GHOST IN THE MACHINE

GHOST IN THE MACHINE (1993). Director: Rachel Talaley. 

Karl Hoffman (Ted Marcoux), who works in a computer store, is actually a deadly serial killer known as the "Address Book Killer" because he goes after all the people in an individual's address book. His latest would-be victim is Terry Monroe (Karen Allen), who has a young son named Josh (Wil Horneff) and who inadvertently leaves her address book at the aforementioned computer store. An added complication is that Hoffman is in a car accident, and while he is getting an MRI an electrical surge pulls his brain patterns, or soul, into the computer and electrical systems. Hoffman's body may be dead, but his malevolent mind is still very active and as sadistic as ever. Before long Terry's friends and associates are being killed via electronics, with microwaves, dishwashers, and the like going berserk and causing death and destruction. Terry and Josh team up with infamous hacker Bram Walker (Chris Mulkey) to figure out a way to permanently dissipate this frightening and powerful entity. 

Ghost in the Machine is somewhat similar to Wes Craven's Shocker, but it is a better picture. There is an interesting use of graphics such as when the killer invades a virtual reality game being played by Josh and his buddy. The scenes with the electronic death traps are generally well-handled and suspenseful. A standout sequence occurs when Josh is nearly drowned when Hoffman operates the cover over the pool and the boy desperately tries to get out before it completely entraps him. I wish the climax had been a bit more exciting, however, and the score does absolutely nothing for the movie. 

Verdict: Well-acted, interesting, absorbing horror flick. ***. 

INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL

Harrison Ford as Indiana Jones

INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL (2008). Director: Steven Spielberg. 

In 1957 some Russians, led by Irina Spalko (Cate Blanchett), attack a U.S. military base and carry off an artifact that is stored there. Indiana Jones (Harrison Ford) manages to survive the attack, and even lives through an atomic test by sheltering inside a refrigerator in a model town filled with dummies. Teaming up with a young man named "Mutt" (Shia LaBeouf) he later learns that his mother is Marion Ravenwood (Karen Allen) and that Mutt is his son. The whole group, along with Irina and her boys and an addle-pated Professor Oxley (John Hurt) ,wind up in South America, where they discover the hidden "El Dorado" as well as the remnants of alien beings who have skulls made of crystal. Or something like that. 

Ford, Allen, Blanchett

The trouble these days with the Indiana Jones movies, which were originally imitations of the classic cliffhanger serials, is that there have been so many imitations and rip-offs of the franchise -- everything from the National Treasure movies to the Da Vince Code and so on and so on -- that any originality has been completely eradicated. The very over-familiar elements in this include grumpy Jones' relationships with ex-girlfriend and son, the maps and codes that will lead to the treasure, the aliens (who resemble the monster in Alien in some ways as well as the aliens in Close Encounters), the locales that we've all seen before etc. etc. There is absolutely nothing fresh and new in the film. Obsessive fans probably won't care, finding the cliches comforting and endearing. 

LaBeouf and Ford

Steven Spielberg directs by the numbers. I've often felt that the FX people and cinematographers do all the work, actually, in some movies like this. Some of the action sequences in Crystal Skull are quite well-done -- not always the case in heroic thrillers -- but you are always getting the sensation that it's all stuff you've seen many times before -- the amazing leaps, the foolhardy jumps into space, driving off of cliffs etc. Is there anything unusual about any of this? The movie does have, for me at least, one knock-out sequence, and that's when the characters are besieged by very large and voracious ants who move with frightening swiftness. (Of course, there's nothing original about that, either, but it does look great!) The underground sets look too new and are always over-lit, making them much less creepy than they could have been. 

Allen, Ford and Hurt

As for the actors, well Ford could probably play this part while asleep. Blanchett is effective, although she seems to be channeling Natasha from Rocky and Bullwinkle most of the time. Allen remains perky and attractive in her way. It is probably not LaBeouf's fault that Mutt comes off as being rather obnoxious through much of the movie. I found the whole flick too cutesy and obvious by far and was annoyed that a sequence at the very end rips off Journey to the Center of the Earth. 

Verdict: You'll swear you've already seen this even if you haven't. **1/2.