INSIDIOUS CHAPTER 2

Patrick Wilson

INSIDIOUS CHAPTER 2 (2013). Director: James Wan. 

This sequel to Insidious begins with a prologue showing an incident in the boyhood of Josh Lambert, who incurred the interest of a nasty dead spirit early on. Back in the present day we learn from the first that Josh (Patrick Wilson) has been possessed by the consciousness of a serial killer transvestite (of sorts) named Parker Crane. As in the first film, weird things begin to happen in the house owned by Josh's mother, Lorraine (Barbara Hershey), where Josh and his family are currently residing. Josh's wife, Renai (Rose Byrne), is freaking out, but "Josh" tells her to remain calm -- nothing is wrong. Eventually Lorraine seeks help from Carl (Steve Coulter), a psychic who was friends with the late Elise (Lin Shaye). Before long another trip into the hell-like dimension called the Further is in order to finally put this family straight again and return Josh to his body. 

Something's off: Wilson and Rose Byrne

Insidious: Chapter Two begins well enough but about halfway through it sort of falls apart, with clumsy scare tactics, some inconsistencies, and a lot of confusion (not helped by the way time is apparently fluid in the story). The movie becomes too convoluted and tedious and despite its creepiness, it isn't especially scary. There are some good things in the picture, however, such as the art direction for Lorraine's house, with its old-fashioned furniture and an atmosphere that is both cluttered and claustrophobic, perfect for this movie. The acting is sufficient, although Danielle Bisutti has been directed to over-act outrageously as Parker's crazy mother, giving the film a camp veneer that may not have been the intention of the filmmakers.

Verdict: Will have to think about watching chapter three and four of this series. **1/4.    

INSIDIOUS

Rose Byrne and Patrick Wilson

INSIDIOUS (2010). Director: James Wan. 

Josh (Patrick Wilson) and Renai Lambert (Rose Byrne) seem to have perfect lives when one of their children, Dalton (Ty Simpkins), falls unconscious and doesn't wake up. It is not a normal coma, but medial science is at a loss to explain it. The couple are resigned to keeping Dalton safe in bed at home, but strange things and unearthly visitors further disturb their serenity. Even moving into a different house doesn't help, so Renai's mother, Lorraine (Barbara Hershey), brings them a psychic named Elise (Lin Shaye). Elise tells them that Dalton's astral body is lost in a dangerous dimension called "The Further" and that Josh has to go in and get the boy out before his body is inhabited by something ... horrible. 

Barbara Hershey

Insidious is an effective horror film that is perhaps more creepy than scary, but it is absorbing and builds up suspense nicely. The film has been overpraised in certain quarters, as the Poltergeist-inspired picture is not exactly strikingly original in either plot or images, but as an imitation it is more than okay. Screenwriter Leigh Whannell plays one of the psychic investigators. The film was popular enough to engender three sequels. Patrick Wilson appeared in Phantom of the Opera as well as in Wan's Aquaman. Wan also directed Dead Silence.

Verdict: Achieves the dubious distinction of adding menace to Tiny Tim's rendition of Tiptoe Through the Tulips! ***.   

DEAD SILENCE

Donnie Wahlberg with dummy

DEAD SILENCE (2007). Director: James Wan. 

Jamie Ashen (Ryan Kwanten) and his wife, Lisa (Laura Regan), receive a box containing a ventriloquist's dummy. Not much later, Lisa is horribly murdered, and Jamie -- at least as far as Detective Lipston (Donnie Wahlberg) is concerned -- is the chief suspect. But Jamie thinks he might get answers if he goes back home to the town of Ravens Fair where there is a local legend about an evil and dead ventriloquist named Mary Shaw. Then more killings, similar to Lisa's death, begin to occur ... 

Ryan Kwanten

When I first saw the dummy in this movie I was afraid Dead Silence was going to be just a knock-off of Child's Play/Chucky, but fortunately that isn't the case, as this has a completely different storyline (albeit dolls do play a significant role). Dead Silence isn't perfect, but it is a slick, classy horror-thriller with first-rate cinematography (John R. Leonetti) and an exciting, sinister score (Charlie Clouser). 

