THE NANNY

THE NANNY (1965). Director: Seth Holt. Screenplay by Jimmy Sangster.

A ten-year-old boy, Joey Fane (William Dix), suspected of being responsible for the drowning death of his younger sister, comes home from an institution and gets into a battle of wits with the middle-aged nanny (Bette Davis) -- in the process testing the patience of his stern father (James Villiers) and fragile, emotionally-devastated mother (Wendy Craig). But does his hatred of the nanny perhaps have a basis in reality? This very suspenseful movie keeps you guessing nearly until the end, and Davis' excellent performance (for once her latter-day affected style works to her advantage) doesn't give it away. Little Dix, a remarkably confident and talented child actor, is more than a match for Davis, and the other performances, including that of Jill Bennett as his aunt with a weak heart, are all very effective. Pamela Franklin is also good as a young upstairs neighbor who wonders if it's nanny or little Joey who's nuts. Very interesting story with a moving finale. Dix later appeared in Doctor Doolittle but his career did not continue into adulthood. 

Verdict: This is one of Hammer studios' best pictures. ***. 

MURDER WITH MIRRORS

Helen Hayes and Bette Davis

MURDER WITH MIRRORS (1985 telefilm). Director: Dick Lowry. 

Told that there's something off about her old friend, Carrie Louise (Bette Davis), Miss Jane Marple comes to stay at her estate for a few days to investigate. Carrie's husband, Lewis (John Mills), is in charge of a home for juvenile delinquents, which adjoins the estate. One evening, while Lewis is arguing with a troubled young man, Edgar (Tim Roth), who insists he is Lewis' biological son, family lawyer Christian Gilbranson (John Woodwine) is shot in the study. Then it turns out that someone is apparently trying to poison Carrie Louise. Suspects include granddaughter Gina (Liane Langland), her husband Wally (John Laughlin), her Aunt Mildred (Dorothy Tutin), Steven Restarick (James Coombs), who has a hankering for Gina, and others. 

Dorothy Tutin as Mildred

Murder with Mirrors is based on a fairly clever Agatha Christie novel, and this is a fair-to-middling adaptation. Although Hayes is by no means perfect casting as the very British Miss Marple -- she doesn't even try to affect an accent -- she is a strong enough actress to pull it off in spite of it. Although clearly affected by her recent stroke (it is explained that she is getting over the flu!), Davis is also better than expected. Leo McKern scores as Inspector Curry, and Mills is fine as well. The others are all professional, with Roth and Tutin giving especially notable performances. Langland is perhaps too irrepressible as the very outgoing Gina. The changes made to the story aren't necessary. 

Verdict: Minor-league but entertaining-enough Christie adaptation. **1/4.