THE HOWLING

Watch out for those fangs!

THE HOWLING (1981). Director: Joe Dante.  

"You can't tame what's meant to be wild." 

Television reporter Karen White (Dee Wallace) has an unpleasant encounter with serial killer Eddie Quint (Robert Picardo) in a porn bookstore, but she doesn't remember exactly what happened. Eddie is killed in a hail of bullets but later his body disappears from the morgue. Shaken by her ordeal, Karen is advised by her psychiatrist, Dr. Waggner (Patrick Macnee), to go to his coastline retreat called the Colony. There Karen discovers that there might be worse things walking the earth than serial killers. 

Dee Wallace

The Howling was one of the first big "modern-day" werewolf thrillers and it was so popular at the time of its release that it engendered several, mostly terrible, sequels. Although it's still an entertaining movie, it's gone down in my estimation, primarily because director Joe Dante's staging of some sequences is clumsy to say the least. We're asked to believe that one character can be in an office without ever being aware that an eight foot tall werewolf is in the room with her, and we're also supposed to believe that Karen would simply stand there and watch as Eddie transforms into a wolfman in front of her when the exit is just behind her. True, one can be quite mesmerized by this transformation scene -- which is very well done in the FX sense -- but still ...! Also Dante, whose specialty is black comedies, can't seem to avoid turning the film at times into a blatant and silly parody.

Elisabeth Brooks and Patrick Macnee

As the heroine of the film, Dee Wallace [Love's Deadly Triangle] is acceptable, although I far more enjoyed the very likable Belinda Balaski [The Food of the Gods] as one of Karen's colleagues who comes to a bad end. Ditto for Patrick Macnee [King Solomon's Treasure] of The Avengers TV series who plays a somewhat sympathetic part. Wallace's husband Christopher Stone plays Karen's boyfriend, Bill, and Elisabeth Brooks is introduced as sensual Marsha, who has an affair with Bill. She's not much of an actress and had only a few credits. (Wallace had a ton of credits and is still acting today.) There are fun cameos by John Carradine, Kenneth Tobey, Slim Pickens (as a werewolf sheriff!), and Dick Miller. While admittedly they are rather busy at the time, neither Karen nor another colleague, Chris (Dennis Dugan), have much of a reaction when they learn of the deaths of their respective lovers. Robert Picardo and Don McLeod both make an impression as highly sinister werewolves. Old pro Kevin McCarthy plays Karen's boss. 

Verdict: Has some teeth to it but disappointing in some regards. **3/4. 

INVASION OF THE BODY SNATCHERS (1956)

Dana Wynter and Kevin McCarthy

INVASION OF THE BODY SNATCHERS (1956). Director: Don Siegel. 

In the small town of Santa Mira, the recently divorced Dr. Miles Bennell (Kevin McCarthy) rekindles a romance with the also recently divorced Becky Driscoll (Dana Wynter). However, their relationship has to take a back seat when there seems to be an epidemic of people insisting that their loved ones are not their loved ones. Miles believes this may be a form of mass hysteria, until his friends Jack and Theodora Belicec (King Donovan and Carolyn Jones) call him after they discover what appears to be a weird corpse on their pool table, a corpse that resembles a not-fully-formed version of Jack. Then they discover huge seed pods inside which duplicates of the townspeople are growing ... 

Something frightful on the pool table

This classic horror science-fiction movie has gotten even better with age. It packs a lot into an economical 80 minutes, and is beautifully paced and directed. McCarthy gives an especially passionate performance as a desperate man trying to not only save the woman he has always loved but the town and indeed the world as well. Wynter also gives a fine performance, along with Donovan and many others; Jones is particularly notable. Indeed the film is packed with interesting fifties performers, including Jean Willes as Miles' nurse, Sally; Virginia Christine as Becky's cousin, Wilma; Dabbs Greer, Larry Gates and others. Whit Bissell and Richard Deacon feature in the film's framing sequences, which were omitted in re-release.

Paranoid? Kevin McCarthy

Credit must be given to Daniel Mainwaring's script, Carmen Dragon's evocative score, and especially Ellsworth Fredericks' superb cinematography in "Super Scope." Although he did turn in fine directorial jobs on other films, this remains the high-water mark in the career of Don Siegel. The greenhouse sequence when all the pods are discovered with its off-kilter angles is only one of several notable sequences. The film's one great flaw is the utter illogic of Becky's "conversion" and one wishes the filmmakers had handled it much differently, but by no means does it strip the film of impact and enjoyment. 

Verdict: This is a real creepy treat. This is as much a well-crafted suspense thriller as it is a classic horror sci-fi film. ***1/2.