CAPTIVE WILD WOMAN*JUNGLE WOMAN*JUNGLE CAPTIVE

Paula Dupree, the Ape Woman

CAPTIVE WILD WOMAN (1943). Director: Edward Dmytryck.

JUNGLE WOMAN (1944). Director: Reginald Le Borg.

THE JUNGLE CAPTIVE (1945). Director: Harold Young. 

In Captive Wild Woman, the first in the Paula the Ape Woman trilogy, Beth Colman (Evelyn Ankers) puts her neurotic sister Dorothy (Martha Vickers) in the care of glandular expert Dr. Sigmund Walters (John Carradine). Walkers turns out to be a deranged murderer who hits upon the utterly insane idea of using Dorothy's glandular extracts to inject into the big female gorilla Cheela (Ray Corrigan) in order to change her species! Before long, Cheela is looking like a rather attractive if exotic human female. But she retains her animal instincts. She is able to assist Beth's boyfriend, Fred (Milburn Stone), a lion tamer, when one of his feline charges gets out of line, and also develops an intense jealousy over his relationship with Beth. 

Acquanetta as Paula

Captive Wild Woman is a completely absurd horror film with enough holes in it to sink an ocean liner. Nobody ever wonders why Paula never utters a word, for instance. (The film is only an hour long, but even so!) Director Dmytryck keeps things moving, the film is well edited -- with Clyde Beatty (from The Big Cage) standing in for Stone in the long shots -- and there's plenty of animal action, if not quite enough of the murderous ape woman. This was Acquanetta's third film (out of only eleven), and she was not Hispanic as suggested but probably African-American, born Mildred Davenport of Philadelphia. 

Richard Davis and Acquanetta

Paula returned in the first sequel, Jungle Woman, which also featured Acquanetta in the title role. Dr. Fletcher (J. Carrol Naish), intrigued by the ape Cheela, who apparently died saving Fred at the end of the last film, claims her body and discovers a spark of life in her. Before too long Cheela disappears, and Paula returns, fuzzy-headed and initially incommunicative, although she begins to speak when she catches sight of Bob (Richard Davis), the attractive fiance of Fletcher's daughter, Joan (Lois Collier). Joan ignites Paula's jealousy and the gorilla girl begins to stalk her, attacking her when she's out on the lake in a canoe and trying to break into her cabin. Paula claims the good doctor is abusing her and wants Bob to take her away, and she isn't pleased when he refuses. Jungle Woman is the rare sequel that is better than the original, with a more interesting storyline, much more action, and much more of our delightfully dangerous title character. Evelyn Ankers and Milburn Stone reprise their roles but don't have much to do with the main plot this time. Douglass Dumbrille and Pierre Watkin have small supporting roles. Richard Davis was a handsome, adept actor but he only appeared in two films, this and Hat Check Honey. An intriguing aspect of the movie is when it is suggested that Paula was originally a human being who was turned into an ape (then back again), along the lines of "The Island of Dr. Moreau," but although this is mentioned by Fred it isn't followed up on. 

Vicky Lane as the unfortunate Paula

The Jungle Captive is the last film in the trilogy. This time the scientist who brings Paula the Ape Woman back to life is Mr. Stendahl (Otto Kruger), an evil son-of-a-gun who even uses his pretty assistant Ann's (Amelita Ward) blood to help revive the hairy Paula Dupree. Rondo Hatton, with his sad, sensitive face, plays a brutal assistant of Stendahl's, Moloch, who develops a soft spot for Ann. Vicky Lane replaces Acquanetta as Paula Dupree (Lane appeared in one TV episode after this and then left show biz). In her Ape Woman make up Lane looks more like a wolf woman. The script gives her very little to do. Jerome Cowan plays Inspector Harrigan, who is investigating the theft of the Ape Woman's body from the morgue and the murder of one of the attendants, while Phil Brown is Ann's co-worker and fiance. This is the last and least of the Ape Woman films, only proving that Universal had no clue as to how to handle the character, completely failing to exploit any of the Ape Woman's distinct possibilities. The actors do their best with fifth-rate material.

Verdict: Captive Wild Woman: Farfetched but fun enough. **1/2.

              Jungle Woman: Some real suspense in this. ***. 

