CORKY OF GASOLINE ALLEY

Scotty Beckett and Jimmy Lydon

CORKY OF GASOLINE ALLEY (1951). Written and directed by Edward Bernds. Based on the comic strip Gasoline Alley by Frank King.

In this sequel to Gasoline Alley, the Wallet family, headed by Walt ((Don Beddoe of Jack the Giant Killer), deal with a number of problems. Corky (Scotty Beckett) is still running a diner with his wife Hope (Susan Morrow of Cat-Women of the Moon), and his brother Skeezix (Jimmy Lydon) has a repair and automotive shop. Skeezix' partner has gone into the service so that the fellow is short-handed and not certain how to sell or repair the many TV sets in the place. Then there's the freeloading cousin Elwood (Gordon Jones), who simply moves in with the Wallets, taking advantage of their generosity. When he allegedly hurts his back and is bedridden, the Wallet's daughter Judy (Patti Brady)  tries to trick him into revealing that he's faking; her scheme is clever. Better than the first film, Corky of Gasoline Alley is amiable and has a fair amount of laughs. 

Verdict: Basically a theatrical sitcom but with some rewards for fans of the comic strip. **3/4. 

CALLING HOMICIDE

Bill Elliott, Myron Healey, James Best

CALLING HOMICIDE (1956). Written and directed by Edward Bernds.

Detective Lt. Andy Doyle (Bill Elliott) goes into action when another cop is killed by a car bomb. The dead man had said he was beginning an investigation but offered no details aside from the name of a woman whose battered body is then found at the bottom of a cliff. This takes Doyle and Det. Sgt. Mike Duncan (Don Haggerty) to a school for models, owned by Allen Gilmore (Thomas Browne Henry of Earth vs. the Flying Saucers) and run by Darlene Adams (Jeanne Cooper), with Tony Fuller (Lyle Talbot) another executive. Doyle is convinced that the seemingly proper modeling agency is just the front for more felonious activity, but also has to ponder which of several people might be behind the murders. Other suspects include Benny (John Dennis), a handyman with the agency; Jim Haddix (Myron Healey of Panther Girl of the Kongo), the ex-boyfriend of the female victim and a former stuntman; and Donna (Kathleen Case) his fiancee and another model.  

Suspects? Thomas Browne Henry, Lyle Talbot, Jeanne Cooper

This is the third of five films starring Bill Elliott as an L. A. police detective. Bernds' flavorful script plays out like an especially good episode of Law and Order (sans the prosecutors) with lots of intriguing developments and twists. A sudden murder in a bar is especially good. The cast, including James Best as another young cop anxious to make an impression, is game, with Talbot particularly notable as the generally drunk Fuller and the ever-reliable Jeanne Cooper saucy as the modeling school operator who knows more than she's telling. Myron Healey also has one of his best roles as the executive who also may have too many secrets. Almira Sessions is fun as a peppery housekeeper who brooks no nonsense, not even from cops. Edward Bernds also directed High School Hellcats and many others. 

Verdict: Like a superior episode of a snappy TV detective show. ***. 

REFORM SCHOOL GIRL

Gloria Castillo

REFORM SCHOOL GIRL (1957). Director: Edward Bernds.       

Donna (Gloria Castillo) has an unfortunate home life living with her miserable Aunt Rita (Claire Carleton) and her lecherous, leering uncle (Jack Kruschen). No wonder she decides to go out for a ride with Gary (Wayne Taylor). Unfortunately the driver is Vince (Edd Byrnes of 77 Sunset Strip), and the car they're in is stolen. Throwing Gary and his own date, Josie (Luana Anders), out of the car, he takes off for a wild ride with a resisting Donna, and runs over and kills a man. Frightened of Vince's retaliation, Donna refuses to tell the cops who the driver was, and is sent to reform school, where things, are, if anything, even worse. 

Edd Byrnes and Ralph Reed

Donna finds herself in the Hastings School for Girls, run by Mrs. Trimble (Helen Wallace). There is also a teacher named David Lindsay (Ross Ford), who is doing research on the tough lovelies but who is unlikely to inspire romantic feelings in any of them. Donna earns the enmity of some of her fellow inmates, including Roxy (Yvette Vickers, who looks like crap in this). Things get worse when the devious Vince has a lady pal call the police pretending to be Donna, and she gives Josie's name to them -- Josie winds up at the Hastings School herself and with the help of the other girls, who hate snitches, decides to get even with Donna. Donna's only friends are Ruth (Jan Englund) and Jackie Dodd (Ralph Reed), a nice boy who sneaked inside the gates to go on more than one date with her. Vince forces Ralph to show him the way inside, but Ralph may have other plans. 

Yvette Vickers and Ralph Reed

Reform School Girl is a modestly entertaining flick with a good lead performance by Castillo [Invasion of the Saucer Men]. Vickers [Attack of the Fifty Foot Woman] is typically zesty, most of the other gals play with vitality, Edd Byrnes overacts a bit but is sufficiently nasty, and Ralph Reed makes an appealing "good boy" to counterbalance Byrnes' snake in the grass. Sally Kellerman has a small role as nasty, violent Marcia; she seems to literally tower over the other girls. Bernds also directed High School Hellcats. 

Verdict: "Chicks" in the hoosegow. **3/4. 

HIGH SCHOOL HELLCATS

Yvonne Lime and Brett Halsey

HIGH SCHOOL HELLCATS (1958). Director: Edward L. Bernds. 

Joyce Martin (Yvonne Lime) is the new girl in town, and she's a decent kid, even if her father (Don Shelton) thinks she wears too much lipstick. On her first day in high school she meets Connie Harris (Jana Lund), who tells her in no uncertain terms that she's the head of an all-female gang called the Hellcats, and if Joyce doesn't pass the initiation, she might as well just kill herself. Trying to fit in, she complies with what Connie and her friends wish, while also dating the soda jerk Mike (Brett Halsey, his name misspelled "Bret" in the credits). Mike worries that his girlfriend is getting in with the wrong crowd, but she goes to a party and after the lights go out, someone dies ... 

A moment of teenage angst

High School Hellcats is an entertaining teen movie with effective enough performances from the leads. However, the best acting comes from Jana Lund as the incredibly bitchy Connie, and especially from Susanne Sidney as her chubby, conspiratorial pal, Dolly, who has some sterling moments at the climax. Rhoda Williams is fine as a sympathetic teacher, Miss Davis; she had more credits than the other ladies combined. The executive producer for this film was Charles "Buddy" Rogers, husband of Mary Pickford and an actor himself. 

Verdict: Fun if you're in the mood for a silly fifties teen flick. **1/4,