MASK OF THE DRAGON

Sheila Ryan and Richard Travis

MASK OF THE DRAGON (1951). Director: Sam Newfield.

In Korea Lt. Dan Oliver (Richard Emory) is asked to take a package containing a Jade dragon back to the United States. He has barely arrived when he is murdered and his luggage searched. Oliver's partner, Phil Ramsey (Richard Travis), investigates his murder along with Ramsey's gal pal, Ginny (Sheila Ryan). Ginny isn't thrilled when Phil shows an interest in blonde singer Terry Newell (Dee Tatum), who appears on an L.A. TV show and was in love with Oliver. While Phil kibbitzes with Lt. McLaughlin (Lyle Talbot), sinister art dealer Kim Ho (Jack Reitzen) and his associates Murphy (Sid Melton), Kingpin (Karl Davis) and Simo (Charles Iwamoto, billed as Mr. Moto) try to find the Jade dragon and beat up or dispose of anyone who gets in their way. Major Clinton (Michael Whelan) is convinced that Oliver was up to some funny business, a notion that infuriates Phil.

Curt Barrett and the Trailsmen

Mask of the Dragon was undoubtedly made back to back with Travis' earlier film Fingerprints Don't Lie, as it has the same director, writer, stars and virtually the same cast in both pictures. It is an even worse movie, however. At one point the action stops dead so that we can be treated to the song stylings of Curt Barrett and the Trailsmen, who aren't terrible but do little to add to the intrigue. Mask of the Dragon seems cobbled together from outtakes, with a script hastily scribbled on toilet paper to make use of the footage and the cowboy singers used to pad out the running time. Like other mystery films Travis starred or co-starred in, Dragon was cut down to half an hour and shown on television as part of a mystery series. Dudley Chambers' organ score is another minus. The actors do the best they can. 

Verdict: Even singing cowboys can't save this. *1/2.  

FINGERPRINTS DON'T LIE

Richard Travis and Sheila Ryan

FINGERPRINTS DON'T LIE (1951). Director: Sam Newfield. 

At the murder trial of artist Paul Moody (Richard Emory), fingerprint expert James Stover (Richard Travis of Missile to the Moon) must give damning testimony. The theory of the prosecuting attorney (Tom Neal of Jungle Girl) is that Moody, angered because Mayor Palmer (Ferris Taylor) turned down his mural proposal because he objected to Moody's dating his daughter, Carolyn (Sheila Ryan of Railroaded), bashed Palmer on the head with a telephone, killing him. James points out Moody's fingerprints on the murder weapon, and it all seems cut and dried. But Carolyn insists that her boyfriend is innocent, and that there must be some other explanation for the fingerprints. Knowing that a man's life is at stake, James investigates with Carolyn's assistance. 

Defendant: Richard Emory

The premise of this film is that fingerprints can be duplicated -- in other words, faked -- which can be done, although it's rare. Suspects for this devious activity include Police Commissioner Frank Kelso (Michael Whalen), gangster King Sullivan (George Eldredge), gun moll Connie Duval (Dee Tatum), even Lt. Grayson (Lyle Talbot). Also in the cast are Margia Dean and Syra Marty as artist's models. Travis is okay in the lead and the supporting performances, especially Eldredge, are more than adequate, but the movie is minor-league. Sid Melton is genuinely amusing, for a change, as the hapless photographer, Hypo Dorton. An in-joke has him checking out a wanted poster that has his real name on it.  Dudley Chambers' lousy score consists of terrible chorale writing and organ music. 

Verdict: Despite some intriguing elements this is mostly a time-waster. **1/4. 

HEARTACHES (1947)

HEARTACHES (1947). Director: Basil Wrangell.

Obnoxious Vic Morton (Kenneth Farrell) is making his latest romantic movie, "Heartaches," when he gets a death threat in the mail. Vic's publicity agent, Toni (Sheila Ryan of Railroaded), is afraid that her boyfriend, reporter Jimmy McDonald (Edward Norris), will discover that Vic can't actually sing a note, but is dubbed by the un-handsome Bogey (Chill Wills). Lt. Armstrong (James Seay of Beginning of the End) thinks the business with the death threats -- which keep on coming -- is just a publicity stunt, but then a couple of dead bodies turn up. Potential suspects and victims include Mike Connolly (Frank Orth), Vic's agent, and Anatole Hendricks (Edward Earle),. who can't understand why Vic won't sign a very lucrative radio contract. 

Edward Norris, Sheila Ryan, Kenneth Farrell

Heartaches is better than the usual PRC production (which should stand for "Poverty Row Crap" but actually stands for "Producer's Releasing Corporation"), although this is still a minor murder mystery with the denouement practically a foregone conclusion. It has an interesting supporting cast: Keefe Brasselle as a prop boy who is also a suspect; Western star Lash La Rue as an actor in the film-within-a film whose gun somehow has real bullets in it (this is never really explained); Arthur Space of Panther Girl of the Kongo as a postal executive who investigates the threatening letters; Terry Moore as an actress in a coming attraction; and Minerva Urecal as a cleaning lady who discovers two corpses during her rounds. As for the leads, Chill Wills adds the most flavor as the man who was a lead vocalist with a band and is now just singing off-screen. Ken Farrell is suitably bitchy and twitchy, while Ryan and Norris are both adept but not terribly appealing. NOTE: Chill Wills was also lip-syncing -- the actual singer is unknown.

Verdict: Not since milli vanilli! **1/2. 

RAILROADED

Hugh Beaumont

RAILROADED (1947). Director: Anthony Mann. 

Steve Ryan (Ed Kelly) is falsely accused of robbery and the murder of a police officer when the real culprit is nasty hood Duke Martin (John Ireland). Duke's hard-as-a-hooker girlfriend, Clara (Jane Randolph), fingers poor Steve, but even she begins to develop a conscience when other witnesses wind up murdered. Sgt. Mickey Ferguson (Hugh Beaumont), a cop from the old neighborhood, has to arrest Steve, incurring the wrath of Steve's feisty sister, Rosie (Sheila Ryan), who begins a relationship with Duke to ferret out information. Meanwhile Mickey hopes he can get a love-sick but frightened Clara to turn on her boyfriend and tell the truth. 

John Ireland and Jane Randolph

Railroaded is an absorbing if minor entry in the film noir genre, bolstered by some good performances. Although best known as a kind of bland father on Leave It to Beaver, Beaumont was generally good playing cops, private eyes, and especially bad guys in low-budget melodramas like this one. Randolph and Ryan, who have a fairly zesty cat-fight at one point, are both effective as the ladies in the story, and Ireland makes a convincing villain. Steve Ryan is fine as the decent guy accused of a terrible crime, but he only appeared in two other pictures. Keefe Braselle plays another guy who took part in the robbery, and Roy Gordon [Attack of the Fifty Foot Woman] is a mob boss who gives Duke his orders; both are good. From PRC (Producers Releasing Corporation). 

Verdict: Lower case film noir with some interesting performers. **1/2.