              The Jungle Captive: Disappointing to say the least. *1/2.  

FLYING DISC MAN FROM MARS -- IN COLOR!

Walter Reed and James Craven

FLYING DISC MAN FROM MARS (12-chapter Republic serial/1950.) Director: Fred C. Brannon. Colorized.

Martian Mota (Gregory Gaye) has come to earth and enlisted a former Nazi scientist named Bryant (James Craven of The Purple Monster Strikes) to assist him in conquering the planet, something which Bryant seems eager to do. His chief opponents are Air Patrol security officers Kent Fowler (Walter Reed of Government Agents vs Phantom Legion), Helen Hall (Lois Collier), and Steve (Sandy Sanders). Since Mota's spaceship, or flying disc, has been destroyed, Bryant helps him construct what he calls a smaller "semi-disc" which is hidden inside a volcano HQ when it isn't in use. For twelve chapters Fowler and his associates do their level best to foil the dastardly plans of Mota, Bryant and their own associates, including Drake (Harry Lauter of It Came from Beneath the Sea) and Ryan (Richard Irving). 

The fabulous "seni-disc"

Fred C. Brannon had co-directed a number of Republic serials but eventually helmed the productions single-handedly and did just fine. Flying Disc Man moves at a swift pace and is colorful, action-packed fun. Fowler is one of the luckiest heroes in serials as on two occasions he survives falls from great heights -- in planes no less -- merely by landing on some bushes or a hay stack (this after falling through a bomb bay)! There are also exciting cliffhangers involving a train trestle, a fiery rag stuffed into a gas tank, oil from a rocket ignited by sparks, and others. The actors all go through their paces playing it in just the right note. 

Verdict: Even more fun in color! ***. 

FLYING DISC MAN FROM MARS

Walter Reed and James Craven

FLYING DISC MAN FROM MARS (12 chapter Republic serial/1950). Director: Fred C. Brannon. 

Dr. Bryant (James Craven of King of the Rocket Men), a possible German sympathizer during WW 2, fears that some strange flying ships are spying on his laboratories, so he sets out to find one -- and discovers a Martian man named Mota (Gregory Gaye) who just happens to have an Italian accent. As is typical in these serials, Mota is the lone advance guard for an invasion force, and he assures Bryant that if he helps him he will be made emperor of the Earth once the Martians take over. The two men enlist the aid of criminals Drake (Harry Lauter) and Ryan (Richard Irving), and their first mission is to get themselves some uranium for weapons. Many other dastardly deeds, including murder, follow.

the wild "semi-disc Plane"

Fighting against Mota and his associates are Kent Fowler (Walter Reed) of "Fowler Air Patrol" (whatever that means) and his assistants Steve (Sandy Sanders) and Helen (Lois Collier). Mota and his gang fly around in a weird-looking "semi-disc plane" and shrewdly -- or stupidly -- have their main HQ inside an active volcano! Kent has to make do with ordinary planes, at least three of which are utterly destroyed during the proceedings. At one point Kent manages to get inside the flying disc only to be dropped out of the bomb bay in mid-air. Kent also blacks out as he reaches too high an altitude in pursuit of the disc, nearly leading to disaster (and another wrecked plane). In chapter seven the prone Kent is nearly sliced in two by a heavy metal door sliding down upon him, and is apparently thrown into a furnace in chapter four. (In a blatant and amusing "cheat," in the next chapter we suddenly see that it's another man who falls into the furnace.)

Sanders, Collier, Reed

At least in this serial one of the characters, Bryant, displays some astonishment at the realization that an alien is walking around on the earth, a situation which most people take in stride in these chapter plays as if it were an everyday occurrence. Stanley Wilson's musical score, especially the theme, helps keep things hopping, and the FX work of the Lydecker brothers works swell for this type of production. Walter Reed amassed nearly 300 credits during his long career, and pretty Collier had over sixty. Sanders did a lot of TV and western film work. Gregory Gaye (also spelled "Gay" in many productions) had close to 200 credits. Harry Lauter played the hero in the cliffhanger Trader Tom of the China Seas and King of the Carnival. The acting in this is professional all around but no one is especially distinctive. 

Verdict: Fun, exciting Republic serial. ***.