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Showing posts with label Elmer Bernstein. Show all posts
Showing posts with label Elmer Bernstein. Show all posts

Thursday, July 18, 2024

SUDDEN FEAR

Joan Crawford
SUDDEN FEAR (1952). Director: David Miller. Colorized

Wealthy playwright Myra Hudson (Joan Crawford) turns down the actor Lester Blaine (Jack Palance) for a role in her new stage work because he lacks "romantic" looks. Nevertheless, Blaine seems more than romantic enough when she encounters him on a train to California and he wins her over. It isn't long before the two are dating, and then married, living in her fabulous San Francisco mansion. But one day Myra hears something that was inadvertently recorded on her dictaphone, and realizes with a sickening shock that Lester may not be as enamored of her as she thought. Her money, however, is a different matter. The feisty Myra makes up her mind to fight back ... 

Jack Palance and Gloria Grahame
Sudden Fear
 not only features an exemplary Crawford performance -- she received an Oscar nomination -- but is an excellent, suspenseful thriller that has tense moments that remind one of Hitchcock. The film's climax, set all over the rolling streets of the city (but actually filmed in Los Angeles unlike the rest of the movie), is outstanding. Crawford isn't the only cast member operating at top level: Jack Palance  -- nominated for a supporting Oscar -- and Gloria Grahame as his lover are also on target all the way through, and there's fine work from Mike Connors [Voodoo Woman] in his first role, billed as "Touch" Connors; Virginia Huston [Flight to Mars]; and Bruce Bennett. It's fun seeing Crawford exchanging small talk with Arthur Space of Panther Girl of the Kongo in a party scene. Fine David Miller direction, a good score from Elmer Bernstein, crisp Charles Lang cinematography, and very sharp editing by Leon Barsha. This version is also beautifully colorized, which only adds to its appeal. NOTE: To read further analysis of the film and go behind the scenes read Joan Crawford: The Essential Biography by Quirk and Schoell. 

Verdict: One could quibble about certain illogical plot points, but basically this is all systems go! ***1/2.

Thursday, July 11, 2024

CAT-WOMEN OF THE MOON

Susan Morrow, Suzanne Alexander, Carol Brewster
CAT-WOMEN OF THE MOON (1953). Director: Arthur Hilton. Colorized

A rocket ship heads for the first ever moon landing. Aboard are the commander, Laird (Sonny Tufts of Serpent Island), second-in-command Kip (Victor Jory of The Shadow), radio operator Doug (William Phipps), Walter (Douglas Fowley of Freddie Steps Out) and biologist Helen (Marie Windsor). Helen seems to not only know that they should land on the dark side of the moon, but exactly where they should go once they disembark. Helen leads the men to an air-filled cavern complete with giant spiders and a bevy of beautiful, black-clad "cat-women." These women are not only able to maintain mind control over Helen, but plan to murder the men and take over the Earth! 

Victor Jory and Marie Windsor
Originally released in 3D, Cat-Women is a middle of the road "babes in space" movie, better than Queen of Outer Space but not nearly as much fun as Missile to the Moon (which is basically a remake). The colorization process is done well in this version, and increases the limited enjoyment level. Some parts of the screenplay were never filmed, and the climax almost occurs off-screen! A decided asset is the score by Elmer Bernstein, who would go on to far superior pictures. The acting in this is possibly better than the movie deserves, with everyone giving it their all no matter how ridiculous the situations. Carol Brewster plays Alpha, the leader of the cat-women; Suzanne Alexander is Beta; and Susan Morrow plays the sympathetic Lambda, who falls in love with handsome Doug and vice versa. Arthur Hilton also directed The Big Chase.

Verdict: Dig that giant spider! **1/2.