YOUR VICE IS A LOCKED ROOM AND ONLY I HAVE THE KEY

Luigi Pistilli and Anita Strindberg

YOUR VICE IS A LOCKED ROOM AND ONLY I HAVE THE KEY (aka Il tuo vizio e una stanza chiusa e solo io ne ho la chiave/1972). Director: Sergio Martino. 

Dissipated author Oliverio Rouvigny (Luigi Pistilli of The Case of the Scorpion's Tail), who has writer's block and is supposedly impotent, spends his time in his crumbling mansion being cruel to his wife, Irina (Anita Strindberg) and maid, Brenda (Angela La Vorgna). Oliverio instantly becomes a suspect when one of his mistresses, Fausta (Daniela Giordano of The Night of the Scorpion), is found slashed to death. More murders follow as the killer is seemingly unmasked. If this family weren't dysfunctional and toxic enough, along comes the Rouvigny's niece, Floriana (Edwige Fenech), a free spirit who sleeps with both aunt and uncle, and picks up an attractive boyfriend along the way. As a nasty cat named Satan runs around attacking Irina's doves and Irina herself, Floriana suggests a way she can rid herself of Oliverio ... 

Fenech and Strindberg

Your Vice is a wild giallo -- often ridiculous and illogical but always amusing -- that combines a mad slasher or two with marital discord, sadomasochism (of an emotional kind), and even a dollop of Edgar Allan Poe what with that black cat and its activities. Pistilli offers a virile portrait of an obnoxious monster, while Strindberg gives one of her best performances as his put-upon, dissatisfied wife. Fenech, despite her obvious assets, looks almost plain and boyish in this, especially compared to the gorgeous Strindberg. (Fenech only bares her breasts with male lovers, but is more modest when she gets it on with Strindberg. The lesbian aspects are clearly meant for titillation and not any insight into homosexual relationships. Director Martino probably couldn't resist putting two sex symbols of giallo films into bed together.)  Ivan Rassimov of The Strange Vice of Mrs. Wardj -- also directed by Martino and starring Fenech -- has a small but pivotal role. 

Verdict: One strange household -- and lots of twists. ***. 

THE NIGHT OF THE SCORPION

Jose Antonio Amor and Nuria Torray

THE NIGHT OF THE SCORPION (aka La casa de las muertas vivientes/1972). Director: Alfonso Blacazar.

"Your father has been dead a long time now and I consider you part of my inheritance." -- Sara. 

Oliver (Jose Antonio Amor) believes that he was responsible for the falling death of his wife, Helen (Gioia Desideri), during an argument when he was drunk. A year later he arrives back at his castle-like home with a new wife, Ruth (Daniela Giordano), whom he barely knows. The household now consists of the newlyweds; Oliver's sister, Jenny (Teresa Gimpera of The Black Box Affair), who was in love with Helen; and Oliver's stepmother Sara (Nuria Torray), who is hopelessly in love  -- and lust -- with him.  At night Sara becomes a peeping Thomasina, peering at Oliver and Ruth -- as she did Oliver and Helen -- through a hole as they make love. Ruth decides to bring a private detective  (Osvaldo Genazzini) into this twisted situation so that he can get at the truth, but things may not work out quite the way the young woman intended ... 

Amor with Teresa Gimpera 

The Night of the Scorpion -- there's no explanation for the title -- takes a good while to build up any steam. The first murder doesn't occur for a full hour. The dubbed actors all seem more than competent, but when the action finally starts it occurs at a comically fast pace. We're asked to believe that Ruth would go down into a dark cellar by herself  right after she's found two corpses! The best scene is a violent and erotic fantasy of Sara's in which she murders Ruth and then has sex with her stepson. A dubbed Spanish-Italian co-production. 

Verdict:  Delightfully sick at times but ultimately third-rate. **1/2.