THE BEAST FROM 20,000 FATHOMS

The rhedosaurus surfaces in Manhattan

THE BEAST FROM 20,000 FATHOMS (1953). Director: Eugene Lourie. Colorized. 

When Dr. Tom Nesbitt (Paul Christian, aka Paul Hubschmid of The Day the Sky Exploded) of the Atomic Energy Commission is nearly killed by a revivified dinosaur after an atomic test in the Arctic, he has trouble getting anyone to believe his story. Only the testimony of an independent witness from a shipwreck, as well as several bizarre incidents of death and destruction, alert the authorities -- and paleontologist Professor Elson (Cecil Kellaway) -- that Nesbitt may be on to something. Elson spots the enormous creature in a diving bell, which is gulped by the monster. Then the rhedosaurus, as it is called, pops up in New York Harbor and lays waste to Manhattan ... 

The beast swallows a brave police officer (Lee Phelps) 

A big hit for Warner Brothers, Beast was the first time a prehistoric creature stomped across Manhattan since King Kong twenty years earlier. Ray Harryhausen did the stop-motion effects for the film and they are still excellent, with the rhedosaurus being rather beautiful in its own bizarre way. The success of Beast not only inspired Godzilla but engendered a whole slew of monster/creature movies (Warner Brothers followed up Beast with the first giant insect feature, Them!). The sequence when the beast picks up a police officer (Lee Phelps) in its teeth and swallows him whole -- reportedly excised in theaters but shown on television -- is still quite horrifying and very well-handled. 

Paul Christian and Paula Raymond

The actors in this come in second after the monster, but they are professional and convincing, with Christian a solid lead and some fine support from Paula Raymond as Elson's assistant and Kellaway as the ill-fated doctor. (When you go down in a diving bell to look for a monster, you know it won't end well -- this is another very well-handled sequence.) Others in the cast include Kenneth Tobey [It Came from Beneath the Sea] as Colonel Evans; Ross Elliott as the beast's first Arctic victim; King Donovan as a shrink; James Best as a radar operator; Donald Woods as Captain Jackson; Michael Fox as a doctor who determines that the rhedosaurus carries a plague; Lee Van Cleef as the sharpshooter who brings down the beast with a radioactive isotope at Coney Island; Merv Griffin as an (unseen) radio announcer; among others. David Buttolph has contributed an exciting and highly effective score. As usual, the colorizing process adds a new dimension, although this version is very imperfect and a bit fuzzy at times. Eugene Lourie later directed Gorgo and Behemoth the Sea Monster. 

Verdict: Classic monster movie still remains one of the very best. ***1/2. 

IT CAME FROM BENEATH THE SEA

An absolutely humongous octopus

IT CAME FROM BENEATH THE SEA (1955). Director: Robert Gordon. NOTE: This is a review of the colorized version. 

Cmdr. Pete Mathews (Ken Tobey) and the crew of his atomic submarine have a strange encounter with what turns out to be an unknown marine animal. Dr. John Carter (Donald Curtis) and Professor Lesley Joyce (Faith Domergue of Cult of the Cobra) are called in by the Navy to find out what they can about this beast. Said beast is a stupendously big octopus that has become radioactive from atomic testing, and risen from the Mindanao Deep in search of food. Its normal food supply has been cut off because the fish have built-in Geiger counters that warn them off. The trio institute a search for the monster, but after one scary encounter on the beach, it attacks San Francisco in all its glory. Can even their bombs put paid to the beast?

Octopus versus Golden Gate

It Came from Beneath the Sea has one great selling point, and that's the monster, which is brought vividly to life by the stop-motion artistry of Ray Harryhausen -- even the tentacles of the monster seem to have a sentience of their own, and the shots of those huge appendages hovering over the streets of San Francisco and sweeping away highly unfortunate humans are rather startling and horrifying, as are the shots of the creature trying to pull itself out of the bay. The monster also has an encounter with the Golden Gate Bridge, with the bridge being the loser, as well as a tramp steamer that loses nearly all hands. 

Beach confab: Tobey, Domergue, Curtis

A problem with the movie is that no one ever expresses any sheer awe at the mere existence of this gargantuan animal who can cause havoc and massive death on the shore without even leaving the water. The only fear our heroes display is during the aforementioned scary beach encounter in which a sheriff (Harry Lauter) comes to a bad end. Robert Gordon's direction of the non-monster sequences is flat and prosaic, with no real attempt to create suspense or tension. The romance worked up between Tobey and Domergue is never convincing, and is even comical at times, with the former's character being so aggressive in some instances that his actions border on harassment. 

Domergue, Tobey and Harry Lauter

On the other hand, the movie has a decided feminist slant, with Dr. Carter trying to make the commander understand "the new breed of woman" who doesn't need or like to be coddled or condescended to. The performances of the three leads are competent but they, including the sexy Domergue, can't make much of an impression next to that hungry, roaring octopus. Many of the supporting roles are filled by people who don't even appear to be actors, but may instead be sailors or officials doing double-duty. NOTE: To read more about this and other movies like it, see Creature Features: Nature Turned Nasty in the Movies. 

Verdict: A lively monster and some great Harryhausen effects keep this flick afloat. ***.