Whatcha lookin' at? 

With all the actors waiting tables in Hollywood, I'm surprised the producers chose Ryan Kwanten as the lead because, in this at least, he can best be described as mediocre -- he's just not much of an actor. Donnie Wahlberg is better as the detective, even if his role of a world-weary, cynical cop is beyond a cliche these days. The best work probably comes from Michael Fairman as the local undertaker, although there is also good work from Joan Heney as his terrified sister, Bob Gunten as Jamie's father, and Amber Valletta as his step-mother, Ella. Judith Roberts certainly makes an impression as Mary Shaw. James Wan also directed the first Saw movie as well as Aquaman and the surprisingly awful The Conjuring. 

Verdict: Despite flaws, this is one of the better 21st century horror flicks. ***. 

AQUAMAN

Jason Momoa and Amber Heard

AQUAMAN (2018). Director: James Wan. 

Arthur Curry (James Momoa) is the son of a human father (Temeura Morrison) and an Atlantean mother (Nicole Kidman). Having heard that his mother was executed because of her relationship with his father, Arthur wants little to do with Atlantis. But when his half-brother Orm (Patrick Wilson), also known as the Ocean Master, declares war on the surface world, Princess Mera (Amber Heard) importunes Arthur to fight to take the throne away from Orm. In the meantime Arthur, aka Aquaman, also has his hands full with a pirate who calls himself Black Manta (Yahya Abdul-Mateen II).

the city of Atlantis

Aquaman is based on a DC Comics character who has been around for decades. In the comic stories Orm was not a full-blooded Atlantean, but also a hybrid like Arthur -- they had the same father, not the same mother. The film uses the edgier, long-haired, full-bearded version of Aquaman, although I believe the character in the comics has gone back to his original appearance. (For more on Aquaman see The Silver Age of Comics and The Bronze Age of Comics Volume One.) Another change from comic to film is that Mera was not Atlantean but came from another dimension, although her ability to control water has not been altered. 

Patrick Wilson

There are a lot of things one could quibble about with Aquaman -- do we really need to see him sniffing his armpits when Mera suggests he smells bad? --  but the first thing one must say about it is that it is very visually compelling thanks to cinematographer Don Burgess and a host of special effects people. Atlantis is a striking kaleidoscope of color and energy. The fight sequences aboard a submarine in the prologue, a battle between Aquaman and Black Manta in Italy, and a struggle against nasty fanged and clawed monsters who emerge from an undersea trench to attack a boat, are all exciting and well-handled. The search for a trident that will help Aquaman in his battle against Orm takes place, oddly, not in the ocean, but in the Sahara, and his quest eventually takes him to an inner-earth prehistoric world that is borrowed from Edgar Rice Burrouighs' concept for Pellucidar. There are other interesting visual tidbits in the movie, such as Atlanteans who ride on trained sharks, and an octopus that uses its tentacles to beat on several drums at once. Charming!

Black Manta 

Jason Momoa makes an effective enough hero, although the guy should really work on his diction. Amber Heard is very pretty and competent as Mera. Dolph Lundgren and Willem Dafoe score as Atlanteans, Morrison makes a convincing Tom Curry, and Mateen and Michael Beach are fine as Manta and his father. (Manta blames Aquaman for his father's death in the prologue and will seek further revenge in the sequel.) But the show stopper in this is Patrick Wilson as Orm, who offers a fascinating portrait of a man who has understandable feelings of  jealousy and resentment, and the strength to carry out his negative schemes. Wilson makes more of an impression than the gargantuan sea serpent Karathan that shows up in all its glory at the climax. 

NOTE; Yes, I know this is not exactly a "B" movie, having cost about a zillion dollars to make, but this blog will also look at genre films of all kinds, decades, and budgets. 

Verdict: No masterpiece by any means, but good to look at, very colorful, and more entertaining than a lot of DC's movies. ***.