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| Tobey McGuire, Tom Holland, Andrew Garfield |
SPIDER-MAN: NO WAY HOME (2021). Director: Jon Watts.
After the events of Spider-Man: Far From Home, the world now knows that Spider-Man and Peter Parker (Tom Holland) are one and the same. Peter goes to see Dr. Strange (Benedict Cumberbatch), who casts a spell that will make the world forget this inconvenient fact, but Peter fiddles around too much -- there are some people whom he wants to remember his dual identity, such as close buddy Ned (Jacob Batalon) and his girlfriend, MJ (Zendaya) -- with the result that things go awry. Now other people who know the dual identity secret are popping up from other universes (the "multi-verse") -- Otto Octavius (Alfred Molina from Spider-Man 2), Electro (Jamie Foxx), the Lizard, the Sandman, and Norman Osborn (Willem Dafoe) -- and causing major problems. But Peter also gets help from other-dimensional Spider-Men ...
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| Jamie Foxx as Electro |
Actually the most interesting aspect of this production is that the two actors who played Spider-Man first (in big-screen movies, that is) -- Toby Maguire from the first three Spider-Man films and Andrew Garfield from the two subsequent
Amazing Spider-Man films -- reprise their roles. It is also a plus for the film that Molina and Dafoe also reprise their roles, although Jamie Foxx is a rather disappointing new take on Electro. Although this was released by Columbia, it has the feel of a Disney film. There is way,
way too much of Ned and MJ, who -- when you compare them to the original Ned Leeds and Mary Jane Watson -- are not terribly interesting characters. Of course this reboot of the franchise takes Peter Parker back to his high school days and reinvents everything, not always wisely.
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| Alone: Tom Holland |
There are some notable things about
No Way Home -- some excellent FX work, good acting, a score that works on gullible emotions -- but the film is too long, there are dull stretches, there is only one fairly good sequence with Doc Ock attacking a bridge -- and not nearly enough suspense or excitement. Peter's actions are on occasion foolish. Apparently this writes
finis to Holland's portrayal of the character as the contrived ending has everyone forgetting he ever existed (although apparently he will carry on as Spidey). It tries hard to wrench out that pathos -- and the acting and the music help much in this regard -- but there's no real depth to it.
Verdict: Although many Marvel-maniacs loved it, this is pretty much only for non-discriminating super-hero fans. **1/4.
