they decide to try to get jobs as counselors at a Christian winter camp where their late mother had worked. Snowbound, they come across another phone that is disconnected but somehow rings, and both brother and sister have conversations with people from the afterlife, including their mother and the Grabber. Seems the maniac killed three young boys but their bodies have never been found, and until they are, for some reason, the Grabber will have power in the real world -- he does his best to kill the teens and others. Black Phone 2 is a mostly unoriginal combination of a grainy found footage movie, the Blair Witch, and especially the Nightmare on Elm Street films with its surfeit of dream sequences. The Grabber is revealed to have been "Wild Bill," a maintenance worker at the camp. The acting is generally good -- Miguel Mora gets major points for his versatility by playing both the shy Ernesto in this film and his brash, rough brother Robin in the first movie -- but the picture is too tricky for its own good. There are some well-handled and moderately exciting sequences, but after awhile I just wanted the damn thing to be over. There's more gore in this film than in the first but nothing over the top. Way too long! 

Verdict: Where's Freddy Krueger when you need him? **. 

Thursday, October 2, 2025

THUNDERBOLTS

Thunderbolts prepare for action
THUNDERBOLTS (2025). Director: Jake Schreier. 

Valentina Allegra de Fontaine (Julia Louis-Dreyfus) runs black ops for the government -- her group is called Oxe -- but is coming under scrutiny from Congress. She decides to eliminate several of her operatives by unknowingly pitting them against one another in a warehouse where each has been told to "take out' whoever is there. These include Yelena Belova (Florence Pugh); John Walker or U.S. Agent (Wyatt Russell), who briefly filled in for Captain America; Yelena's father, formerly the Russian hero the Red Guardian (David Harbour); Bucky Barnes or the Winter Soldier (Sebastian Stan), Captain America's one-time partner; Ava Starr, a woman who can dematerialize and is also known as the Ghost (Hannah John-Kamen); and Robert Reynolds, an "experiment" in creating super-heroes that resulted in both Sentry and his evil alter ego, the Void (Lewis Pullman). Instead of destroying one another, these six second stringers decide to team up as the Thunderbolts to take down Valentina. But it won't be easy when the Void takes over Robert and has him apparently vaporizing most of Manhattan ... 

Louis-Dreyfus and Wendell Pierce
Most of the above characters originally appeared in Marvel comic books decades ago and their cinematic counterparts are alternate versions of them. Thunderbolts was also a comic about a group of villains pretending to be heroes for their own gain, but eventually metamorphosing into genuine good guys. Sentry was a member of the Avengers for a time as well. Valentina was not a ruthless villainess (pretending to be a good guy) in the comics as she is in this and other Marvel movies, but she is very well played by Louis-Dreyfus. The other cast members, including Wendell Pierce as Congressman Gary, are also notable. People who are completely unfamiliar with the comics will wonder who the hell some of these people are -- I certainly did!

Sentry (Lewis Pullman) goes after Val
Thunderbolts
 only really gets going late in the movie when Sentry, under the influence of Valentina, goes on the rampage, with some effective action and FX work. Unfortunately, this sequence is much too brief, and dissipates into some tiresome dream-type sequences with the members of the Tbolts encountering images from their pasts. Thunderbolts is also much too long, considering how little of the film is really memorable. At the end of the film Val pulls a fast one and rechristens the team the New Avengers, but it is highly debatable if this team will have any staying power. Florence Pugh also appeared in Don't Worry Darling, and is so different (and versatile) that you will hardly recognize her. 

Verdict: Fair to middling Marvel movie will probably disappoint most fans. **1/2. 

Thursday, August 21, 2025

CAPTAIN AMERICA: BRAVE NEW WORLD

Captain America takes flight
CAPTAIN AMERICA: BRAVE NEW WORLD (2025). Director: Julius Onah.

Sam Wilson (Anthony Mackie), formerly known as the Falcon, has become the new Captain America but kept his wings. He has a difficult relationship with the U.S. President, Thaddeus "Thunderbolt" Ross (Harrison Ford), who apparently made a deal with the devil, a sick character named Samuel Sterns (Tim Blake Nelson), who is manipulating everyone behind the scenes. (Sterns is a variation of the Leader from Hulk comic books.) While Wilson and his partner Joaquin (Danny Ramirez) investigate when old friend Isiah Bradley (Carl Lumbly) seems to try to assassinate Ross, they uncover Stern's secret laboratory and eventually join forces with security adviser Ruth Bat-Seraph (Shira Haas) to take him down. But before that can happen Sam has to try to stay alive as Ross, transformed into the powerful and humongous Red Hulk, tries to do what the Hulk does best -- smash

The Red Hulk about to rampage through Washington D.C.
Captain America: Brave New World
 may have gotten lukewarm reviews, but I found it quite entertaining and suspenseful, and the Cap-Hulk battle is a decided highlight. Instead of the Serpent Society featured in Captain America comic books, there is a sinister (essentially unseen) group called SERPENT, of which the deadly Sidewinder (a zesty Giancarlo Esposito) is a member, along with Copperhead (who has less to do). Then there's a place called Celestial Island where there is a huge amount of adamantium, which Ross wants the U.S. to get his hands on, briefly bringing him into conflict with the Japanese. Mackie makes an excellent alternate Captain America, the large supporting cast is game, and Harrison Ford simply gives one of the all-time best performances of his long career. 

