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Showing posts with label Meg Foster. Show all posts
Showing posts with label Meg Foster. Show all posts

Thursday, November 3, 2022

STEPFATHER II

STEPFATHER 2 (aka Stepfather 2: Make Room for Daddy/1989). Director: Jeff Burr. 

"Jerry Blake" (Terry O'Quinn) somehow managed to survive being shot and stabbed at the end of The Stepfather, and is trying to become part of a new family after escaping from an institution. Somehow he has managed to acquire a beautiful house in the suburbs and become a psychiatrist who is running an encounter group for women! (Where he gets the money for this is never explained.) He has set his sights on a neighbor, Carol (Meg Foster), a divorcee with a young son named Todd (Jonathan Brandis). Things are proceeding well for Jerry (under a new name, of course) but there is a hitch in the person of Carol's friend and the neighborhood mail carrier, Matty (Caroline Williams), who is suspicious of Jerry and learns something incriminating about him. But will she live long enough to tell Carol? 

Stepfather II is as entertaining and engrossing as the original film, and also features fine performances, with O[Quinn generally handling things with aplomb. Meg Foster, who has weird if beautiful eyes, offers a somewhat strange performance that works very well with this movie. Brandis and Mitchell Laurance as Todd's father are also credible. Stepfather II features perhaps the wildest wedding sequence I've seen in a long time. 

Verdict: Another grim if amusing flick starring O'Quinn. ***. 
 

Thursday, September 12, 2019

TENDER FLESH / WELCOME TO ARROW BEACH

TENDER FLESH /WELCOME TO ARROW BEACH (1974). Director: Laurence Harvey. 

Hitchhiker Robbin Stanley (Meg Foster) runs into Korean war veteran Jason Henry (Laurence Harvey, who also directed the film) on the beach in front of his large California home. Jason invites Robbin in for a meal and she is introduced to his sister, Grace (Joanna Pettet), who is jealous of the women he brings home due to her incestuous relationship with her brother. Although this is not spelled out in any detail, apparently Jason developed a taste for human flesh when he was lost and isolated during the war. Nearly becoming his next supper before escaping, Robbin tries to tell the authorities -- Deputy Rakes (Stuart Whitman) and Sheriff Bingham (John Ireland) -- how crazy and dangerous Jason is, but they think she's on drugs and don't believe her. With the help of a medical technician named Alex (David Macklin), Robbin re-enters the house of horrors to get more evidence. But both of them may have bitten off more than they can chew (pun intended). 

Laurence Harvey
Welcome to Arrow Beach was originally entitled Yellow-Headed Summer and Walter Pidgeon and Donna Reed were supposed to have been in the cast. The film was re-released under the more exploitative title Tender Flesh and had a major and more explicit advertising campaign: "You won't believe what's behind the meat locker door" and so on. In truth the movie definitely has its gruesome moments (in the uncut version) and there's actually more gore than in Texas Chainsaw Massacre, which came out the same year. The horror highlight of the film is a basement murder where the killer takes photographs of the victim, and then literally butchers the woman with an ax, the whole slaughter tableau presented as brutal still pictures with flashing strobes, something that doesn't diminish the disturbing aspects of the sequence one bit.  

Gloria LeRoy
This was Laurence Harvey's last picture, and only one of two that he directed. His performance is excellent. He gets solid performances from Meg Foster and Joanna Pettet, and veterans Ireland and Whitman are typically professional. David Macklin makes a nice impression as Alex, as does Gloria LeRoy as an ill-fated middle-aged model that Jason also encounters on the beach after her paramour has robbed her. Altovise Gore Davis, the wife of Sammy Davis Jr., plays a deputy named Molly. By any name Welcome to Arrow Beach is an interesting if imperfect picture, with both pacing and structural problems, and a score that does very little to create needed suspense or terror, but it's worth a look if for no other reason than the presence of Laurence Harvey both behind and in front of the camera. 

Verdict: You will believe what's behind the meat locker door after that rather savage murder sequence. **1/2.