LADY GANGSTER

LADY GANGSTER (1942). Director: Robert Florey. 

A failed actress, Dot Burton ( Faye Emerson), gets in with a gang of hoods and becomes embroiled in a bank robbery scheme. She winds up doing time with an interesting bunch of lady inmates, and then things get really complicated. This fast-paced, lively and very entertaining "B" movie is so unpredictable for the most part that it would be criminal to give away any more of the plot elements. It has the very casual immorality of most of these kind of movies. Emerson gives a vivid and adept performance as Dot, as does Ruth Ford as "stool pigeon" Lucy, Julie Bishop as inmate Myrtle, Dorothy Adams as "Deaf Annie," and Virginia Brissac as the warden Mrs. Stoner. Hedda Hopper's son William, herein billed as "DeWolf Hopper," has a small role, as does "The Great One" -- Jackie Gleason (billed as Jackie C. Gleason). Hopper is as stiff as ever (except when he was on Perry Mason), but Gleason makes a nice impression as a pleasant member of the robbery gang who has a soft touch for Dot. Roland Drew as gang leader Carey looks surprisingly good in drag. Frank Wilcox is only adequate as Kenneth, the old friend of Dot's who turns her in and then tries to help her. Robert Florey also directed The Beast with Five Fingers. Bishop, Ford, Drew, and Wilcox were all in The Hidden Hand. 

Verdict: A pleasant surprise. ***.

THE BEAST WITH FIVE FINGERS

 

THE BEAST WITH FIVE FINGERS (1946). Director: Robert Florey.

 Another fascinating -- if familiar -- Peter Lorre characterization is the cornerstone of this highly entertaining mystery/horror film, directed with style and suspense by Robert Florey, who also directed Lorre in The Face Behind the Mask. When crippled pianist Francis Ingram (Victor Francen) dies, relatives descend upon his Italian villa, which is already occupied by his nurse Julie (Andrea King), the scholarly Hilary (Peter Lorre) and mysterious hanger-on Bruce Conrad (Robert Alda). J. Carroll Naish is the police commissioner who investigates when more bodies turn up, the murders strangely attributed to a severed and disembodied hand. Charles Dingle is Ingram's brother-in-law, who is determined to steal the estate away from Julie. An interesting aspect to the movie is that you may find yourself liking the bad guys, and disliking the kind of cold and sleazy romantic couple played by Alda and the strangely sinister King. The film works well and is even eerie for most of its length, although the filmmakers couldn't resist having a last comical wink at the audience at the end.

Verdict: Worth viewing. ***.