Verdict: There's still quite a bit of life in those Marvel Movies. ***. 

DROP

Meghann Fahy and Brandon Sklenar
DROP (2025). Director: Christopher Landon. 

Violet (Meghann Fahy) has not been on a date since the death of her abusive husband, but she seems to have met a likable guy in photographer Henry (Brandon Sklenar). They have chosen a truly fabulous, swanky high-rise restaurant for their first date, but there's a decided complication when she gets threatening messages on her smart phone. Then the security system shows a masked intruder with a gun in the home where her little boy, Toby, is being babysat by his aunt. Violet is told if she tells the police or anyone what's going on, Toby will die, and then is given instructions for poisoning her date ... 

Meghann Fahy
Drop
 certainly sets up an intriguing situation and is very suspenseful as a desperate Meghann, unable to tell Henry what is really going on, wonders who else sitting in the same restaurant is behind this horrible scheme. There isn't a dull moment in the picture, which turns violent and melodramatic towards the very end. Fahy, Sklenar and the rest of the cast give solid performances, and the film is well directed by Christopher Landon, the son of Michael Landon. (Landon also directed Happy Death Day.) There is one moment that is a bit of a cheat, but otherwise the plot, while far-fetched, doesn't seem too illogical. 

Verdict: Quite good but somehow not a classic. ***. 

COMPANION

Sophie Thatcher as Iris

COMPANION (2025). Written and directed by Drew Hancock.

Josh (Jack Quaid) brings his girlfriend Iris (Sophie Thatcher of The Boogeyman) to the impressive home of Sergey (Rupert Friend) for a weekend in the country. Other guests include Sergey's girlfriend Kat (Megan Suri) and the gay couple Eli (Harvey Guillan) and Patrick (Lukas Gage). It isn't long, however, before one of those aforementioned winds up dead, and a highly bizarre secret is revealed. Then it's a question of who will be left alive before it's all over and the chase is on.

Jack Quaid
I have deliberately not revealed too much of the plot of Companion because I knew little about it when I watched it and I think that made it all the more surprising and entertaining, as it has several twists. Initially I felt that this bizarre story would work better in a shorter length, but the film managed to keep me absorbed in any case, and is well-acted by all. I will say that Companion is a far-fetched but compelling black comedy that does borrow from a few other films for its basic premise, but manages to strike an original tone as well. Jack Quaid is the son of Dennis Quaid and Meg Ryan.

Verdict: Into the Twilight Zone. ***. 

Thursday, August 7, 2025

HEART EYES

HEART EYES (2025). Director: Josh Rubin.

A serial slayer known as HEK (Heart Eyes Killer) has already struck on Valentine's Day, targeting couples and others who get in his way, when he makes his presence known in grisly fashion in Seattle. Advertising woman Ally (Olivia Holt of Totally Killer) and newcomer Jay (Mason Gooding), carry on a budding, awkward romance while dodging attacks from the killer. Finally cornered, they find out the dread secret of the Heart Eyes maniac.

The Heart Eyes Killer
Heart Eyes
 begins with a sequence in a winery where a female victim is literally crushed in a wine press, her head being graphically smushed for the edification of disaffected gore geeks. Then we get a whole series of rom-com type scenes which are completely out of sync with the opening sequence. There's a scene when our young couple inadvertently lead the maniac to a drive-in theater, where he proceeds to hack and slash at dozens of people -- this is a highly uncomfortable reminder of such real-life scenes of slaughter (albeit this killer doesn't use a gun). 

Gooding and Holt
Okay, Heart Eyes doesn't get points for good taste, nor for its rather self-absorbed lead characters (Ally takes forever to start thinking about the many innocent victims and never really expresses much dismay over the people she literally sees killed right in front of her.) However, the climax, which has at least one surprise, is well-done and satisfying. Mason Gooding, an appealing actor, is the son of Cuba Gooding, Jr. 

Verdict: An odd mix of humor and gore that unlike the early Scream movies, doesn't quite work. **1/4. 

Thursday, May 15, 2025

A SIMPLE FAVOR/ANOTHER SIMPLE FAVOR

 A SIMPLE FAVOR (2018). Director: Paul Feig.

ANOTHER SIMPLE FAVOR (2025). Director: Paul Feig. 

