LADY OF VENGEANCE

LADY OF VENGEANCE (1957). Director: Burt Balaban. 

William Marshall (Dennis O'Keefe), a tough American publisher in England, importunes a criminal mastermind, Karnak (Anton Diffring of Circus of Horrors), to plan the execution of the man he holds responsible for his pretty young ward, Melissa's, suicide-by-train. Obviously there are assorted complications. This movie is on the level of a TV production, with lots of unanswered questions, and a twist that sharp viewers will probably see coming. O'Keefe is well cast, even if he isn't quite up to his more emotional scenes. Ann Sears is lovely as the secretary who has long been in love with him. Anton Diffring is as sneeringly effective as ever as the ever-superior, stamp-collecting Karnak. Vernon Greeves is properly oily as the make-out artist and musician who dallies with Melissa. This isn't terrible, just not much to rave about. 

Verdict: Flaccid suspenser. **.

CIRCUS OF HORRORS

Anton Diffring

CIRCUS OF HORRORS (1960). Director: Sidney Hayers. 

A plastic surgeon flees England after a job on a woman's face goes wrong -- although he claims she didn't follow his instructions -- and winds up in France, where he re-invents himself as Dr. Schuler (Anton Diffring) and takes over a circus once owned by Vanet (Donald Pleasence). Ten years go by and Schuler has filled the circus with criminals whose faces he has changed and who have somehow developed abilities as performers. The late Vanet's daughter, Nicole (Yvonne Monlaur), thinks of Schuler as her uncle and is grateful that he healed her childhood scars. 

Griffith, Hylton, and Diffring

Schuler may seem like a hero to Nicole, but in reality he becomes very possessive of the women he remodels, and a number of them die in "accidents" while they are performing. The police and a reporter are suspicious, but there's nothing they can pin on Schuler. His latest acquisition is a woman named Melina (Yvonne Romain), who is cast as Helen of Troy and apparently trained as a lion tamer! Schuler's associates Martin (Kenneth Griffith) and his sister, Angela (Jane Hylton), who is in love with Schuler, are starting to get antsy. And we mustn't forget the lady back in England, who still has a horribly scarred face ... 

Donald Pleasence

Anton Diffring gives another winning performance in Circus of Horrors, and there is also good work from Donald Pleasence, Griffith, Hylton, and some of the ladies. The script, written by George Baxt, has to be taken with a grain of salt, as Schuler finds it incredibly easy to turn crooks, whores and so on into skilled circus performers, the deaths of so many women should have brought in the authorities much sooner, and it's especially hard to believe anyone, such as trapeze headliner Elissa (Erika Remberg),  would actually do their dangerous act after trying to blackmail the even more dangerous Schuler. Still, the movie is absorbing and at times delightfully lurid if never distastefully graphic.  Hayers also directed Burn, Witch, Burn. 

Verdict: Zesty British horror film. ***. 

THE BEAST MUST DIE

Calvin Lockhart

THE BEAST MUST DIE (1974). Director: Paul Arnett. 

A black man named Tom Newcliffe (Calvin Lockhart) is chased by what appear to be white mercenaries through a forest and is apparently shot and killed. But Newcliffe turns out to be the wealthy owner of the island, and the men have been hired to test him and his security equipment. Pavel (Anton Diffring) is the chief security officer and watches everything that happens on the island through not-so-hidden cameras.

Peter Cushing

Newcliffe has become convinced that one of his guests, all of whom have some dark secrets in their past, is a bonafide flesh-eating werewolf,  and as the full moon approaches he is determined to find out who the guilty party is. Suspects include painter Paul Foote (Tom Chadbon); pianist Jan (Michael Gambon); Jan's girlfriend Davina (Ciaran Madden); the businessman Pennington (Charles Gray); Dr. Lundgren (Peter Cushing), who is knowledgeable about the loup garou;  and even Newcliffe's beautiful wife, Caroline (Marlene Clark). As victims with torn-out throats start piling up, and the survivors are unable to leave the island, panic begins to set in and the already slightly unhinged Newcliffe becomes even more manic and possibly dangerous.

Anton Diffring and Calvin Lockhart

The Beast Must Die benefits from an excellent premise and a suspenseful and exciting screenplay by Michael Winder (taken from a story by James Blish). Paul Arnett's direction is satisfactory. It is interesting that the lead role is played by handsome Nassau-born "blaxploitation" star Lockhart [Myra Breckenridge], whose flamboyant acting style doesn't quite work with this material. A frail Peter Cushing [The Gorgon] has little to do as the doctor who dispenses wisdom about werewolves, but he does it well. Anton Diffring [The Man Who Could Cheat Death], another old pro like Cushing, plays with his customary adeptness and authority. The other actors are mostly professional and on target in their portrayals. Marlene Clark is dubbed by Annie Ross, which may be why her performance seems a bit odd at times. The film has a "werewolf break" in which the audience has thirty seconds to decide who they think the monster is. Aside from this one theatrical feature, Paul Arnett directed British television productions. From Amicus Studios. Douglas Gamley's theme music is awful and completely inappropriate. 

Verdict: Imperfect but entertaining and unusual werewolf-on-the-loose flick. ***. 

THE MAN WHO COULD CHEAT DEATH

Anton Diffring

THE MAN WHO COULD CHEAT DEATH (1959). Director: Terence Fisher.

In Paris of 1890, doctor and sculptor Georges Bonnet (Anton Diffring), is anxiously awaiting the arrival of an old friend, Dr. Ludwig Weiss (Arnold Marle). Elderly Weiss, who is actually younger than Georges, performed a certain operation on the latter that has kept him young for many decades. The operation needs to be repeated periodically and now it is time for Weiss to perform it again, only a stroke has made this impossible. Now Georges is desperate to find another doctor who might look the other way and save Georges' life. But will Dr. Pierre Gerard (Christopher Lee) agree to do what Georges' requires? Complicating matters is a woman named Janine (Hazel Court), who is in love with Georges but may find his secrets a bit too much to bear.

Arnold Marle and Anton Diffring

The Man Who Could Cheat Death is a notable Hammer production, well-directed by Terence Fisher, and with a splendid lead performance from Anton Diffring, who makes the most of both the characters' arrogance and his near-hysterical desperation. Court and Lee are also memorable, and Arnold Marle is excellent as the originally compliant doctor who becomes increasingly appalled by his old friend's attitude and actions, which include murder. Based on a play by Barre Lyndon, this was originally filmed as The Man in Half Moon Street. This is the superior of the two versions.

Verdict: Lurid and entertaining with a superb Diffring. ***.