G-MEN VS. THE BLACK DRAGON

Nino Pipitone as Haruchi

G-MEN VS. THE BLACK DRAGON (15 chapter Republic serial/1943). Director: William Witney.

Haruchi (Nino Pipitone), the head of a Japanese society called the Black Dragons, is smuggled into the U.S.A. in a mummy case. There, with his deadly black raven at his side, he orders his henchmen. including Ranga (Noel Cravat), to commit various acts of sabotage, including setting fire to ships at sea. Haruchi is fond of sending men through a trapdoor to their doom, which comes at the beak and claws of his poisonous raven. His mission is to destroy the Occidental fools and take over the world for his people.

Rod Cameron as Rex Bennett

Haruchi's mission is imperiled by the brave actions of G-Man Rex Bennett (Rod Cameron), who is assisted by the equally brave British agent Vivian Marsh (Constance Worth) and Chinese agent Chang Sing (Roland Got). Vivian is as rugged and courageous as any man, throwing herself into battle at the drop of a hat and blasting away with a machine gun at one point. She is locked in a cabinet and nearly immolated in a room set on fire, affixed to a log heading towards a buzz saw, and tied to a chair with a huge spear aimed at her! As for Rex, he falls out of a skyscraper window, saving himself with a fire hose, crashes in a stolen robot plane, and nearly goes over a dam in a speedboat (a cliffhanger used repeatedly by Republic ever after). 

Constance Worth and Roland Got

Stalwart Cameron, feisty Worth and energetic Got are all fine in their roles. Nino Pipitone betrays his Italian accent now and then but offers a restrained and dignified -- if unexciting -- portrait of the nasty leader of the Black Dragons, but he is nevertheless effective. There is some astounding "choreography" in this as good guys battle bad guys in furious fights and their whirling dervish-like fisticuffs result in tons of smashed furniture -- nothing is unscathed! Mort Glickman's music score backs up every bit of action -- and there is a lot of it -- in a way that increases the thrills. I am not comparing director William Witney to Hitchcock, but there is a similarity in the brisk tight cutting of the film and a judicious use of close-ups. 

Made during WW2, the film understandably makes the villains either Japanese or Caucasian traitors, but there was a certain courage in having a Chinese-American actor playing one of the good guys. Born in San Francisco, Got appeared in 19 films but died much too young at age 32. Constance Worth was an Australian actress, and this was probably her largest role. The same is true of Nino Pipitone, as most of his roles were uncredited bit parts. The first chapter of this serial is entitled "The Yellow Peril" while chapter six is amusingly called "Death and Destruction!" of which there is plenty. Rod Cameron also played Rex Bennett in the serial Secret Service in Darkest Africa, which is not as good as this. Stuntman Tom Steele is not listed in the credits but he has two small speaking parts in the movie. Other familiar faces are John Hamilton, George J. Lewis, and Ken Terrell [Attack of the Fifty Foot Woman]. 

Verdict: Fast and furious, this is one of the most exciting Republic serials ever. ***1/2. 

ATTACK OF THE 50 FOOT WOMAN

Allison Hayes after she grows to fifty feet

ATTACK OF THE 50 FOOT WOMAN (1958). Director: Nathan Hertz (Nathan Juran). 

"It's a sure thing it wasn't a Japanese gardener." -- The sheriff studying some giant footprints. 

Nancy Archer (Allison Hayes) has a number of serious problems. Being married to the unfaithful "Handsome" Harry (William Hudson) has turned her into a raging dipsomaniac. She has particularly been affected by Harry's affair with Honey Parker (Yvette Vickers), whom he's got stashed in to the local hotel. 

Yvette Vickers and William Hudson

But poor Nancy has a much bigger problem. Driving away in a huff from her husband, who's been eyeing Honey at the bar, she comes across a spherical UFO in the highway. A huge giant man (Michael Ross, who also plays a bartender) steps out of the UFO and makes a grab for her fabulous diamond, the Star of India. Later on Nancy again encounters the giant, with brave Harry leaving her to the big guy's tender mercies. Nancy is later found on top of her mansion's pool house. 

"Something's happened to Mrs. Archer!" Eileen Stevens

If that weren't bad enough, during the night poor Nancy grows into a giantess, almost throwing her hysterical (in every sense of the word) nurse (Eileen Stevens) into conniptions. Then comes the titular "attack," with Nancy bursting out of her elephant chains, tearing the roof off of her mansion, and strutting into town to take care of her husband and "Honey." Has Handsome Harry finally met his match? 

Attack of the 50 Foot Woman is a hoot. It is very clear that the filmmakers, everyone involved in the production, did this with their tongues in their cheeks, and were having fun with the whole concept and all of the characters as well. Playing it straight, more or less, just makes the flick more entertaining. Considering that Nancy is not only rich but rather sexy in her way, one wonders why Harry wants to bother with that tramp, Honey Parker, although it's a possibility that his wife's neurotic qualities might have driven anyone to distraction. Hayes is effectively angst-ridden as Nancy, Hudson is fine as the cold-blooded Harry, and Yvette Vickers nearly walks off with the movie as Honey. After Harry implies that he will murder Nancy so he can run off with Honey, he tells her to "read the papers." Unfortunately, his murderous mission is interrupted by Nancy's abrupt change in size. When Honey next sees Harry, she scornfully states "I read the papers." Vickers is an amusing. sexy vixen who knows her way about a line. Another funny scene (of many) is when Nancy throws her drink at a TV set when the announcer (Dale Tate) intones: "Come now, Mrs. Archer -- A man may ignore a million dollars, but fifty!"

The effects of the movie are catch as catch can. You can see through the giant and the giant-sized Mrs. Archer, but the space man's huge prop hand isn't bad. The movie never tells us what happens to Nancy's bedroom after she "blows up like a balloon," but one can imagine that her expanding body knocked down a few walls and she has to lie on the floor wrapped in sheets. Roy Gordon and Otto Waldis are fun as Nancy's doctors, Frank Chase is a delight as Deputy Charlie, who also has a yen for Honey, Ken Terrell makes a convincing manservant, Jess, and George Douglas is solid as the sheriff. Ronald Stein's evocative score is a decided asset. A 1993 TV remake completely missed the mark because it went for out and out comedy. 

Verdict: Great fun, and a virtual catalog of 1950's Americana. ***.