In A Simple Favor widow Stephanie (Anna Kendrick) bonds with Emily (Blake Lively) because their little sons are buddies. Emily seems quite a bit edgier than Stephanie, but the latter has her own secrets, such as sleeping with a sexy guy even though she knew he was her half-brother. Emily asks Stephanie to watch her kid for a few days, but she never comes back. Then her body is found, drowned in a lake. But why does her little boy insist that he sees and even talks to his mother? Stephanie decides to investigate, and discovers a weird plot going on ... 

A Simple Favor is entertaining, although it employs over-familiar suspense elements and doesn't have the most original plot. The acting is good, but the light-hearted approach and almost campy style doesn't serve the story as well as a more serious approach might have. Brief girl-on-girl action is thrown in more for the usual titillation than for any other reason, which actually makes the film seem more hokey than edgy. The lead characters are not at all likable.   

In the sequel Another Simple Favor -- an Amazon Prime original movie -- the two ladies and actresses are back for another round, and things are somewhat more intriguing. Emily, now engaged to a handsome mafioso, has every reason to detest Stephanie, but instead of strangling her she demands that she be her maid-of-honor and fly with the wedding party to Capri. Afraid of being sued by Emily because of things she said in her book about her, Stephanie agrees to go but can't help worrying over what exactly the sociopathic female might be up to. Then there are a couple of murders, for which Stephanie is accused. Another Simple Favor, which is even more of an out and out black comedy than the first film, is unpredictable, but some of its developments are as irritating as they are unexpected. The contrivances quickly outweigh the logic and the kind of "girl power" finale, while interesting, doesn't necessarily work. 

Verdict: These movies may hold your attention, but they won't stay in your mind for long. A Simple Favor. **1/2. Another Simple Favor **1/2. 

Thursday, May 1, 2025

WOLF MAN (2025)

WOLF MAN (2025). Director: Leigh Whannell.

When his long-missing father is finally declared dead, Blake (Christopher Abbott) and his wife, Charlotte (Julia Garner), and young daughter, Ginger (Matilda Firth), head out to the old man's farm in Oregon. Along the way they nearly run over a feral creature who appears to be at least partly human. This creature keeps attacking the farmhouse even as Blake begins to transform into a wolf-like version of himself who can no longer understand English just as his wife and child can no longer understand him. Now Charlotte and her daughter face terrible danger from two sources, the carnivorous monster outside and her husband, who is slowly mutating into something just as dangerous ... 

Leigh Whannell, who wrote and directed the creditable Invisible Man, doesn't hit one out of the ballpark with this new picture. Despite attempts to make this some kind of family drama -- Charlotte is bothered by the fact that her daughter has bonded more with her father than with her -- Wolf Man, despite some exciting moments, just never catches fire. The acting is good, but you're never really on the edge of your seat, and the plot is just too insubstantial. Another problem is that the film is seriously underlit during several key sequences, further blunting the impact. An interesting aspect is that when a neighbor who tries to help the family gets attacked by the monster, the little girl asks if he survived, but not the mother. Not one of the more memorable werewolf pictures. 

Verdict: Watch Scream of the Wolf instead. **1/2. 


Thursday, April 3, 2025

HIDDEN WORLD

HIDDEN WORLD. William Schoell. 2025. Raven Tale Publishing.

My latest, brand new horror tome.

Veronica Altura had gathered together a team to explore a lost city buried deep in the bowels of the earth, keeping secret her desperate reasons for doing so, but they were woefully unprepared for what they would face ten miles below the surface of the Greek island: Rat-like creatures that struck with surprising swiftness; huge reptiles with jaws that could practically swallow a person whole; and—worst of all—cannibalistic giants with a taste for human flesh and a ferocious, terrible demeanor. And literally hovering above everything was the most frightening horror of all, a demonic presence that wanted to make sure that none of them left this world alive.

Now available on kindle at Amazon! (Paperback coming soon!)

Thursday, February 6, 2025

BARE BONES # 20

 

bare bones # 20 Winter 2024 - 2025. Edited by Peter Enfantino and John Scoleri. 

This is it! A huge, super-sized special issue for a measly $14.95!

To quote from the back cover, in this issue you will find: 

"*William Schoell turns on the lights and sirens for Code 3.
*A look at the Doomed Professional in film by Larry Blamire.
*J. Charles Burwell on Steve Frazee’s vision of the west.
*Joseph Wambaugh on screen by Derek Hill.
*Jack Seabrook untangles the lost TV show, The Web.
*The Weird Tales of Not at Night by Stefan Dziemianowicz.
*Tim Lucas explores the crime quickies of Montgomery Tully.
*More Mike Shayne Mystery Magazine coverage by Richard Krauss.
*Duane Swierczynski spotlights Robert Edmond Alter in his Field Guide to L.A. Pulp.
*Night of the Living Dead and more, as seen on Bay Area TV by John Scoleri.
*Peter Enfantino is back in Sleaze Alley.
*The Search for New Grails in David J. Schow’s R&D column."

You can order your copy direct from amazon.