CALLING HOMICIDE

Bill Elliott, Myron Healey, James Best

CALLING HOMICIDE (1956). Written and directed by Edward Bernds.

Detective Lt. Andy Doyle (Bill Elliott) goes into action when another cop is killed by a car bomb. The dead man had said he was beginning an investigation but offered no details aside from the name of a woman whose battered body is then found at the bottom of a cliff. This takes Doyle and Det. Sgt. Mike Duncan (Don Haggerty) to a school for models, owned by Allen Gilmore (Thomas Browne Henry of Earth vs. the Flying Saucers) and run by Darlene Adams (Jeanne Cooper), with Tony Fuller (Lyle Talbot) another executive. Doyle is convinced that the seemingly proper modeling agency is just the front for more felonious activity, but also has to ponder which of several people might be behind the murders. Other suspects include Benny (John Dennis), a handyman with the agency; Jim Haddix (Myron Healey of Panther Girl of the Kongo), the ex-boyfriend of the female victim and a former stuntman; and Donna (Kathleen Case) his fiancee and another model.  

Suspects? Thomas Browne Henry, Lyle Talbot, Jeanne Cooper

This is the third of five films starring Bill Elliott as an L. A. police detective. Bernds' flavorful script plays out like an especially good episode of Law and Order (sans the prosecutors) with lots of intriguing developments and twists. A sudden murder in a bar is especially good. The cast, including James Best as another young cop anxious to make an impression, is game, with Talbot particularly notable as the generally drunk Fuller and the ever-reliable Jeanne Cooper saucy as the modeling school operator who knows more than she's telling. Myron Healey also has one of his best roles as the executive who also may have too many secrets. Almira Sessions is fun as a peppery housekeeper who brooks no nonsense, not even from cops. Edward Bernds also directed High School Hellcats and many others. 

Verdict: Like a superior episode of a snappy TV detective show. ***. 

SUDDEN DANGER

Bill Elliott with Beverly Garland in background mirror

SUDDEN DANGER (1955). Director: Hubert Cornfield.

Wallace Curtis (Tom Drake of Date with Disaster), who has been blind since an accident, comes home to discover his mother dead from gas. A note suggests that she wants her son to use the insurance money (from a suicide?) for an operation. Detective Lt. Andy Doyle (Bill Elliott) is suspicious of Curtis, especially when he learns that he supposedly argued with his mother about her paying for his operation, lied about the fact that she caused the accident, and discovering that the suicide note was created on his girlfriend, Phyllis' (Beverly Garland), typewriter. As Curtis wonders if the operation will be a success, Doyle seemingly builds a case against him.

Minerva Urecal and Tom Drake

This is the second and one of the best of former western star Bill Elliott's cop movies, with a good suspenseful script, a good score (Marlin Skiles), sharp cinematography by Ellsworth Fredericks, and solid performances from everyone -- Elliott is professional if not a great actor. Drake makes a sympathetic figure but he doesn't give away his guilt or innocence, and Garland [Twice-Told Tales] is as expressive and credible as ever. Minerva Urecal scores as Curtis' harridan of a landlady, and Dayton Lummis and Helene Stanton [New Orleans Uncensored] are fine as a business executive and his much-younger squeeze, a model. Ellsworth Fredericks also photographed Invasion of the Body Snatchers the following year. 

Verdict: Surprisingly effective little B mystery. ***. 

DIAL RED O

Bill Elliott as Det. Andy Flynn

DIAL RED O (1955). Written and directed by Daniel B. Ullman. 

After receiving divorce papers, a highly-decorated marine, Ralph Wyatt (Keith Larsen), sneaks out of the psych ward at a L.A. veteran's hospital. Lt. Detective Andy Flynn (Bill Elliott) fears that Wyatt may do something to his wife, Connie (Helene Stanley), a "good-time gal," so has a policewoman, Gloria (Elaine Riley), go undercover in bars. Meanwhile Connie has taken a lover, Norman (Paul Picerni of The Untouchables), but he has no intention of leaving his wife. When Gloria tells Norman she's pregnant, all hell breaks loose. This leads into a manhunt, but it may not be for our troubled veteran. 

Paul Picerni and Helene Stanley

Dial Red O was the first of five cop films starring former western hero "Wild" Bill Elliott as an L.A. detective. In this first film his name is Flynn, but it was changed to Doyle for the next four films. Dial Red O is not badly done, and Elliott makes a convincing detective, but the suspense is minimized because the murder is shown and the killer revealed halfway through the movie. Mort Mills of Psycho and Rick Vallin have smaller roles. Keith Larsen makes a positive impression as Wyatt. He appeared mostly in B movies and on television, also wrote and directed, and was married to Vera Miles for eleven years.

Verdict: Solid B effort which gives away its secrets too soon. **1/2. 

SWING IT PROFESSOR

Pinky Tomlin

SWING IT PROFESSOR (1937). Director: Marshall Neilan. 

Professor Artemis J. Roberts (Pinky Tomlin) doesn't much care for swing music, but the members of the board of the music college where he is employed -- all of whom are significantly older than him -- think he's not very hip and fire him. Through circumstances not that interesting to tell, Artemis winds up being front man for a nightclub owned by Lou Morgan (Milburn Stone of Inside Job). There he catches the eye of singer Teddy Ross (Paula Stone), while Artemis' former pupil, Joan (Mary Kornman), finds herself the object of Lou's personal interest. 

Milburn Stone and Paula Stone

None of this leads into anything terribly exciting, even when a gangster named Randall (Bill Elliott) shows up with his thugs in tow. There are, however, some pleasant song numbers, including "Old-Fashioned Melody;" and "Richer Than a Millionaire." An admittedly charming bit occurs when some hobos start singing opera -- rather well, in fact -- and then join in for the latter tune. There is a trio of Three Stooges imitators who are called "The Gentle Maniacs;" they are terrible, and, mercifully, only appeared in one other movie. A climactic bit of business with a dozen cabs taking off in pursuit of Artemis does not engender any laughs. Milburn Stone and Paula Stone were cousins in real life. Paula was not especially pretty and she only had a few credits.

Musician/actor Pinky Tomlin has an unassuming, pleasant if highly un-dynamic personality and a singing voice that can best be described as okay and nothing more. Despite her terrible moniker, the undistinguished Mary Kornman amassed quite a few credits while Bill Elliott appeared in over 260 vehicles. 

Verdict: Gotta love that Pinky! **.